205 research outputs found
Estrategias para comunicar ante la cámara
No full textWebinars sobre TICs y herramientas de la web social para innovar Programa de Formación de Profesorado 2019-20. Área de Innovación (@uniainnova). Sede Tecnológica de Málaga. UNIA. Incluye enlace a la grabación: https://vimeo.com/366682691En este seminario virtual, enmarcado en el Programa de Formación de Profesorado de la UNIA en materia de Innovación Docente y Digital del curso 2019, Emma Rodero, docente de oratoria de la Universidad Pompeu Fabra e impulsora de CCLab, comparte algunas claves, relacionadas con los contenidos, el uso de la voz y el lenguaje corporal, entre otras cuestiones, útiles para producir vídeos online y comunicar ante la cámara. El seminario tuvo lugar empleando el servicio de aulas virtuales de la UNIA (basado en Adobe Connect), y en él pudo participar cualquier interesado/a, más allá de docentes en activo de la Universidad. SUMARIO: 1. Preparar el contenido; 2. Preparar y manejar la voz; 3. Manejar los gestos y la posición
Assessing the relationship between public speaking perception, personality traits, and nonverbal behavior
No full textModern public speaking heavily focuses on the delivery and performance of the speaker, and the speaker’s nonverbal behavior plays a key role in shaping the perception about their performance as well as their underlying personality traits. As most of the literature focuses on the speaker, this study sought to assess whether or not the personality traits of the audience and the personality traits with which they judged the speaker also play a role in shaping this perception comprising seven attributes. This quantitative research study that included a sample of 323 respondents from different universities adopted an experimental research design that replicated a virtual and modern public speaking scenario. Four actors, two female and two males, were commissioned to enact a similar speech content while shifting their nonverbal behavior based on pre-defined big five personality traits. It also introduced a revised Brunswik Lens Model that structures accurate personality judgement. The results revealed interesting findings supporting the notion that audience personality traits affect certain perception attributes namely sincerity and dominance of the speaker. While the gender of the audience had no effect, that of the public speaker did along some attributes. The results also showed that the judged public speaker personality traits affected all the selected perception attributes. Many challenges were faced in this study especially because production and many variables were involved; however, in parallel, it introduced theoretical and practical contributions and opened the door to new lines of research that look more closely at the relationship between the three pillars of public speaking, personality traits, and nonverbal behavior from both the speaker and the audience sides.Programa de Doctorat en Comunicaci
Assessing the relationship between public speaking perception, personality traits, and nonverbal behavior
No full textModern public speaking heavily focuses on the delivery and performance of the speaker, and the speaker’s nonverbal behavior plays a key role in shaping the perception about their performance as well as their underlying personality traits. As most of the literature focuses on the speaker, this study sought to assess whether or not the personality traits of the audience and the personality traits with which they judged the speaker also play a role in shaping this perception comprising seven attributes. This quantitative research study that included a sample of 323 respondents from different universities adopted an experimental research design that replicated a virtual and modern public speaking scenario. Four actors, two female and two males, were commissioned to enact a similar speech content while shifting their nonverbal behavior based on pre-defined big five personality traits. It also introduced a revised Brunswik Lens Model that structures accurate personality judgement. The results revealed interesting findings supporting the notion that audience personality traits affect certain perception attributes namely sincerity and dominance of the speaker. While the gender of the audience had no effect, that of the public speaker did along some attributes. The results also showed that the judged public speaker personality traits affected all the selected perception attributes. Many challenges were faced in this study especially because production and many variables were involved; however, in parallel, it introduced theoretical and practical contributions and opened the door to new lines of research that look more closely at the relationship between the three pillars of public speaking, personality traits, and nonverbal behavior from both the speaker and the audience sides.Programa de Doctorat en Comunicaci
Assessing the relationship between public speaking perception, personality traits, and nonverbal behavior
No full textModern public speaking heavily focuses on the delivery and performance of the speaker, and the speaker’s nonverbal behavior plays a key role in shaping the perception about their performance as well as their underlying personality traits. As most of the literature focuses on the speaker, this study sought to assess whether or not the personality traits of the audience and the personality traits with which they judged the speaker also play a role in shaping this perception comprising seven attributes. This quantitative research study that included a sample of 323 respondents from different universities adopted an experimental research design that replicated a virtual and modern public speaking scenario. Four actors, two female and two males, were commissioned to enact a similar speech content while shifting their nonverbal behavior based on pre-defined big five personality traits. It also introduced a revised Brunswik Lens Model that structures accurate personality judgement. The results revealed interesting findings supporting the notion that audience personality traits affect certain perception attributes namely sincerity and dominance of the speaker. While the gender of the audience had no effect, that of the public speaker did along some attributes. The results also showed that the judged public speaker personality traits affected all the selected perception attributes. Many challenges were faced in this study especially because production and many variables were involved; however, in parallel, it introduced theoretical and practical contributions and opened the door to new lines of research that look more closely at the relationship between the three pillars of public speaking, personality traits, and nonverbal behavior from both the speaker and the audience sides.Programa de Doctorat en Comunicaci
See it on a radio story: sound effects and shots to evoked imagery and attention on audio fiction
No full textRadio’s capacity to stimulate the creation of mental images in the mind of its listeners has long been acknowledged. Nevertheless, research into mental imagery has focused principally on the study of visual stimuli, although studies into radio itself have mostly concerned the field of advertising. In this study, we examine the influence of two stimuli associated with auditory processing on radio: sound effects and sound shots. The chosen context for the study is that of a fictional story, or audio drama, through which to measure the role of these stimuli both in creating mental images in the listener’s mind and in maintaining his or her attention. Our findings demonstrate that the inclusion of descriptive sound effects and especially of sound shots in a fictional radio drama increases mental imagery and that a relationship exists between this increase and the degree of listener attention.The author received no financial support for the research and/or authorship of this article
Análisis de la fotografía documental de Cristina García Rodero: Estudio de la colección ‘Historia de una pasión’
No full textEl presente trabajo surge bajo el propósito de realizar un análisis de la obra fotográfica de Cristina García Rodero a través de un acercamiento teórico a los postulados posestructuralistas sobre la imagen fotográfica y el género fotográfico documental.
La idea de imagen fotográfica resultante del análisis teórico de las propuestas antropológicas y filosóficas posmaterialistas seleccionadas, nos permite entender el empleo del género fotográfico documental como método de expresión artística por parte de la fotógrafa Cristina García Rodero durante toda su trayectoria profesional.
Además, el análisis de la obra de García Rodero desde la corriente del documentalismo fotográfico contemporáneo nos conduce a concebir las realidades sociales que la autora documenta como un preámbulo para la expresión de sus emociones, para lo que empleará dos elementos narrativos claves en sus fotografías: 1) las representaciones visuales de la religiosidad popular y 2) la gestualidad de los sujetos fotografiados.
Esta forma de entender el modo de operar de Cristina García Rodero nos permite entender cómo ha logrado aunar a través de la fotografía situaciones culturales tan diferentes como son las representaciones religioso-populares de la España rural de los setenta y ochenta y la cotidianidad en la Georgia posbélica en la década de los noventa, entre otras.The purpose of this paper is to analyse the photographic work of Cristina García Rodero by means of a theoretical approach to the post-structuralist postulates on the photographic image and the documentary photographic genre. The idea of the photographic image resulting from the theoretical analysis of the selected postmaterialist anthropological and philosophical proposals allows us to understand the use of the documentary photographic genre as a method of artistic expression by the photographer Cristina García Rodero throughout her professional career. Furthermore, the analysis of García Rodero's work from the contemporary current of photographic documentary leads us to conceive of the social realities that the author documents as a preamble to the expression of her emotions, for which she employs two key narrative elements in her photographs: 1) the visual representations of popular religiosity and 2) the gestures of the photographed people. This way of understanding Cristina García Rodero's way of operating allows us to understand how she has managed to bring together through photography such different cultural situations as the popular-religious representations of rural Spain in the seventies and eighties and everyday life in post-war Georgia in the nineties, among others.Universidad de Sevilla. Grado en Periodism
sj-docx-1-hpq-10.1177_13591053241241015 – Supplemental material for Examining the influence of mental health and structural determinants of health on the stage of motivational readiness for health behaviour changes: A path analysis study
No full textSupplemental material, sj-docx-1-hpq-10.1177_13591053241241015 for Examining the influence of mental health and structural determinants of health on the stage of motivational readiness for health behaviour changes: A path analysis study by Irene Gómez-Gómez, María Luisa Rodero-Cosano, Juan á Bellón, Edurne Zabaleta-del-Olmo, José A Maderuelo-Fernandez, Patricia Moreno-Peral, Rosa Magallón-Botaya, Bárbara Oliván-Blázquez, Marc Casajuana-Closas, Tomàs López-Jiménez, Bonaventura Bolíbar, Joan Llobera, Ana Clavería, Alvaro Sanchez-Perez and Emma Motrico in Journal of Health Psychology</p
Una voz mágica para contar las noticias
No full textLa radio sin voz es muda, ésta es la que la transforma en mágica la reviste de evocación, la convierte en ilustradora de imágenes mentales ansiadas, en pintora de sueños imposibles. Habla de las cualidades del locutor. Responde al cómo puedo conseguir que mi voz sea mágica y las decisiones que se pueden tomar en función del timbre de la voz
Estudio sobre la escucha de la voz del locutor con y sin su imagen: análisis del proceso perceptivo y cognitivo del oyente
No full textEsta tesis se centra en el estudio comparativo de los procesos perceptivo y cognitivo que experimenta el oyente de radio ante la escucha de una comunicación radiofónica en dos modalidades perceptivas diferenciadas: la voz aislada y la voz acompañada de la imagen de su emisor. Basado en un diseño experimental, que hibrida la metodología cuantitativa y la cualitativa, el estudio comprueba empíricamente las diferencias perceptivas y cognitivas del oyente de radio en relación a las sensaciones causadas por la voz, la atribución de efectividad, el proceso de generación de imágenes mentales durante la escucha, la atención prestada al mensaje y su recuerdo, en ambas modalidades de escucha. La investigación ofrece además un amplio recorrido por los procesos psicológicos involucrados en el procesamiento de la información mediada, atendiendo específicamente al tono y el timbre de la voz como principales cualidades de la materia constitutiva de la radio.This thesis consists in a comparative study of the cognitive and perceptual proceses involved in listerners experience when listening to a radio message in two different experimental conditions: the speaker’s voice by itself, and the voice in conjunction with the speaker's image. Based on an experimental design, qualitatively and quantitatively grounded, this work empirically examines cognitive and perceptual responses to the following variables: voice sensations, effectiveness attribution, mental image generation during exposure to voice, attention, and recall of the message. The study also explores the psychological aspects involved in the mediated information processing, focusing specifically on pitch and timber as the main characteristics of human voice, and therefore, of the radio as a medium.Programa de doctorat en Comunicaci
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