3,086 research outputs found

    The Son and the other stars: Christology and cosmology in the imagination of C.S. Lewis

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    This dissertation treats the theory and practice of C. S. Lewis's theological imagination, focussing upon the imaginative use he made of his professional expertise in medieval and renaissance literature. Its approach is principally expository rather than an evaluative. Chapter One outlines the centrality of the imagination to a proper understanding of Lewis's works. Chapter Two examines Lewis's own theory of imagination and surveys how he practised it as a literary critic. We compare and contrast Lewis's theory and practice of imagination with that of his friend, the theologian, Austin Faffer. Chapter Three looks in more detail at Lewis's imaginative practice, in particular his fascination with the images supplied by the seven planets of the Ptolemaic cosmos, which he termed 'spiritual symbols of permanent value'. We analyse what he meant by 'sprit' and 'symbol'. Chapter Four introduces the main argument of the dissertation namely that these seven spiritual symbols structure the works for which Lewis is best known, the seven 'Chronicles of Narnia'. We claim to have uncovered the governing imaginative blueprint of the septet. We address Lewis's capacity for and interest in secrecy and consider why this planetary theme has remained hitherto undetected. In Chapters Five to Eleven we take the seven planets in turn and trace the use Lewis made of them through out his writings. We analyse the planetary symbolism undergirding each Chronicle and conclude each chapter with an exegesis of the Christological message of each book so understood. Chapter Twelve examines factors which motivated Lewis to focus his imaginative energies upon Ptolemaic cosmology and suggests one particular occasioning factor behind the composition of the Chronicles. In addition, we consider theological and pedagogical reasons why he kept silent about the planetary theme. We conclude by indicating certain consequences that our argument has for future readings of these seven works

    Neural correlates of processing valence and arousal in affective words

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    Psychological frameworks conceptualize emotion along 2 dimensions, "valence" and "arousal." Arousal invokes a single axis of intensity increasing from neutral to maximally arousing. Valence can be described variously as a bipolar continuum, as independent positive and negative dimensions, or as hedonic value (distance from neutral). In this study, we used functional magnetic resonance imaging to characterize neural activity correlating with arousal and with distinct models of valence during presentation of affective word stimuli. Our results extend observations in the chemosensory domain suggesting a double dissociation in which subregions of orbitofrontal cortex process valence, whereas amygdala preferentially processes arousal. In addition, our data support the physiological validity of descriptions of valence along independent axes or as absolute distance from neutral but fail to support the validity of descriptions of valence along a bipolar continuum

    Sinclair Lewis Society Newsletter, Vol 32, No. 1

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    “New Play Based on Novel and Film of Sinclair Lewis’s Free Air,” by John Loch, Rosemount Area Arts Council “The Filming of the Silent Movie of Sinclair Lewis’s Free Air,” by John Loch, Rosemount Area Arts Council “George Macy’s Readers Club (1941-1943) and Sinclair Lewis,” by Shaun F. Richards, Finger Lakes Community College “Lost Boundaries“ “Making Her Way in the Big City: Carrie Meeber in Sister Carrie and Una Golden in The Job,” by Sally E. Parry, Illinois State University “Favorite Books by Our Members” “Literary Legends: Poll of Minnesotans Reveals Sinclair Lewis as the State’s Favorite Author of All Time” “The (Self-) Importance of Being American: A Lesser-Known Lewis Essay on the American Expatriate Artists in 1920s Paris,” by Shaun F. Richards Finger Lakes Community College In Memoriam: Benjamin R. Beede and Robert Gottliebhttps://ir.library.illinoisstate.edu/slsn/1093/thumbnail.jp

    Kanter Revisited: Gender, Power and (In)visibility

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    This paper revisits Kanter's (1977) seminal work Men and Women of the Corporation, rereading her account of numerical advantage and disadvantage through a poststructuralist lens which exposes hidden dimensions of gendered power. This lens is captured in the ‘(In)visibility Vortex’ (Lewis and Simpson, 2010) which highlights struggles and tensions around the norm through processes of preservation and concealment within the norm as well as dynamics of revealing, exposure and disappearance as features of the margins. The study draws on developments in feminist theorizing, specially around visibility, invisibility and power, to facilitate this rereading. In so doing, the author demonstrate that while Kanter retreated from explanations based on the gendering of organizations or from recognition of gendered power, these dynamics can be identified in her text. The authors suggest that rereading classic texts can surface dimensions of organizations that have contemporary significance and can inform future research

    Political trajectories in the painting of P. Wyndham Lewis

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    This thesis presents an analysis of the political dimension to the paintings of Percy Wyndham Lewis (1882-1957).Through an exegesis of the discreet and latent "voices" in Lewis's paintings the ideological parameters of his thought world are disclosed. These imperatives are examined for their display of political predispositions, for values and attitudes, which reveal a loading towards specific socio-cultural standards. In so far as these standards can be identified with historically relevant political programmes they become manifestos for political actions. Or, at the very least, they can be seen to exist as critical and prescriptive social insights. Importantly, the focus of this examination and interpretation remains the visual image and its related texts. A key aspect of both the methodology and argument within this thesis, insists that the visual image is the bearer of meaning in both its subject matter and technique. Values are communicated not only in reference to the thing displayed, but, in the manner of the display. Hence, an analysis of the intellectual and formal strategies employed by Lewis in his painting becomes a central concern of the thesis. Finally, the thesis rounds on the actual nature of Lewis's politics as revealed in his approach to art. While it is accepted that the mediation from the political to the painted throws up many and substantial barriers, the thesis insists that a political reading of Lewis's creative work is not only appropriate but necessary. In offering just such a reading the author hopes to transcend the boundaries between the disciplines of Art History and Sociology

    Normativity, moral realism, and unmasking explanations

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    Moral Projectivism must be able to specify under what conditions a certain inner response counts as a moral response. I argue, however, that moral projectivists cannot coherently do so because they must assume that there are moral properties in the world in order to fix the content of our moral judgements. To show this, I develop a number of arguments against moral dispositionalism, which is, nowadays, the most promising version of moral projectivism. In this context, I call into question both David Lewis' dispositionalist account of colour and Chistine Korsgaard's procedural realism

    Data protection: the challenges facing social networking

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    The popularity of social networking sites has increased dramatically over the past decade. A recent report indicated that thirty-eight percent of online users have a social networking profile. Many of these social networking site users (SNS users) post or provide personal information over the internet every day. According to the latest OfCom study, the average adult SNS user has profiles on 1.6 sites and most check their profiles at least once every other day. However, the recent rise in social networking activity has opened the door to the misuse and abuse of personal information through identity theft, cyber stalking, and undesirable screenings by prospective employers. Behavioral advertising programs have also misused personal information available on social networking sites. Society is now facing an important question: what level of privacy should be expected and required within the social networking environment

    Receipt for items shipped by freight to Ellendale

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    This item is a receipt from Manners, Fisher & Co., Steam Planing Mills & Sash Factory to L.B. Chandler for freight shipping of blinds. The blinds were shipped by freight to Ellendale. A note at the bottom mentions that the author is very busy but will try to see Mr. Atkins. The receipt is signed by M.H. Veer and R. Randall. This receipt is related to the construction of Chandler's house in Milton, Delaware, which took place from 1870 to 1871

    Receipt for items shipped by freight to Ellendale

    No full text
    This item is a receipt from Manners, Fisher & Co., Steam Planing Mills & Sash Factory to L.B. Chandler for freight shipping of blinds. The blinds were shipped by freight to Ellendale. A note at the bottom mentions that the author is very busy but will try to see Mr. Atkins. The receipt is signed by M.H. Veer and R. Randall. This receipt is related to the construction of Chandler's house in Milton, Delaware, which took place from 1870 to 1871
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