14 research outputs found

    Cavitand-Based Coordination Cages: Achievements and Current Challenges

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    The research results obtained in the self-assembly of cavitand-based coordination cages are presented. Cavitands are ideal multidentate ligands for the creation of coordination cages due to their structural rigidity, concave structure, and great versatility in terms of synthetic modularity. The introduction of the ligand moieties on the resorcinarene building block proceeds at the upper rim of the cavity, to take full advantage of the structural rigidity of the cavitand scaffold. Two different synthetic strategies are employed for the formation of multidentate cavitand ligands: (a) functionalization at the apical positions and (b) introduction of the ligands as bridging units. The key features to control the cage self-assembly process emerging from this overview are the preorganization, for the cavitands, and kinetic versus thermodynamic stability of the resulting complexes, for the connecting metal. The versatility of this class of coordination cages is demonstrated by the formation of their heterotopic and heteronuclear versions, as well as their self-assembly on gold and silicon surfaces. Desymmetrization of the cages is appealing because of the resulting differentiation of the inner cavities in terms of shape and interactivity, while surface self-assembly represents an important opportunity to expand the application range of these objects

    Self-assembly of a cavitand-based heteronuclear coordination cage

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    A new self-assembly protocol leading to the formation of heteronuclear coordination cage 10 is reported. Reaction of tetradentate cavitand ligand 1, bearing one ethynylpyridine and three benzonitriles at the apical positions, with Pt(dppp)OTf2 and Pd(dppp)OTf2 in a 1:3 ratio yields 10 as the thermodynamic product. Under the same conditions, the self-assembly of 1 with either Pt or Pd metal precursors gives a mixture of isomeric homonuclear cages 8a-c or 9a-c, respectively

    Molecular Recognition with Ditopic Cavitand Re-Complexes

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    The synthesis of a series of cavitand receptors bearing increasing numbers of phosphonate groups at their upper rims and of the corresponding Re-based ditopic complexes is reported. The molecular recognition properties of these phosphonate cavitands towards both monotopic and ditopic N-methylpyridinium salts were investigated. The numbers and spatial dispositions of P=O units are pivotal for the complexation of guest ions. The removal of a single P=O bridge from the parent tetraphosphonate cavitand was sufficient to reduce the association constant by almost three orders of magnitude. Elimination of a second P=O unit completely abolished complexation in the AC distal isomer, both in monotopic and in ditopic hosts. The preorganised structure obtained by interconnection of two triphosphonate cavitands through a Re system showed moderate positive self-assembly cooperativity in the inclusion of ditopic N-methylpyridinium salts in both polar and nonpolar solvents. The speciation profile in ethanol indicates that the clamshell 1: 1 complex is dominant at low concentrations (< 10(-4) M) whereas the 1: 2 complex is preferred at higher concentrations of ditopic guest

    Author Correction: Using mortuary and burial data to place COVID-19 in Lusaka, Zambia within a global context

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    Correction to: Nature Communicationshttps://doi.org/10.1038/s41467-023-39288-6, published online 29 June 2023 In this Article, the affiliation details for Emanuele Del Fava & Alessia Melegaro were incorrectly given as ‘Carlo F. Dondena Centre for Research on Social Dynamics and Public Policy, Boccini University, Milan, Italy’ but should have been ‘Carlo F. Dondena Centre for Research on Social Dynamics and Public Policy, Bocconi University, Milan, Italy’. This has now been corrected in the PDF and HTML versions of the Article

    Synthesis of Partially-Bridged Phosphonate and Thiophosphonate Resorcinarenes

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    The synthesis of partially bridged thiophosphonate and phosphonate resorcinarenes is reported in this paper. Resorcinarenes functionalised at the upper rim with two or three P=X (X=S,O) bridges oriented towards the molecular cavity are obtained from the treatment of the corresponding (iiii) tetrasubstituted cavitand with 1,2-dihydroxybenzene and base in DMF. This synthetic route selectively promoted the formation of one of the two disubstituted resorcinarenes, the AC isomer. The crystal structure of the AC-dithiophosphonated resorcinarene 4 has been determined

    DisAbility on Stage: Hybrid Media Publication

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    Theater und Tanz von und mit DarstellerInnen mit Behinderung ist sehr erfolgreich und geniesst eine entsprechend grosse Aufmerksamkeit in der zeitgenössischen Theater- und Tanzszene – dies nicht erst, seit das Zürcher Theater HORA den Grand Prix Suisse de Théâtre / Hans-Reinhart-Ring 2016 gewann. Die Hybrid Media Publication beleuchtet aktuelle Entwicklungen dieser Theater- und Tanzszene in der Schweiz mit dem Fokus auf Arbeitsweisen, die Ausbildung sowie die Rezeption durch das Publikum. Das SNF-Forschungsprojekt "DisAbility on Stage" an der Zürcher Hochschule der Künste in Kooperation mit anderen Hochschulen, Theater- und Tanzkompanien und Festivals untersuchte diese Aspekte im Dialog zwischen Theorie und Praxis sowie zwischen den verschiedenen Sprachregionen der Schweiz. Die Hybrid Media Publication vermittelt die Ergebnisse der Forschung mittels Text-, Video- und Bildmaterial an ein breites Publikum. Die Inhalte sind in leichter Sprache sowie in Fachsprache erhältlich. Eine Auswahl von Inhalten ist hier aufgeführt. Die Liste wird laufend ergänzt. Film Sechs RegisseurInnen – eine Republik. Ein Forschungsfilm in 8 Teilen. Schweiz, 2019, 42 min, Digital HD, D/F/E; Regie/Drehbuch: Sarah Marinucci, Yvonne Schmidt, Nele Jahnke; Schnitt: Franca Frey; Kamera, Ton: Silke Andris, Markus Börlin, Pascale Grange; Colorgrading: Ralph Wetli; Audiomaster: Gregg Skerman; Audiodescriptions: Christiane Crzymoch: https://medienarchiv.zhdk.ch/sets/593b1225-8737-4dcd-a87a-59a623e38e1b Texte Wissenschaftliche Texte Bocchini, Sara & Quadri, Demis (2019): Disabled Bodies in Discourse. In: Schmidt, Yvonne; Marinucci, Sarah; Bocchini, Sara; Quadri, Demis; Jahnke, Nele; Rey, Anton: DisAbility on Stage. Hybrid Media Publication, Zurich University of the Arts: https://disabilityonstage.zhdk.ch/wp-content/uploads/2019/07/HMP_Disabled-Bodies-in-Discourse_SB-DQ.pdf Marinucci, Sarah (2019): Freie Republik HORA. Vom Sprechen über zum Sprechen mit Darsteller*innen mit geistiger Behinderung. In: Schmidt, Yvonne; Marinucci, Sarah; Bocchini, Sara; Quadri, Demis; Jahnke, Nele; Rey, Anton: DisAbility on Stage. Hybrid Media Publication, Zurich University of the Arts: https://disabilityonstage.zhdk.ch/wp-content/uploads/2019/07/HMP_Marinucci_Standardsprache_05.07.2019.pdf Marinucci, Sarah (2016): «Freie Republik HORA. Vom «Sprechen über» zum «Sprechen mit» Darstellenden mit geistiger Behinderung». In: Fournier, Anne / Gilardi, Paola / Härter, Andreas / Hochholdinger-Reiterer, Beate (Hg.): Theater HORA. MIMOS 2016, 78. Zürich: Peter Lang, 233–241. Online unter: https://doi.org/10.5281/zenodo.4497729 Delphine, Abrecht / Gilardi, Paola / Klaeui, Andreas & Schmidt, Yvonne (Hg.) (2018): Theater Sgaramusch. MIMOS – Schweizer Theater-Jahrbuch, 80. Beiträge englisch, deutsch, französisch und italienisch. Bern: Peter Lang. Online unter: https://doi.org/10.5281/zenodo.5910696 Schmidt, Yvonne / Marinucci, Sarah / Bocchini, Sara / Quadri, Demis & Rey, Anton (2018): «DisAbility on Stage. Exploring the Physical in Dance and Performer Training». Synnyt/Origins: Finnish Studies in Art Education. 2. 74–87. Online unter: https://doi.org/10.5281/zenodo.4498334 Schmidt, Yvonne (2017): «Towards a new directional turn?. Directors with cognitive disabilities». Research in Drama Education: The Journal of Applied Theatre and Performance. 22, 3. Special Themed Issue: International Perspectives on Performance, Disability and Deafness. 446–459: https://doi.org/10.5281/zenodo.3832165 Schmidt, Yvonne (2016): «Auf neuen Wegen. Regisseurinnen und Regisseure mit geistiger Behinderung». Kulturräume+. Das Kubia-Magazin. 6, 11. 30–32. Online unter: https://doi.org/10.5281/zenodo.7795522 Schmidt, Yvonne (2016): «Ordnungen des Inszenierens. Theater als freie Republik». In: Fournier, Anne / Gilardi, Paola / Härter, Andreas / Hochholdinger-Reiterer, Beate (Hg.): Theater HORA. MIMOS 2016, 78. Zürich: Peter Lang, 218–230. Online unter: https://doi.org/10.5281/zenodo.4454938 Wagner, Meike / Klöck, Anja / Niethammer, Nora / Bolte-Picker, Petra / Ernst, Wolf-Dieter & Schmidt, Yvonne (2016): «Kunst – Nicht-Kunst – Andere Kunst. Verhandlungen des Theaters zwischen professionellem und dilettantischem Dispositiv». In: Cairo, Milena / Hannemann, Moritz / Haß, Ulrike & Schäfer, Judith (Hg.): Episteme des Theaters. Aktuelle Kontexte von Wissenschaft, Kunst und Öffentlichkeit. Theater, 90. Bielefeld: transcript Verlag, 551–574. Online unter: https://doi.org/10.5281/zenodo.4498172 Texte in einfacher Sprache Bocchini, Sara & Quadri, Demis (2019): Disabled Bodies in Discourse. Lingua Facile In: Schmidt, Yvonne; Marinucci, Sarah; Bocchini, Sara; Quadri, Demis; Jahnke, Nele; Rey, Anton: DisAbility on Stage. Hybrid Media Publication, Zurich University of the Arts: https://disabilityonstage.zhdk.ch/wp-content/uploads/2019/10/Disabled_Bodies_in_Discourse-Lingua_facile.pdf Bilder Dietschi, Johannes (2017): Bühnenlabor «DisAbility on Stage»: https://medienarchiv.zhdk.ch/sets/bb19c97f-6b92-4f84-88a3-9489609e0493 Videos Bocchini, Sara; Carbini, Dante; Quadri, Demis (2017): Disabled Bodies in Discourse. A theatre, education and research project. Audio-Deskription von Christiane Czymoch in Englisch / Mai 2017: https://medienarchiv.zhdk.ch/entries/1e5f1f2e-b373-44f6-9efb-c3a152e079b5 Bocchini, Sara; Carbini, Dante; Quadri, Demis (2017): Disabled Bodies in Discourse. A theatre, education and research project. Untertitel in Englisch und Deutsch / Mai 2017: https://medienarchiv.zhdk.ch/entries/26003ecb-6458-42f5-b287-e479c36f0a40 Frey, Franca (2017): DisAbility on Stage – Stage Labs 1+2. Ein Trailer über die beiden Stage Labs 1 & 2. März 2017: https://medienarchiv.zhdk.ch/entries/56c1f419-5dc7-4f91-b386-e4a665230aad Institute for the Performing Arts and Film (2019): Symposium_DisAbility on Stage, ZHdK, April 2019: https://vimeo.com/334440538 Institute for the Performing Arts and Film (2019): UNFORESEEN ABILITIES_ Symposium DisAbility on Stage, ZHdK, April 2019: https://vimeo.com/334289140 Institute for the Performing Arts and Film (2019): DisAbility on Stage_Keynote von Carrie Sandahl, ZHdK, April 2019: https://vimeo.com/334297235 Rey, Anton (2017): Bühnen·Labor 2 – Stage Lab 2 – Dokumentation einer Probe. Dokumentation des Bühnen·Labors 2 2017 im Rahmen des Forschungs·Projekts «DisAbility on Stage – Exploring the Physical in Performing Arts Practices» am Institute for the Performing Arts and Film der Zürcher Hochschule der Künste: https://medienarchiv.zhdk.ch/entries/0417ab0d-faea-441d-95f2-45db0a0d6564+ ID: 575530 + Reihentitel: subText

    Validation of the Italian Version of the Rapid Geriatric Assessment in Community-Dwelling Older Adults

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    Background/Objectives: The Rapid Geriatric Assessment (RGA) is a tool designed to screen for frailty, sarcopenia, anorexia related to aging, and cognitive impairment. This study aimed to translate and validate the RGA for use among Italian community-dwelling older adults. Methods: This cross-cultural study involved 100 community-dwelling older adults randomly recruited through convenience sampling from general practitioner offices in Genoa (Italy), between January and June 2019. The RGA includes the Simple FRAIL Questionnaire Screening Tool, SARC-F Screening for Sarcopenia, Simplified Nutritional Assessment Questionnaire (SNAQ), and Rapid Cognitive Screening (RCS). These were validated against gold-standard tools: the Abbreviated Comprehensive Geriatric Assessment (aCGA) and Multidimensional Prognostic Index (MPI). Additional assessments included the Timed Up and Go (TUG) and Handgrip test. The validation process included forward&ndash;backward translation, synthesis, and consensus by independent reviewers. Psychometric properties, internal consistency (Cronbach alpha), and validity correlations were analyzed. Results: The RGA demonstrated satisfactory psychometric properties, with internal consistency (Cronbach alpha = 0.59) and significant validity correlations (RGA and aCGA, rho = 0.34, p = 0.001; RGA and MPI, rho = 0.49, p &lt; 0.001). Discriminant validity was confirmed by significant correlations between specific subitems and reference measures: FRAIL with TUG (p &lt; 0.05), SARC-F with Handgrip strength (p = 0.013), SNAQ with BMI, and RCS with MMSE (p &lt; 0.001). Conclusions: The Italian version of the RGA is a reliable screening tool for geriatric syndromes in community-dwelling older adults. While it does not replace a CGA, the RGA may identify individuals who may benefit from further evaluation using a complete CGA
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