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    "Verbalize, Vocalize, Visualize" : Creative Death and Performative Writing in the Testimonies of Hillesum and Levi

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    The suggestive testimonies of Etty Hillesum and Primo Levi challenge us to reflect upon one of the most important questions of our time: What constitutes a human being? Thanks to the poetical function in their narratives, and taking into account the vulnerable communication between the authors and their readers, there are no answers given in their texts, only a serious call to take responsibility, cooperate with the text, and let it affect you. The author argues that their writing affects us and changes our perception of life as well as of our inner selves if we cooperate - critically and constructively - with the texts in question.</p

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    Dispelling the Myths Behind First-author Citation Counts

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    We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more sophisticated methods

    Author Index

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    koamabayili/VECTRON-author-checklist: VECTRON author checklist

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    We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used

    The right to write - or imagining human difference anew with Hélène Cixous

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    In the wake of the Holocaust, and in a transnational context, the French- -Algerian philosopher Hélène Cixous (1937–) makes her Jewish voice heard by crossing borders and asking questions. Like an existential rumination she writes back and forth on what it means to be alive, to be different, amongst other (different) creatures. She acts through novels, theoretical essays, dramas and critical poetry when she, as I would like to put it, continuously imagines what it means to be human. Imagine is a proper word for describing her political and poetical philosophy as it is permeated by tentative thinking, acknowledged dreams and critical belief. To Cixous, writing is a way of existing, a way of repelling death – even if death is what makes us remember the richness and complexity of life – writing is good, it’s “what never ends”. However, writing is not painless, nor self-evident. There are constrains that may forbid you to write and for Cixous herself there were many: her sex, her origin, history (being a Jewish female foreigner in Algeria as well as in France). Nevertheless, the desire to write is dreadful, or as the literary critic Susan Rubin Suleiman puts it with reference to Cixous’ way of writing, “desire is precisely what does not ask whether it has a ‘right’ to exist”. In this article, I would like to introduce Cixous’ way of writing as a way of imagining human difference anew. A way of making people think on their own, a way of being part of a continuous creation where dominant borders are crossed, hierarchical patterns are questioned and new forms of communication beyond words are envisioned. I do it through samples from the text universe of Cixous and in conversation with Friedrich Nietzsche and Walter Benjamin
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