1,721,089 research outputs found
Ernest Edmonds: Light Logic
No full textDocumenting all works, in full colour, from Ernest Edmonds' exhibition Light Logic, this catalogue includes two critical texts.The first, a contextual overview entitled Cause and Effect, by Laura Sillars, reflects upon the impact of global developments, which culminated in the incredible events of 1968, and the effect of ensuing technological advancements on Edmonds' practice.Francesca Franco has researched Edmonds' influences as an artist from his interest in concrete poetry, film and music to mathematical logic and computing. Her essay documents the artist's practice from early algorithmically produced paintings to his research into human interaction.Published on the occasion of the exhibition Light Logic, at Site Gallery, Sheffield, 17 November 2012 – 2 February 2013
Generative Systems Art: the Work of Ernest Edmonds
No full textIn this book, the author explores the history of pioneering computer art and its contribution to art history by way of examining Ernest Edmonds’ art from the late 1960s to the present day. Edmonds’ inventions of new concepts, tools and forms of art, along with his close involvement with the communities of computer artists, Systems artists and computer technologists, provide the context for discussion of the origins and implications of the relationship between art and technology. Drawing on interviews with Edmonds and primary research in archives of his work, the book offers a new contribution to the history of the development of digital art and places Edmonds’ work in the context of contemporary art history
Folder 03: "Tahiti Island of Dreams. A story of disaster and death for challenging a curse."
No full textIncludes author credit "By Ernest Edmonds"Chapter
Interactive experience in a public context
No full textIn this demonstration, we show an interactive artwork that responds to sound and describe a field study evaluating audience engagement within a public context. Audience in the public setting largely recognized the interactivity of the media immediately, engaged very briefly with the work and were highly self conscious about their behavior and voice during their engagementZafer Bilda, Ernest Edmonds and Deborah Turnbul
Algorithmic Signs - Ernest Edmonds, Manfred Mohr, Vera Molnár, Frieder Nake, Roman Verostko
No full textThis exhibition, held at the Bevilacqua's historical gallery in St. Mark's Square, Venice, explores the history of pioneering generative art and its contribution to the broader field of contemporary art from the 1960s to the present. The artists who pioneered this work are sometimes known as The Algorists. The history is exemplified in the creative work of five international pioneers in the world of digital arts Ernest Edmonds (b.1942), Manfred Mohr (b.1938), Vera Molnár (b.1924), Frieder Nake (b.1938), and Roman Verostko (b.1929). Coming to the computer from completely different backgrounds and experiences - monastic life, jazz music,traditional painting, philosophy, mathematics, and logic studies -they began to experiment the creative use of the algorithm and computer code to construct their works and make art
Systems theory, systems art and the computer: Ernest Edmonds interviewed by Francesca Franco
Full text linkThe file attached to this record is the author's final peer reviewed version. The Publisher's final version can be found by following the DOI link.Ernest Edmonds has pioneered the field of computational art and contributed to the broader field of contemporary art from the late 1960s to the present. Francesca Franco is a Venetian-born art historian based in the UK whose research focuses on the history of art and technology. The central theme of her research is the history of art and technology and the pioneers of computer art. This interview with Edmonds, conducted by Franco in 2016, explores how Systems art, Systems Theory, and his personal relationships with artists such as Malcolm Hughes, Kenneth Martin and Edward Ihnatowicz influenced his art practic
Systems theory, systems art and the computer: Ernest Edmonds interviewed by Francesca Franco
No full textThis interview with Edmonds, conducted by Franco in 2016, explores how Systems art, Systems Theory, and his personal relationships with artists such as Malcolm Hughes, Kenneth Martin and Edward Ihnatowicz influenced his art practice
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
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