1,747 research outputs found
La linfa della creazione. Decostruire l’originalità a partire da un’opera di Giuseppe Penone
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"Adel Abdessemd. Works 1988-2015". Contiene i seguenti testi di A. Mengoni: Ombre et lumière pp. 12-13; Nüremberg pp. 20-21; Sysiphe pp. 25-27; Passé simple pp. 34-35; Nuit pp. 42-46; Chrysalide, ça tient à trois fils pp. 50-51; Fontaine pp. 54-55; Zen pp. 58-59; Je me dresse entre les deux pp. 66-67; Adel has resigned pp. 70-71; Question nary pp. 72-73; Il meglio delle tre religioni pp. 78-79; The Green Book pp. 80-81; Happiness in Mitte pp. 84-87; Real Time pp. 88-89; Habibi pp. 90-95; Tschüss pp. 104-105; Study for a video project pp. 106-107; Bourek pp. 108-111; Brik pp. 112-113; Godi s design pp. 116-119; Les Douleurs de ma mère pp. 122-123; Pluie noire p. 134; Birth of Love pp. 142-143; Dvir pp. 148-149; Habibti pp. 150-153; La capacité qu’a la main pp. 154-155; Practice Zero Tolerance pp. 158-163; Wall Drawing p.. 168-171; Séparation pp. 172-173; Sept frères pp. 174-175; Don’t Trust Me pp. 184-187; Helikoptère pp. 196-197; Also Sprach Allah pp. 226-229; Hot Blood pp. 246-247; Usine pp. 258-259; Nedjma pp. 276-279; The Futur of Décor pp. 300-301; Taxidermia, Taxidermy, Histoire naturelle pp. 322-327; One Thousand One pp. 328-329; L’avenir est aux fantômes p. 350; Odradek pp. 360-361; Lise pp. 362-363; Cheval arabe pp. 364-365; Décor pp. 366-371; Who’s Afraid of the Big Bad Wolf pp. 388-391; La Grande parade pp. 392-395; Cri pp. 404-411; Soldaten pp. 412-415; Le Vase Abominable pp. 416-421; Little Pot pp. 422-425; State pp. 426-429; Printemps pp. 434-437; L’Age d’Or pp. 442-443; Park pp. 468-471; Lampedusa pp. 472-475; Pigeon pp. 480-483; Mon Enfant pp. 490-495; Tortue pp. 498-501; Solitude pp. 502-503; Diptyque pp. 514-515; Trabajo pp. 532-535; Citizen pp. 542-547; Chicos pp. 548-551; El Che pp. 552-553.
No full textThe volumes focus on Adel Abdessemed's artistic works in the years 1988-2015. Besides the essays of several international authors, a second volume focuses on the close analyses of Abdessemed's works: a brief essay explores the characteristics and sense generation of every single work and clarifies the issues it appeals to. Angela Mengoni is the author of 65 essays, for a total of about 200 pages of close visual analysis
Materia-autore = Author-Matter
No full textThe etymology of the word author refers to an act of creation, an act of augmentation, from the Latin verb augere. Author instantiates creation, the expansion of the pre-existing. In 1967 Roland Barthes declared the death of the author in his famous essay to state once more that the crisis is that of the author as a single subjectivity and as a term that condenses prestige, undermined by the de-subjectivation strategies of automatism, fortuity and fragmentation of the historical avant-gardes, as well as by the machinic act and by the reproducibility of the second avant-gardes.
Fifty years after Barthes’ paradigmatic formula, this lack of authorship appears to be a successful brand. The ten- sions between the anomie of matter, the law that establishes authorship and the economy that makes the work pos- sible, invoke discordant perspectives. Artists make the self-destruction of their work the real work, and appeal is made for the demolition of architectures, whether by a recognised author or not, in order to re-design, or better still, re-claim the territory. Artificial intelligence consolidates its logics and its design by progressively shedding human ingenuity. The space of criticism becomes, finally, increasingly ephemeral. However, there is an acceptation of criti- cism that is, rather than an individual ‘signature’, an exploration and explanation of how design makes theory.
The binomial author-matter seeks to mark these tensions and contradictions: the featured term author is main- tained to underline the persistence of that prestigious subjectivity, at the very moment when the rhetoric of “mat- ter as an author” promises other forms of authorship
La responsabilità per inadempimento da Osti a Mengoni
No full textThe author analyses the relationship between the two fundamental theories about liability for non performance in the Italian civil code. Both Osti and Mengoni conceive this liability as one which, contrary to what often is said in literature, is based, not on negligence, but on no-performance itself according to what precisely art. 1218 of the Italian civil code of 1942 establishes. The specific question is the difference between the two authors.
First of all Osti writes with reference to the Italian civil code of 1865, whereas Mengoni refers to the new one of 1942, which indeed adopted the solution suggested by Osti under the previous one.
Secondly the idea of a contractual liability detached from negligence by Mengoni finds its foundation on the theory that every obligation has a result. Therefore the unified rule on liability is the natural outcome of a unified theory of obligation, which overcomes the false distinction between obligations de moyens and obligations de résultat.
Specific attention Mengoni dedicates also to restitution at the end of a contractual relationship.
Diverging from Osti, Mengoni affirms that this obligation is a contractual one, not an ex lege obligation founded on unjustified enrichment.
With regard to the impossibility as a cause of exclusion of liability when it is not accountable to the debtor, the difference is that whereas Osti still holds an absolute and naturalistic idea, Mengoni accepts the suggestion of identifying it with the Unerschwingbarkeit theorized by Savigny and corresponding to a relative impossibility
Pulse pressure affects the relationship between flow-mediated dilatation and cardiovascular risk
No full textEndothelial dysfunction is recognized as a pivotal factor in the development of atherosclerosis [1]. Dilatation of the brachial artery in response to an increase in flow (flow-mediated dilatation, FMD) during post-ischemic reactive hyperemia currently represents the most suitable approach for non-invasive assessment of endothelial functionFil: Cardona, Andrea. Universita Di Perugia; ItaliaFil: Ambrosio, Giuseppe. Universita Di Perugia; ItaliaFil: Mengoni, Anna. Universita Di Perugia; ItaliaFil: D´antonio, Antonella. Universita Di Perugia; ItaliaFil: Bentivoglio, Maurizio. Universita Di Perugia; ItaliaFil: Milei, Jose. Consejo Nacional de Investigaciones Científicas y Técnicas. Oficina de Coordinación Administrativa Houssay. Instituto de Investigaciones Cardiológicas (i); ArgentinaFil: Angeli, Fabio. Universita Di Perugia; Itali
High accuracy 234U(n,f) cross section in the resonance energy region
No full textNew results are presented of the 234U neutron-induced fission cross section, obtained with high accuracy in the resonance region by means of two methods using the 235U(n,f) as reference. The recent evaluation of the 235U(n,f) obtained with SAMMY by L. C. Leal et al. (these Proceedings), based on previous n-TOF data [1], has been used to calculate the 234U(n,f) cross section through the 234U/235U ratio, being here compared with the results obtained by using the n-TOF neutron flux. © The Authors, published by EDP Sciences, 2017
Giuseppe Mengoni. Architect of Milan’s Galleria Vittorio Emanuele II. (1829–1877)
No full textThe essay deals with Giuseppe Mengoni, author of the Galleria Vittorio Emanuale II in Milan, focusing on its innovative features in both urban design and technological solutions
Measurement of the 242Pu(n,f) cross section at the CERN n_TOF facility
No full textThe accurate knowledge of relevant nuclear data is crucial for the design of advanced nuclear systems. These data include neutron cross sections of various plutonium isotopes and other minor actinides. The 242Pu(n,f) cross section was measured at the CERN n_TOF facility, taking advantage of the wide energy range (from thermal to GeV) and the high instantaneous flux of the neutron beam. Preliminary results for the measurement are presented. © 2014 Elsevier Inc
Measurement of the 240Pu(n,f) cross-section at the CERN n-TOF facility: First results from experimental area II (EAR-2)
No full textThe accurate knowledge of the neutron-induced fission cross-sections of actinides and other isotopes involved in the nuclear fuel cycle is essential for the design of advanced nuclear systems, such as Generation-IV nuclear reactors. Such experimental data can also provide the necessary feedback for the adjustment of nuclear model parameters used in the evaluation process, resulting in the further development of nuclear fission models. In the present work, the 240Pu(n,f) cross-section was measured at CERN's n-TOF facility relative to the well-known 235U(n,f) cross section, over a wide range of neutron energies, from meV to almost MeV, using the time-of-flight technique and a set-up based on Micromegas detectors. This measurement was the first experiment to be performed at n-TOF's new experimental area (EAR-2), which offers a significantly higher neutron flux compared to the already existing experimental area (EAR-1). Preliminary results as well as the experimental procedure, including a description of the facility and the data handling and analysis, are presented. © The Authors, published by EDP Sciences, 2017
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