1,720,954 research outputs found
L’atelier théâtral en classe de français dans l’enseignement secondaire espagnol
Lors de nos séances d’enseignement/apprentissage de Français Langue Étrangère,nous avons constaté qu’il existe chez nos apprenants des difficultés pour s’exprimer à l’oral, et ce pour plusieurs raisons, parmi lesquelles on peut citer le manque
d’heures consacrées à l’enseignement de la deuxième langue étrangère dans le système éducatif espagnol, ou ce que l’on peut appeler la peur du bien dire. Pour combler cette lacune, nous proposons l’organisation d’un atelier théâtre. Dans cet
article nous dressons le bilan de cette expérience pédagogique et nous proposons des pistes didactiques pour intégrer un nouvel outil en classe de français
Espaces de l’eau : lieux féminins dans la littérature médiévale française
Élément féminin par excellence, l’eau apparaît fréquemment dans la littérature médiévale. Omniprésente dans le cycle arthurien, elle se fait plus rare dans d’autres récits comme les cycles épiques. Comme bien des éléments, l’eau intègre la mentalité médievale à travers des valeurs multiples, souvent opposées. Ainsi, l’eau douce est souvent liée à la féerie celtique, tandis que dans le paysage épique on retrouve une eau particulièrement destructrice. À partir d’un corpus hétéroclite de textes, nous étudions différents éléments aquatiques de nature différente comme l’eau chrétienne, la mer Méditerranée ou encore la fontaine. Nous voudrions montrer quelles sont leurs fonctions –narrative, symbolique ou poétique– au cœur des textes. Nous nous demanderons également comment cet élément est associé à la femme, et notamment quelle est sa valeur féminine dans l’univers médiéval.DOI: http://dx.doi.org/10.4995/XXVColloqueAFUE.2016.3073</jats:p
Femme pécheresse: vices féminins dans "Le Mesnagier de Paris" (1393)
During the Middle Ages there was a widespread belief that woman is the daughter of Eve. Women are thus the archetypal sinner. For this reason, the female becomes the focus in many books whose objective is to save society of feminine dangers. A new genre appears: women’s conduct books.The strength of these books lies in the author: they are not members of religious orders, but laymen. From all these conduct books, we choose the example of the fourteenth-century household book Le Mesnagier de Paris, written by an old man for his teenage wife. The author’s aim is to educate his wife to become a perfect wife in medieval culture. Through the study of this book—in particular the article dedicated to female vice—we extend our knowledge of the negative picture of women during the Middle Ages.Durante la Edad Media existe un pensamiento generalizado para el que la mujer es hija de Eva. Por lo tanto, aparece como la pecadora por excelencia, convirtiéndose así en el blanco de numerosas obras literarias cuyo objetivo es proteger a toda la sociedad de los peligros que atrae. Nace así la corriente pedagógica. Su originalidad reside en que los autores ya no son religiosos, sino laicos. Le Mesnagier de Paris, un tratado donde un viejo burgués parisino se dirige a su joven esposa para prodigarle todo tipo de consejos con el fin de que se convierta en una esposa ejemplar para la sociedad burguesa, se inscribe en ella. El estudio de esta obra, y en concreto del artículo dedicado a los vicios femeninos, nos permite ahondar en el conocimiento de la imagen negativa de la mujer que se transmitía en esta época.Pendant la période médiévale il existe une pensée dominante considère la femme comme fille d’Ève. Pecheresse donc par excellence, elle devient la cible de nombre d’ouvrages qui cherchent à épargner toute la société des tourments dont on la soupçonne : il s’agit du courant didactique. Son aspect original est que les auteurs ne sont plus des religieux mais des laïcs. Parmi ces textes il en est un fort révélateur : Le Mesnagier de Paris. L’auteur est un vieux bourgeois parisien qui s’adresse à sa jeune épouse et lui prodigue des conseils pour qu’elle devienne l’épouse exemplaire aux yeux du monde. L’étude de ce texte pédagogique, et tout particulièrement de la partie consacrée aux vices féminins, nous permet d’approfondir nos connaissances sur l’image négative de la femme que l’on projetait à cette époque-là
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
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