1,720,958 research outputs found
Mirades i estudis des de la semana del còmic de Tarragona [Reseña de libro]
Reseña del libro: "Mirades i estudis des de la semana del còmic de Tarragona" de Emili Samper Prunera, Publicaciones del Cercle d’Estudis Històrics i Socials Guillem Oliver del Camp de Tarragona, Publicacions Universitat Rovira i Virgili, Fundació Privada Mutua Catalana, 202
Reapers and anarchists: on a new lyrics for the anthem
L’any 1899 La Nació Catalana va convocar un concurs per canviar la lletra de l’himne Els Segadors. Aquesta iniciativa va ser rebutjada frontalment per l’Agrupació Folklòrica que considerava que es malmetia una cançó popular. Aquest rebuig va ser compartit per reconegudes personalitats de l’època, entre les quals s’hi troben folkloristes com Francesc Maspons i Labrós o Cels Gomis. Tot i el rebuig mostrat, Gomis va redactar una nova lletra per a l’himne que no va enviar mai i que s’ha conservat al seu fons personal. En aquest article es ressegueix aquest episodi polèmic, amb les reaccions suscitades a la premsa, i es recupera la proposta de lletra per a l’himne que aquest folklorista no va arribar a publicar mai.In 1899, La Nació Catalana organised a competition to change the lyrics of the Catalan anthem Els Segadors (The Reapers). This initiative was rejected outright by the Agrupació Folklòrica, which considered that a popular song was being ruined. This rejection was shared by well-known personalities of the time, including folklorists such as Francesc Maspons i Labrós and Cels Gomis. Despite this rejection, Gomis wrote new lyrics for the anthem, which he never sent and which have been preserved in his personal collection. This paper follows this controversial episode, with the reactions aroused in the press, and recovers the proposed lyrics for the anthem that this folklorist never published.Aquest treball és part del projecte d’I+D+i PGC 2018-093993-B-100 finançat per MCIN/AEI /10.13039/501100011033/ i per FEDER Una manera de hacer Europa i dels treballs realitzats pel Grup de Recerca Identitats en la Literatura Catalana (GRILC) de la Universitat Rovira i Virgili, consolidat per la Generalitat de Catalunya (2017 SGR 599)
Les llegendes de Maria de Bell-lloch: entre la literatura fantàstica i el folklore
In 1881 Maria de Bell-lloch, a pseudonym used by Maria del Pilar Maspons i Labrós (1841-1907), published Llegendas catalanas. A writer of the Renaixença movement, she is one of the first women who stand out in the study of Catalan folk literature in this foundational period of interest for folklore in Catalonia. Some of the stories in the collection have been considered fantastic stories and have been included in various anthologies. The aim of this paper is to analyse this corpus in a philological way to see which stories can be integrated into fantastic literature, considering the theoretical difficulties that the legend poses as a genre.In 1881 Maria de Bell-lloch, a pseudonym used by Maria del Pilar Maspons i Labrós (1841-1907), published Llegendas catalanas. A writer of the Renaixença movement, she is one of the first women who stand out in the study of Catalan folk literature in this foundational period of interest for folklore in Catalonia. Some of the stories in the collection have been considered fantastic stories and have been included in various anthologies. The aim of this paper is to analyse this corpus in a philological way to see which stories can be integrated into fantastic literature, considering the theoretical difficulties that the legend poses as a genre
Rezension von: Emili Samper Prunera: Mirades i estudis des de la Setmana del Còmic de Tarragona]
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
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