4,074 research outputs found
Emily Brontë : the mind of a visionary
No full textBibliography: leaves 216-226.This dissertation is an investigation of the visionary and philosophical aspects of Emily Brontë's works. The first five chapters deal with the visionary process such as visions, spirit guides, dreams, imagination, encounters with the darker side of the self and a union with the divine. There is considerable evidence of these mystical avenues in both her poetry and in Wuthering Heights which have been explored. It is shown how Emily Brontë's mysticism is a direct result of personal experiences which augment her reputation as one of the leading mystics in the world of literature. There are however tensions in her works, such as the cynicism of her own intellect in accepting the visionary experiences as authentic and periods of suffering when her faith is tested. These tensions have been considered within the context of her mystical encounters and philosophy. The remaining four chapters deal with the philosophy of Emily Brontë per se. Her beliefs in respect of heaven and hell, mercy and justice, power and survival, and pantheism are considered in depth. It is argued that she is an unorthodox thinker who does not believe in an eternal hell and that she has drawn inspiration for this idea from Frederick Maurice and Ralph Waldo Emerson. It is also shown how issues of power have been of interest to her from a young age and how this needs to be integrated within her philosophy. To the writer power needs to be tempered by compassion if it is to be of use to society or the individual. Her pantheistic spirit is also investigated and related to the mystical ideas
#68 – Medienpädagogik und KI Folge 1: Fachredaktionstalk mit Prof. Dr. Angelika Beranek, Prof. Emily Engelhardt und Dr. Eike Rösch
No full textDie große Aufregung um KI fordert einmal mehr die Medienpädagogik heraus und setzt diese unter Druck, angemessen zu reagieren, sich zu positionieren und entsprechende Angebote nicht nur für Kinder und Jugendliche zu entwickeln. Um die medienpädagogische Perspektive weit aufzumachen, liegt der Fokus des aktuellen Hefts sowohl auf der Relevanz von Medienkompetenz im theoretischen Diskurs, als auch auf praktischen Ansätzen der Aktiven Medienarbeit zum Thema KI.
Im Podcast stellen Prof. Dr. Angelika Beranek, Prof. Emily Engelhardt und Dr. Eike Rösch ihre Sicht auf das Thema dar und erläutern Hintergründe zur Heftentstehung.
Hier geht\u27s zu unserer neuen Ausgabe 24/3 Medienpädagogik und KI.
Zum Vortrag: Wieviel Kreativität steckt im Künstlichen?
Zum Podcast Sternstunden der Philosopohi
Anna Engelhardt interviews Emily Rosamond on her forthcoming book Reputation Warfare
No full textIn the five years since Russia interfered in the US elections, cyberwar has continued to permeate digital platforms. Unfolding on social media, this mode of combat is governed by private companies rather than sovereign nations. The Facebook Papers, by revealing
how the platform is wired for misinformation, illustrate how it operates as a digital battleground where conflict generates revenue. Therefore, to engage with the logic of cyberwar, we must examine the market rules the platforms obey.
In her work, Emily Rosamond provides a unique perspective on the political economy of cyberwar. She proposes that there has been a broader shift, from the paradigm of 'reputation capital', in which users gradually accumulate reputation, to the one of 'reputation volatility', where both loss and gain are equally likely outcomes. According to Rosamond, 'reputation volatility' brings forward the new type of 'reputation warfare,' in which strategic actors capitalize on the volatility of online reputations.
In the interview, Anna Engelhardt invites Rosamond to elaborate on the key economic principles of reputation warfare. In particular, Engelhardt will connect Rosamond’s thinking with the understanding of cyberwar as an economic enterprise, as analysed by
Svitlana Matvyienko and Nick Dyer-Witherford in their 2019 book Cyberwar and Revolution.
The interview will be streamed live on YouTube: https://youtu.be/cuUuxVH
Tradução de poesia: Emily dickinson segundo a perspectiva tradutória de Augusto de Campos
No full textDissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão, Programa de Pós-Graduação em Estudos da Tradução, Florianópolis, 2014Esta dissertação, a partir da perspectiva teórica e prática de Augusto de Campos quanto à tradução de poesia, visa analisar sete de suas traduções dos poemas da norte-americana Emily Dickinson, publicadas na obra Emily Dickinson: não sou ninguém, em 2008. O trabalho foi dividido em três capítulos. O primeiro tratados principais elementos que constituem a poética de Dickinson, bem como das traduções brasileiras de suas obras. Como embasamento teórico foram utilizados Gilbert e Gubar (1984), Donoghue (1969), Sewall (1963) e Daghlian(1987), dentre outros autores. O segundo capítulo tem como objetivo apresentar Augusto de Campos como poeta e como tradutor, com ênfase nos seus comentários sobre tradução, visando compreender sua prática tradutória. O terceiro capítulo analisa as traduções de sete poemas de Dickinson realizadas por Augusto de Campos e busca identificar a relação entre a teoria e a prática do tradutor. Essa análise, de caráter discursivo, além do plano formal e sintático, se concentra no plano semântico dos textos, tendo em conta que não possui a pretensão de realizar qualquer tipo de julgamento prescritivo.Abstract: This dissertation, from the perspective theoretical and practical of Augusto de Campos about the poetry translation, analyzes seven of his translations of the North-American poet Emily Dickinson, published in the book "Emily Dickinson: não sou ninguém", in 2008. This work contains three chapters; the first presents the main elements that constitute the Dickinson's poetry, as well as the Brazilian translations of her poems. It has, as theoretical support, author slike: Gilbert and Gubar (1984), Donoghue (1969) Sewall (1963) and Daghlian(1987). The second chapter aims to approach the main remarks of Augusto,highlighting his activity as poet and as translator, aiming to understand his practice of translation. The third chapter analyses the Augusto's translations of seven poems of Dickinson and try to identify the relationship between the theory and the practice of the translator. This discursive, besides the formal and syntactic field focuses on the semantic field of the poems, without any kind of prescriptive judgment
Dead Sleep True Crime for Bedtime:"Penning Poison" w/author Dr Emily Cockayne
No full textDead Sleep True Crime for Bedtime, "Penning Poison" w/author Dr Emily Cockayn
Lehrbuch Onlineberatung
No full textWo liegen Chancen und Grenzen von Onlineberatung? Wie gelingt eine professionelle Beziehungsgestaltung zwischen Fachkraft und Klient*in der digitalen Beratung? Was sind die Besonderheiten von Online-Kommunikation?
Der Einsatz digitaler Medien und Kommunikation spielt im Bereich der psychosozialen Beratung eine immer wichtigere Rolle. Dieses Lehrbuch vermittelt (angehenden) Fachkräften im Kontext von Beratung, Coaching und Supervision praktisches Handlungswissen zur Onlineberatung. Neben theoretischen Grundlagen veranschaulicht Emily Engelhardt anhand von praktischen Beispielen und Übungen, wie Onlineberatung konkret umgesetzt wird. Die Leser*innen lernen die unterschiedlichen Tools der textbasierten Onlineberatung (Mail-, Chat- und Forenberatung) sowie neuere Entwicklungen wie Video- und Messengerberatung kennen und setzen sich mit den Besonderheiten der Onlinekommunikation auseinander. Neben den Einsatzmöglichkeiten und -feldern von Onlineberatung werden rechtliche, technische und organisatorische Aspekte beleuchtet
Gender and the politics of the gaze in Bronte's Wuthering Heights
No full textDissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão, Programa de Pós-Graduação em Letras/Inglês e Literatura Correspondente, Florianópolis, 2009.O objetivo deste estudo é apresentar uma análise de como a imagem de Catherine é moldada pelo olhar masculino, como ela enfrenta os três tipos de olhar - o olhar dos personagens, o olhar do leitor, e o olhar do autor - e finalmente, se o olhar masculino é interrompido. O parâmetro teórico desta análise, o conceito do olhar masculino, é teorizado por Laura Mulvey no artigo "Prazer Visual e Cinema Narrativo" (1975) o qual critica a relação entre o olhar masculino e a imagem feminina do prazer visual moldado pela sociedade patriarcal. Através da crítica de Mulvey do prazer visual generizado em filmes, que pertence ao contexto do cinema clássico de Hollywood, articulo sua teoria em relação ao romance Wuthering Heights de Emily Brontë para examinar a dinâmica do olhar masculino em relação à personagem feminina Catherine. Este estudo teve também por objetivo analisar o quanto o paradigma teórico de Mulvey produzido para cinema poderia ser aplicado especificamente em um texto literário escrito no século XIX.The objective of this thesis is to present an analysis of whether Catherine's image has been shaped by the male gaze, how she contends with the three looks of the male gaze - the look of the characters, the look of the reader, and the look of the author - and finally, how the male gaze is broken. The theoretical parameter of this analysis, the concept of the male gaze, is theorized by Laura Mulvey in the article "Visual Pleasure and Narrative Cinema" (1975) which critiques the relation between the male gaze and the female image within the patriarchal molding of visual pleasure. Borrowing Mulvey's critique of the gendering of visual pleasure in films, which pertains to the context of classical Hollywood cinema, I have articulated her theory in relation to Emily Brontë's Wuthering Heights, to examine the dynamics of the male gaze regarding the female character, Catherine. This study also aimed at examing the extent to which Mulvey's theoretical paradigm produced for cinema could be articulated specifically in relation to a literary text written in the nineteenth century
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COVID-19 Interview with Emily Oster
No full textA discussion on the COVID-19 pandemic with Emily Oster, economist and author of "Expecting Better" and "Cribsheet."Salem Cente
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Emily Witt on Nollywood
No full textWe sit down with Emily Witt, author of Nollywood: The Making of a Film Empire. Amid electricity cuts, fuel scarcity, and countless other obstacles, how did Nigeria create the second largest movie industry in the world
Emmanuel Church Choir, Lake Lenape
No full textThis photograph shows the senior choir of the Emmanuel Congregational Church at Lake Lenape, Mays Landing, NJ. The lake is visible in the background, right. The Lake Lenape lighthouse, left, appears to be framed by weeping willows.
Front row, left to right: Corrine Nied, Emily Goetz, Miss May, Jett Karrer, Marge Grunwald, Marge Grunwald, Myrtle Brooks.
Back row: Alphonse Hesse, Elton McAnney, George Engelhardt
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