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    Project design is research. A genealogy of the headquarters for the Caja General de Ahorros de Granada by Alberto Campo Baeza

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    [EN] Alberto Campo Baeza has always defended the idea that project design is research. The author of this article has chosen one of the architect s projects as a case to analyse this sentence: the Caja de Granada savings bank. Not only because it is the largest building ever built by Alberto Campo Baeza, but also because of the complexity and richness of themes that can be analysed in it, and which draw on his precursors. In his articles we have a source of information about the process he uses to design. However, we will start from the analysis of his sketchbooks to analyse it directly. This article will focus on the research behind the Granada project, more precisely on its genealogy: it will be seen how the case cannot be considered isolated, as it is part of another global research process.[ES] Alberto Campo Baeza siempre ha defendido la idea de que proyectar es investigar. El autor de este artículo, por su parte, ha elegido un proyecto del arquitecto como caso para analizar esta máxima: la Caja de Granada. No sólo por ser el edificio más grande que ha construido Alberto Campo Baeza, sino también por la complejidad y riqueza de temas que se pueden analizar en él, y que beben de sus precursores.   En sus artículos tenemos una fuente para saber qué proceso utiliza para proyectar. Sin embargo, aquí partiremos del análisis de sus cuadernos de dibujos para analizarlo de primera mano.   El presente artículo se centrará en la investigación que hay detrás del proyecto de Granada, más exactamente en su genealogía: se verá cómo el caso no puede considerarse aisladamente, porque forma parte de otro proceso de investigación más global.Escrig Ferrando, M. (2024). Proyectar es investigar. Una genealogía de la sede para la Caja General de Ahorros de Granada de Alberto Campo Baeza. EGA Expresión Gráfica Arquitectónica. 29(51):68-81. https://doi.org/10.4995/ega.2024.20462OJS6881295

    The light at CajaGranada Headquarters: a research

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    Alberto Campo Baeza ha defendido en diversas ocasiones la siguiente máxima: "proyectar es investigar". El presente artículo pretende, tras una breve explicación de dicho enunciado, examinar si el arquitecto ha sido coherente con el mismo. Para ello, se propone un ejemplo, un proceso de trabajo conducido directamente por Campo Baeza: el tratamiento de la luz mientras desarrollaba la idea fundamental para su proyecto de la Sede Central de la Caja General de Ahorros de Granada. Será posible reconstruir ese proceso valiéndonos de los dibujos, planos y fotografías de maqueta que el arquitecto ha conservado. Se observará cuál es la actitud de fondo con que Campo Baeza afronta su labor, la apertura a explorar una gran abanico de posibilidades, sus reflexiones, y la comprobación a que somete su trabajo.The renowned architect Alberto Campo Baeza has often upheld the following maxim: "to design is to investigate". This article intends, after a brief explanation of this statement, to examine whether the architect has been consistent with it. To do so, an example is proposed, a work process led directly by Campo Baeza: the treatment of light while developing the main idea far his project far the Central Headquarters of Caja General de Ahorros de Granada. lt will be possible to reconstruct this process using the drawings, plans and model photographs that the architect has preserved. lt will be observed which is the fundamental attitude with which Campo Baeza faces his work, the openness to explore a wide range of possibilities, his reflections, and the verification to which he submits his work.Sin FinanciaciónNo data JCR 2023; No data SJR 2023; 0,02 C4 IDR 202

    La luz en la Caja de Ahorros de Granada: una investigación

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    The renowned architect Alberto Campo Baeza has often upheld the following maxim: "to design is to investigate". This article intends, after a brief explanation of this statement, to examine whether the architect has been consistent with it. To do so, an example is proposed, a work process led directly by Campo Baeza: the treatment of light while developing the main idea far his project far the Central Headquarters of Caja General de Ahorros de Granada. lt will be possible to reconstruct this process using the drawings, plans and model photographs that the architect has preserved. lt will be observed which is the fundamental attitude with which Campo Baeza faces his work, the openness to explore a wide range of possibilities, his reflections, and the verification to which he submits his work.Alberto Campo Baeza ha defendido en diversas ocasiones la siguiente máxima: "proyectar es investigar". El presente artículo pretende, tras una breve explicación de dicho enunciado, examinar si el arquitecto ha sido coherente con el mismo. Para ello, se propone un ejemplo, un proceso de trabajo conducido directamente por Campo Baeza: el tratamiento de la luz mientras desarrollaba la idea fundamental para su proyecto de la Sede Central de la Caja General de Ahorros de Granada. Será posible reconstruir ese proceso valiéndonos de los dibujos, planos y fotografías de maqueta que el arquitecto ha conservado. Se observará cuál es la actitud de fondo con que Campo Baeza afronta su labor, la apertura a explorar una gran abanico de posibilidades, sus reflexiones, y la comprobación a que somete su trabajo

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    Dispelling the Myths Behind First-author Citation Counts

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    We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more sophisticated methods

    Author Index

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    koamabayili/VECTRON-author-checklist: VECTRON author checklist

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    We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
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