1,720,955 research outputs found
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
PROJEÇÕES DECOLONIAIS NA CONFIGURAÇÃO DE PERSONAGENS FEMININAS EM XICOTÉNCATL (ANÔNIMO, 1826) E COLOMBO E BEATRIZ (DUBOIS, 1892)
Get PDFThe paper highlights the portrayal of female characters in two 19th-century historical novels: Xicoténcatl (Anonymous, 1826) and Columbus and Beatriz (DuBois, 1892). The former inaugurates the writing of historical novels in Latin America. While the narrator directs his efforts on the Xicoténcatl-Cortés dichotomy, the female characters Teutila and Doña Marina (Malinche) are depicted as chess pieces in the anonymous author\u27s thesis. The latter stands out for being the first work by a female author within the \u27Poetics of \u27Discovery\u27. In this novel, Dubois (1892) retakes a historical figure excluded from traditional historical records, Beatriz Enríquez de Harana. Drawing on Fleck (2017), Quijano (2005), Mignolo (2017), Lugones (2008), among others, we identify the main elements and discuss their configuration as decolonial aesthetic projects. As a result, we compare the three aforementioned characters and examine whether, in these portrayals, the female figure reflects, in some way, a decolonial perspective.El artículo pone de relieve la configuración de los personajes femeninos en dos novelas históricas del siglo XIX: Xicoténcatl (Anónimo, 1826) y Colombo e Beatriz (DuBois, 1892). La primera inaugura la escritura de novelas históricas en América Latina. Mientras que su narrador centra sus esfuerzos en la dicotomía Xicoténcatl-Cortés, los personajes femeninos Teutila y Doña Marina (Malinche) se configuran como piezas en la tesis del autor anónimo. La segunda novela se destaca por ser la primera obra de autoría femenina inscrita en la “Poética del ‘descubrimiento’”. En ella, Dubois (1892) promueve la recuperación, en la literatura, de la figura histórica excluida de los registros históricos tradicionales, Beatriz Enríquez de Harana. Nos basamos en Fleck (2017), Quijano (2005), Mignolo (2017), Lugones (2008), entre otros, para señalar los elementos principales y discutir su configuración como proyectos estéticos decoloniales. Como resultado, presentamos comparaciones entre los tres personajes mencionados y verificamos si en estas configuraciones la figura femenina muestra, de alguna manera, la proyección de una mirada decolonial.O artigo evidencia a configuração das personagens femininas em dois romances históricos oitocentistas: Xicoténcatl (Anônimo, 1826) e Colombo e Beatriz (DuBois, 1892). O primeiro inaugura a escrita de romances históricos na América Latina. Enquanto seu narrador centraliza seus esforços na dicotomia Xicoténcatl-Cortés, as personagens femininas Teutila e Doña Marina (Malinche) são configuradas como peças na tese do autor anônimo. O segundo romance, destaca-se por ser a primeira obra de autoria feminina inserida na “Poética do ‘descobrimento’”. Nele Dubois (1892) promove a recuperação, na literatura, da figura histórica excluída dos registros históricos tradicionais, Beatriz Enríquez de Harana. Embasamo-nos em Fleck (2017), Quijano (2005), Mignolo (2017), Lugones (2008), dentre outros, para apontar os principais elementos e discutir sua configuração enquanto projetos estéticos decoloniais. Como resultado, apresentamos comparações entre as três personagens mencionadas e verificamos se nessas configurações a figura feminina mostra, de algum modo, a projeção de um olhar decolonial
Appropriate Similarity Measures for Author Cocitation Analysis
Get PDFWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Get PDFWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
No full textWe have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
Author-wise bibliometric analysis based on entropy.
No full textAuthor-wise bibliometric analysis based on entropy.</p
Author Under Sail The Imagination of Jack London, 1893-1902
No full textIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Intro -- Title Page -- Copyright Page -- Dedication -- Contents -- Acknowledgments -- Introduction -- 1. Spirit Truth -- 2. From Absorption to Theatricality and Back Again -- 3. "I Will Build a New Present" -- 4. Sons as Authors -- 5. Fathers as Publishers -- 6. The Daughter as Author -- 7. Lovers as Authors -- 8. At Sea with the Family -- 9. Yellow News, Yellow Stories -- 10. The Return Home -- Notes -- Bibliography -- Index -- About Jay WilliamsIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
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