1,629 research outputs found
In ricordo di Marisa Fabbri
No full textIl 25 luglio 2007, la Fondazione Cerratelli di San Giuliano Terme (Pisa), nell’ambito dei progetti annuali di promozione della sartoria teatrale e cinematografica organizzati con la presidenza onoraria di Franco Zeffirelli, in occasione del ventennale della regia dello spettacolo Madama Butterfly (Teatro di Pisa, 1987), ha festeggiato l’evento con una serata In ricordo di Marisa Fabbri, coordinata da Franco Farina, drammaturgo e docente di scrittura drammatica alla Scuola «Prima del Teatro». L’incontro dedicato alla Fabbri è seguito alla conferenza sui costumi dell’opera pucciniana per la regia della grande attrice fiorentina. La storica del costume Bruna Niccoli, assieme all’artista-artigiana d’atelier Floridia Benedettini, ha presentato gli abiti di scena ideati da Giovanni Carlucci, in particolare quello di CioCio-San, la Signora Farfalla, indossato da Isabel Gentile. La mostra dei costumi, svoltasi sotto l’alto patrocinio dell’Ambasciata del Giappone, è rimasta aperta fino al 10 agosto, dando la possibilità ai visitatori di apprezzare la ricerca formale del costumista e la capacità sartoriale, oltre alla grandiosità della collezione di abiti che la Fondazione possiede e di volta in volta espone. Gli acquarelli della pittrice Gavia, co-curatrice della mostra, hanno L’Università di Pisa, rappresentata dalla docente Antonella Capitanio e da chi scrive, partecipando attivamente alla serata su Marisa Fabbri, ha voluto ricordare ed omaggiare una delle attrici simbolo del teatro italiano dal secondo dopoguerra fino alla sua scomparsa, nel giugno del 2003. Il saggio affronta non solo il lavoro di attrice della Fabbri, ma anche il suo lavoro pedagogico
Alexandre Dumas figlio, La signora delle Camelie. Traduzione, nota al testo, introduzione e postfazione di Marisa Verna. Introduzione e postfazione tradotti in lingua inglese
No full textIl dramma a tesi di Dumas figlio si propone come un teatro “intelligente”, di riflessione morale, in più o meno aperta polemica con il vaudeville e il puro divertissement.
Il volume contiene, oltre a una nuova traduzione del dramma e della prefazione di Dumas fils (edita a scopi didattici nel 2008 presso EduCatt), un capitolo introduttivo nel quale viene indagata la forza mitogena e la canonicità del testo per la cultura europea ed extraeuropea. Il saggio introduttivo si propone di mettere in luce l’intrinseca dualità del testo stesso, dalla quale si è generato appunto il mito: delle due strutture drammatiche presenti nella pièce (quella neoromantica e quella borghese), è la prima, contro ogni previsione dello stesso Dumas figlio a prevalere nei decenni e poi nel secolo successivo alla sua creazione.
Nel saggio finale si propone invece l’analisi di due rappresentazioni considerate cruciali per la storia drammaturgica del testo (poiché la storia scenica di questo dramma è letteralmente immensa, si propone l’analisi di una rappresentazione coeva, e di una novecentesca), in Francia e in Italia. Segue un brevissimo excursus della fortuna scenica della pièce nel mondo, e una bibliografia selettiva.The Lady of the Camellias, by Alexandre Dumas fils
Marisa Verna ed., Edizioni ETS, Pisa 2011
The drame à thèse by Dumas fils appears as a form of intelligent theatre, proposing moral reflections in at times explicit opposition against the vaudeville and the pure divertissement.
Besides a new translation of the drama and of the preface by Dumas fils (previously published by EduCatt in 2008 for teaching purposes), the volume contains an introductory chapter which investigates the mythopoeic force and the canonicity of the text within the European and non-European cultures. The introductory essay aims at highlighting the intrinsic duality of the text which has originated the myth: of the two dramatic structures which make up the pièce the neo-romantic and the bourgeois one the former prevailed in the years and centuries following its creation, contrary even to any prediction of the author himself. The concluding essay analyzes two performances, in France and in Italy, acknowledged as crucial for the dramaturgical history of the text (since the staging history of this drama is immense, the analysis concerns one coeval performance and one from the 20th century). The essay is followed by a brief digression on the international staging success of the pièce and by a selected bibliography
El deber de ser y la importancia de parecer: La denuncia de desacato durante el peronismo en La Pampa (1951-1955)
No full textAnalizamos la forma de impugnar la lealtad y la honorabilidad de los que no comulgaban con el partido y sus líderes. El repertorio de denuncias, enunciaciones y testimonios acusatorios a disposición de la justicia para contener a los detractores durante la organización del peronismo en la provincia Eva Perón posibilita matizar las interpretaciones que refieren a un proceso formativo sujeto a una conducción verticalista capaz de diluir los conflictos y disputas entre los actores partidarios y la sociedad pampeana.Fil: Moroni, Marisa Alejandra. Universidad Nacional de La Pampa. Facultad de Ciencias Humanas. Instituto de Estudios Sociohistóricos; Argentina. Consejo Nacional de Investigaciones Científicas y Técnicas. Centro Científico Tecnológico Conicet - Patagonia Confluencia; Argentin
PENGGUNAAN ECONOMIC VALUE ADDED (EVA) SEBAGAI ALAT UKUR KINERJA KEUANGAN PERUSAHAAN YANG TERDAFTAR DI BURSA EFEK INDONESIA
No full text2014Penggunaan Economic Value Added (EVA) Sebagai Alat Ukur Kinerja \ud
Keuangan Perusahaan yang Terdaftar di Bursa Efek Indonesia \ud
\ud
\ud
Marisa Chandra \ud
Mushar Mustafa \ud
Agus Bandang \ud
\ud
Tujuan dari penelitian ini adalah untuk mengetahui penggunaan Economi Value \ud
Added pada perusahaan pertambangan yang terdaftar di Bursa Efek Indonesia \ud
dan untuk menganalisis penggunaan Economic Value Added sebagai alat ukur \ud
kinerja pada perusahaan yang terdaftar di Bursa Efek Indonesia. Metode analisis \ud
yang digunakan dalam penelitian ini adalah analisis NOPAT, analisis biaya modal \ud
tertimbang, dan analisis EVA. Berdasarkan hasil analisis nilai tambah ekonomi \ud
(EVA) terhadap ke 10 perusahaan pertambangan yang terdaftar di Bursa Efek \ud
Indonesia (tahun 2010 ??? 2012) menunjukkan bahwa rata-rata perusahaan \ud
tersebut belum dapat memberikan nilai tambah ekonomi. Hal ini disebabkan \ud
karena tingkat return lebih rendah dari biaya modal rata-rata tertimbang (WACC). \ud
Hasil analisis ternyata menunjukkan bahwa return on invested capital lebih \ud
rendah jika dibandingkan dengan biaya modal dalam penggunaan modal \ud
(invested capital) \ud
. \ud
\ud
Kata Kunci: Economic Value Added dan Kinerja Keuanga
Proust et l art de la langue. La synonymie comme idolâtrie linguistique
No full textProust and the art of language. Synonymy as linguistic idolatry. In: SERGIO CIGADA E MARISA VERNA A CURA DI. in La Sinonimia tra langue e parole nei codici italiano e francese,. p. 231-254, MILANO: Vita e Pensiero
The aim of this article is to analyze the impossibility of conceiving of the idea itself of synonymy within the proustian understanding of language and his esthetics.
Since his first theoretical reflections on literary language, Proust considered meaning as the result of a complex dynamics, never established once and for all. In his notes to his translations of John Ruskin, the future author of the Recherche reproaches the English esthetician of looking for linguistic meaning where it cannot be found: in the dictionaries or in the history of words. In this attitude Proust sees the same sin of idolatry that Ruskin shares with Montesquiou and that leads to a confusion between art and life, meaning and words.
This conception of language can be found in the Recherche at different levels. Two of these will be analyzed in this article: the language of the characters and the formation of metaphor. Within the language of the characters it is possible to observe various clue synonyms , or even implicit synonyms , marking meaning shifts, where the similarity of meaning at the level of langue is even more revealing of psychological truths that language ends up always exposing. Within this indirect language studied by Genette, it is clear that there is not just one synonym and that it could not be simply replaced by its equivalent in the dictionary without a serious loss of meaning.
The case of metaphor is even clearer to establish the impossibility of synonymy within the proustian understanding of literary language. Two examples will be presented of sememe metaphors , in which the narrator of the Recherche develops all the semantic directions of the linguistic sign by the metaphorisation of the whole sememe. The word itself is at the origin of a process of metamorphosis of reality of which the metaphor is the textual result. It is from the word, as a total sign and as it lies within the artist s conscience, that all comparisons derive.
Therefore the metaphor does not realize a process of semantic equivalence, it is not a synonym of a word or an expression because it is born from an evocation, from the resounding of a memory that words awake within the soul of the person who produces it. Indeed the proustian style reflects on reality a network of questions where all the potentialities of a meaning are activated. Under these conditions, for a writer to believe in the existence of synonymy is like treason against his duty as an artist, which is not to say trois fois à peu près la même chose , but to find a truth able to give way to that journey through the self that every reader is supposed to begin once the book is fnished.Dès ses premières réflexions théoriques sur la langue littéraire, Proust considère en effet le sens comme le résultat d’une dynamique complexe et jamais établie une fois pour toutes. Dans les notes à ses traductions de John Ruskin, le futur auteur de la Recherche reproche à l’esthéticien anglais de chercher le sens là où il n’est pas : dans les dictionnaires, ou dans l’histoire des mots. Dans cette attitude il y a pour Proust ce péché d’idolâtrie que Ruskin partage avec Montesquiou, et qui pousse à confondre l’art et la vie, le sens et les mots.
Cette conception du langage se retrouve dans la Recherche à plusieurs niveaux ; nous allons en analyser deux : la langue des personnages et la formation de la métaphore. Dans la langue des personnages sont relevables de nombreux ‘synonymes indices’, ou même des synonymes implicites, qui marquent un glissement du sens, où l’analogie de signifié au niveau langue n’en est que plus révélatrice de vérités psychologiques que le langage finit toujours par démasquer. Dans ce « langage indirect » étudié par Genette le synonyme n’en est évidemment pas un, et ne pourrait, sans grave perte de sens, être remplacé par son équivalent du dictionnaire.
Le cas de la métaphore est plus décisif pour une définition de l’impossibilité de la synonymie dans la conception proustienne de la langue littéraire. Nous avons choisi de présenter deux exemples de ‘métaphores sémème’, dans lesquelles le narrateur de la Recherche développe toutes les directions sémantiques du signe langue, en métaphorisant ainsi le sémème entier. Le mot est lui-même source du procès de métamorphose du réel dont la métaphore est le résultat textuel, et c’est à partir du mot, en tant que signe total, tel qu’il est déposé dans la conscience de l’artiste, que se départent les comparaisons.
La métaphore ne marque partant pas un procédé d’équivalence sémantique, elle n’est pas synonyme d’un mot ou d’une expression, car elle naît d’une évocation, d’une résonance mémorielle que les mots déclenchent dans l’esprit de celui qui l’énonce. L’écriture proustienne lance en effet sur le réel « des réseaux d'interrogation », où toutes les virtualités du sens sont actives. Dans ces conditions, croire dans l’existence des synonymes est pour un écrivain une trahison de son devoir d’artiste, qui est de ne pas dire « trois fois à peu près la même chose », mais de trouver une vérité capable de donner lieu au voyage dans soi-même que chaque lecteur est censé commencer, une fois le livre fini
Marisa Volpi. Legami a doppio filo fra pittura, scrittura, lettura
No full textIl contributo presenta la figura della critica e storica dell'arte Marisa Volpi (1928-2015), personalità di spicco della critica d'arte degli anni Sessanta e Settanta, nonché scrittrice (premio Viareggio 1986) e autrice di racconti ispirati alle vite d'artista. Con alcuni esempi, viene messo in luce lo stretto legame fra l'attività di ricerca storica, l'elaborazione critica e la scrittura di Marisa Volpi.The contribute focuses on the intellectual figure of Marisa Volpi (1928-2015): art historian, professor, art critic, curator and writer (Viareggio Prix 1986). The author of this contribute runs the website www.marisavolpi.it, with the patronage of the Department of Art History and Performing media at Sapienza University, where Marisa Volpi's archive is situated
A social constitution for the province Eva Perón: Normative conceptions of subnational peronism (Argentina, 1949-1955)
No full textEn este artículo analizamos las distancias y cercanías normativas existentes entre la Constitución nacional argentina de 1949 y la Constitución de la provincia Eva Perón de 1952 (ex territorio nacional de La Pampa). En particular, sostenemos que el estudio de los cambios jurídicos desde un enfoque subnacional permite visibilizar las variadas formas de recepción de las propuestas de normativización de la identidad política peronista.Neste artigo analisamos as distâncias e a proximidade normativa entre a Constituição Nacional Argentina de 1949 e a constituição provincial Eva Perón de 1952 (antigo território nacional de La Pampa). Em particular, argumenta-se que estudar das mudanças legais a partir de uma perspectiva subnacional torna visíveis as diversas formas de acolhimento das propostas de normatização da identidade política do peronismo.In this article, we analyze the distances and normative proximity between the National Constitution argentine of 1949 and the Constitution of the province Eva Perón of 1952 (former national territory of La Pampa). In particular, we argue that the study of legal changes from a subnational perspective makes visible the various reception forms of the proposals for the normativization of the political identity of the Peronism.Fil: Moroni, Marisa Alejandra. Universidad Nacional de la Pampa. Facultad de Ciencias Humanas. Instituto de Estudios Historicos y Sociales de la Pampa. - Consejo Nacional de Investigaciones Cientificas y Tecnicas. Centro Cientifico Tecnologico Conicet - Patagonia Confluencia. Instituto de Estudios Historicos y Sociales de la Pampa.; ArgentinaFil: Olivares, Nicolàs Emanuel. Universidad Nacional de la Pampa. Facultad de Ciencias Humanas. Instituto de Estudios Historicos y Sociales de la Pampa. - Consejo Nacional de Investigaciones Cientificas y Tecnicas. Centro Cientifico Tecnologico Conicet - Patagonia Confluencia. Instituto de Estudios Historicos y Sociales de la Pampa.; Argentin
A social constitution for the province Eva Perón: Normative conceptions of subnational peronism (Argentina, 1949-1955)
No full textEn este artículo analizamos las distancias y cercanías normativas existentes entre la Constitución nacional argentina de 1949 y la Constitución de la provincia Eva Perón de 1952 (ex territorio nacional de La Pampa). En particular, sostenemos que el estudio de los cambios jurídicos desde un enfoque subnacional permite visibilizar las variadas formas de recepción de las propuestas de normativización de la identidad política peronista.Neste artigo analisamos as distâncias e a proximidade normativa entre a Constituição Nacional Argentina de 1949 e a constituição provincial Eva Perón de 1952 (antigo território nacional de La Pampa). Em particular, argumenta-se que estudar das mudanças legais a partir de uma perspectiva subnacional torna visíveis as diversas formas de acolhimento das propostas de normatização da identidade política do peronismo.In this article, we analyze the distances and normative proximity between the National Constitution argentine of 1949 and the Constitution of the province Eva Perón of 1952 (former national territory of La Pampa). In particular, we argue that the study of legal changes from a subnational perspective makes visible the various reception forms of the proposals for the normativization of the political identity of the Peronism.Fil: Moroni, Marisa Alejandra. Universidad Nacional de la Pampa. Facultad de Ciencias Humanas. Instituto de Estudios Historicos y Sociales de la Pampa. - Consejo Nacional de Investigaciones Cientificas y Tecnicas. Centro Cientifico Tecnologico Conicet - Patagonia Confluencia. Instituto de Estudios Historicos y Sociales de la Pampa.; ArgentinaFil: Olivares, Nicolàs Emanuel. Universidad Nacional de la Pampa. Facultad de Ciencias Humanas. Instituto de Estudios Historicos y Sociales de la Pampa. - Consejo Nacional de Investigaciones Cientificas y Tecnicas. Centro Cientifico Tecnologico Conicet - Patagonia Confluencia. Instituto de Estudios Historicos y Sociales de la Pampa.; Argentin
The EVA survtool: an integrated framework to plan health surveillance evaluation
No full textCurrently available frameworks for evaluation of surveillance systems in animal or human health often treat technical, process, and socioeconomic aspects separately instead of integrating them. The surveillance evaluation (EVA) Survtool, a support tool for the evaluation of animal health surveillance systems, was developed to provide guidance for integrated evaluation of animal health surveillance including economic evaluation. The tool was developed by international experts in surveillance and evaluation in an iterative process of development, testing, and revision; accounting for existing frameworks and guidance, scientific literature, and expert opinion elicitation. The EVA tool encompasses a web interface for users to develop an evaluation plan, a Wiki classroom to provide theoretical information on all required concepts, and a generic evaluation work plan to facilitate implementation and reporting of outputs to decision makers. The tool was used to plan and conduct epidemiological and economic evaluations of surveillance for classical and African swine fever, bovine virus diarrhea, avian influenza, and Salmonella Dublin in five European countries. These practical applications highlighted the importance of a comprehensive evaluation approach to improve the quality of the evaluation outputs (economic evaluation; multiple attributes assessment) and demonstrated the usefulness of the guidance provided by the EVA tool. At the same time, they showed that comprehensive evaluations might be constrained by practical issues (e.g., confidentiality concerns, data availability) and resource scarcity. In the long term, the EVA tool is expected to increase professional evaluation capacity and help optimizing health surveillance system efficiency and resource allocation for both public and private actors of the surveillance systems. The EVA Survtool is freely available online (https://survtools.org/user/login) and is shared under the principles of the noncommercial Creative Commons license 2017 (i.e., the tool can be freely used and shared for any noncommercial purposes but appropriate credit should be given, providing link to the license and changes made should be indicated). The tool is linked to the surveillance evaluation Wikispace (https://survtools.org/wiki/surveillance-evaluation/doku.php), which is also freely available
Living sculptures: Marisa Merz and Mila Leva Pistoi in the sign of Merleau-Ponty. A post-minimalist horizon
No full textThe first critical account of Marisa Merz's work was an unsigned interview, published on December 1966 in "marcatrè". We propose here to refer that text to the Turin critic Mila Leva Pistoi, author of other dialogues with the leading personalities of the new Italian art scene. The reference to the thought of Maurice Merleau-Ponty returns constantly, allowing Leva Pistoi to interpret in a phenomenological key the Living Sculptures of Marisa Merz, as well as the recent works of Mario Merz and Michelangelo Pistoletto. In that same 1966 a reference to the Freudian notion of «corporeal self» was used by Lucy Lippard in presenting the exhibition Eccentric Abstraction, with specific attention to the unstable and metamorphic works of Eva Hesse and Louise Bourgeois, for many aspects close to those of Marisa Merz, while Rosalind Krauss in "Artforum" leaned on the thought of Merleau-Ponty for her interpretation of the work of Donald Judd. The contributions of these three authors opened a post-minimalist critical perspective, which emphasized the essential character of every act of perception to define the meaning of the artwork and proposed an unprecedented triangulation, mediated by the living body, between the subject, the artwork, and the world
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