1,721,101 research outputs found
Winter Recital- Emily Taylor
Get PDFThis recital is in partial fulfillment of the requirements for the degree of Bachelor of Music in Cello Performance. Emily Taylor is a student of Anne Francis Bayless.https://digitalcommons.usu.edu/music_programs/1011/thumbnail.jp
Dr. Charles Parke and Barbara Parke interviewed by Charmaine Stanec and Emily Taylor
No full textDr. Charles Parke and Barbara Parke were interviewed on April 3, 2004 by Charmaine Stanec and Emily Taylor as part of their History 210 class project. Dr. Parke was a faculty member in Physics from 1953 - 1981.Mrs. Parke also took part in the interview and shared her memories. At their request, the Parkes read over and approved the transcript before it was submitted. As a result, the transcript was not corrected, other than to fix some spelling and punctuation errors
Dr. Charles Parke and Barbara Parke interviewed by Charmaine Stanec and Emily Taylor
No full textMrs. Parke also took part in the interview and shared her memories. At their request, the Parkes read over and approved the transcript before it was submitted. As a result, the transcript was not corrected, other than to fix some spelling and punctuation errors.Dr. Charles Parke and Barbara Parke were interviewed on April 3, 2004 by Charmaine Stanec and Emily Taylor as part of their History 210 class project. Dr. Parke was a faculty member in Physics from 1953 - 1981
Emily Taylor Merriman, Adrian Grafe (eds), Intimate Exposure: Essays on the Public-Private Divide in British Poetry Since 1950
No full textAn arresting title, an intriguing cover design and a collection of engaging articles, some of which contain real contributions to the field: such are my first impressions of this rich deeply-compelling collection of essays devoted to the public-private divide in British poetry since 1950, edited by Emily Taylor Merriman and Adrian Grafe. For the student of poetry, there is much here to interest and excite. The title, ‘Intimate Exposure’, is a subtle tease; toying with the oxymoron with its cl..
Gendered making and material knowledge: Tailors and mantua-makers, c. 1760–1820
No full textEmily Taylor The closing decades of the eighteenth century saw significant social, political and industrial changes, which were reflected in the métiers of fashion. Cotton fabrics came to dominate women’s dress, with the waistline moving to directly underneath the bust; men’s dress increasingly incorporated cotton fabrics, in heavier weights and monochrome weaves. Early dress historians cited mechanized textile production, the pursuit of global markets and the extremities of the 1789 French Revolution in explaining these changes, but some have recently uncovered a more nuanced view of long-term causes and regional variations. Kimberly Chrisman-Campbell, for instance, has discussed the influence of place and social group in the dress of the French royal court and post-revolution Paris. Similarly, in her study of late eighteenth-century Swedish tailoring, Pernilla Rasmussen concludes that Swedish making shared principles with Germanic practices
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Get PDFWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
- …
