112,290 research outputs found
(Ergänzungsband) / herausgegeben von Paul Englisch
No full text(ERGÄNZUNGSBAND) / HERAUSGEGEBEN VON PAUL ENGLISCH
Bibliotheca Germanorum erotica & curiosa (-)
(Ergänzungsband) / herausgegeben von Paul Englisch (Band 9) ([III])
Cover ( - )
Titelseite ([III])
Vorwort ([V])
A. ([1])
B. (33)
C. (96)
D. (119)
E. (137)
F. (159)
G. (214)
H. (256)
I und J. (300)
K. (314)
L. (335)
M. (383)
N. (424)
O. (434)
P. (443)
Q. (479)
R. (481)
S. (515)
T. (568)
U. (592)
V. (595)
W. (616)
Z. (636)
Register (643
Safe harbor protection for online video platforms: a time to say goodbye? Analysis of judgments by Italian and German courts on the liability of YouTube for copyright infringements
No full textThis article examines the liability of YouTube for copyright infringing content uploaded by its users. We take the cue from the recent and potentially momentous request for a preliminary ruling on this topic, submitted by the German Supreme Court to the Court of Justice of the European Union (CJEU). Existing rules on internet service
provider (ISP) liability in the EU leave wide discretion to Member States. Even where harmonised, important questions of interpretation remain. Despite being the subject matter of a lively academic debate, core issues are still far from settled. Our analysis aims to shed light on the different approaches Italian and German courts
have adopted to address the question of ISP liability for copyright infringements. For this purpose, we have selected the case currently awaiting the CJEU’s decision, Frank Peterson v YouTube, and an Italian case with a similar factual basis, Delta TV Programs v YouTube. We reflect on the most recent decisions in each case as well as on the rulings in lower instances. In both cases, the national courts have dealt extensively and systematically with the question of YouTube’s liability for copyright infringements, advancing various legal arguments in favour and against. We show that the approaches of the national courts to the question of YouTube’s liability present signifcant divergences with respect to four main issues: the primary liability of YouTube, the determination of its “active role”, the requirements for notifcation of an infringement, and the obligation of YouTube to prevent re-uploads. Differences in these aspects can be observed not only between the two Member States, but also within their national case law. While awaiting the verdict by the CJEU and the ultimate decision by the EU legislator
on the directive for copyright in the Digital Single Market, this article provides an understanding of the core legal questions at stake and a basis to build expectations on whether the “Time to Say Goodbye” to a safe harbour for YouTube is indeed approaching
Comparison of winding-number sequences for symmetric and asymmetric oscillatory systems
No full textThe bifurcation sets of symmetric and asymmetric periodically driven oscillators are investigated and classified by means of winding numbers. It is shown that periodic windows within chaotic regions are forming winding-number sequences on different levels. These sequences can be described by a simple formula that makes it possible to predict winding numbers at bifurcation points. Symmetric and asymmetric systems follow similar rules for the development of winding numbers within different sequences and these sequences can be combined into a single general rule. The role of the two distinct period-doubling cascades is investigated in the light of the winding-number sequences discovered. Examples are taken from the double-well Duffing oscillator, a special two-parameter Duffing oscillator, and a bubble oscillator
Muret-Sanders enzyklopädisches englisch-deutsches und deutsch-englisches Wörterbuch,
No full textAt head of title: Methode Toussaint-Langenscheidt.Added t.p. in English."Quellen": v. 1, p. xviii-xix.t. 1. Englisch-Deutsch, von B. Klatt,--t. 2. Deutsch-Englisch, von H. Baumann.Mode of access: Internet
author-bios-SRD-19-0063.R1 – Supplemental material for The Network Structure of Police Misconduct
No full textSupplemental material, author-bios-SRD-19-0063.R1 for The Network Structure of Police Misconduct by George Wood, Daria Roithmayr and Andrew V. Papachristos in Socius</p
Going Beyond Counting First Authors in Author Co-citation Analysis
No full textThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
No full text“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
- …
