196 research outputs found
Introducing the Randstad: A polycentric metropolis
No full textThe Randstad and polycentric regions generally are not only vehicles to create critical economic mass. The geography of the Randstad is unmistakably deltaic, with expanses of flat open land crisscrossed by watercourses and historic windmills that remain from a former network of more than 10,000. The development of extensive physical and soft infrastructure has since the seventeenth century gone hand in hand with the growth of the economy and international trade. In 2017 the Randstad was the fourth largest metropolitan economy in Europe, after London, Paris, and the Rhine-Ruhr (also polycentric), and before the COVID-19 crisis was experiencing reasonably good growth throughout the later 2010s of about 2.5% per year. The idea of the Randstad as a polycentric metropolis is a consistent feature in the modern history of Dutch spatial development and planning, but there have been many twists and turns. This chapter also presents an overview on the key concepts discussed in this book.Green Open Access added to TU Delft Institutional Repository 'You share, we take care!' - Taverne project https://www.openaccess.nl/en/you-share-we-take-care Otherwise as indicated in the copyright section: the publisher is the copyright holder of this work and the author uses the Dutch legislation to make this work public.Spatial Planning and Strateg
Conclusion and outlook
No full textThis conclusion presents some closing thoughts on the concepts covered in the preceding chapters of this book. The book shows how specific advantages given to cities, for instance trading and taxation rights in medieval times, had a clear influence on the economy of cities and through that, on population growth. It also shows how so-called interaction environments, places for personal encounters and for the exchange of persons, goods (including cultural ‘goods’ like music, theatre or museological productions), capital and information, are today scattered over the Randstad (together forming the Holland Cluster), while at the same time concentrated in the main cities, spilling over in ever larger areas, in particular in Amsterdam. The book concludes that the reputation of Dutch national spatial planning of being effective in containing urban sprawl is unwarranted, or at best only partly justified.Green Open Access added to TU Delft Institutional Repository 'You share, we take care!' - Taverne project https://www.openaccess.nl/en/you-share-we-take-care Otherwise as indicated in the copyright section: the publisher is the copyright holder of this work and the author uses the Dutch legislation to make this work public.Spatial Planning and Strateg
LIRIK LAGU SEMUA AKU DIRAYAKAN KARYA NADIN HAMIZAH
No full textSongs are literary works that express certain meanings through the words placed in the text. The meaning of a song is explained by its lyrics, which can also express the author\u27s feelings or opinions about something. The aim of this research is to analyze the lyrics of Nadine Hamizah\u27s song "All I\u27m Celebrated" and to clarify the relationship between lyrical and non-lyrical elements. The critical discourse analysis (CDA) model approach by Teun A. Van Dijk is used as an analytical tool. Qualitative methods were used in this research. Library research methods will be used for data collection. Research data is available in the form of lyric fragments. The source of research data is the lyrics of the song "All I Celebrate" by Nadin Hamizah. From the results of my research, I found that there is a macro structure consisting of the meaning of the lyrics, and a super structure consisting of intro, verse, bridge, chorus, etc. Then there is the micro structure in the form of semantic, syntactic and rhetorical studies.Lagu adalah karya sastra yang mengungkapkan makna tertentu melalui kata-kata yang ditempatkan di dalam teks. Makna lagu dijelaskan oleh liriknya, yang juga dapat mengungkapkan perasaan atau pendapat pengarangnya tentang sesuatu. Tujuan dari penelitian ini adalah untuk menganalisis lirik lagu Nadin Hamizah “Semua Aku Dirayakan” dan untuk memperjelas hubungan antara unsur lirik dan non lirik. Pendekatan model analisis wacana kritis (CDA) oleh Teun A. Van Dijk digunakan sebagai alat analisis. Metode kualitatif digunakan dalam penelitian ini. Metode penelitian perpustakaan akan digunakan untuk pengumpulan data. Data penelitian tersedia dalam bentuk penggalan lirik. Sumber data penelitian adalah lirik lagu “Semua Aku Rayakan” karya Nadin Hamizah. Dari hasil penelitian saya menemukan bahwa ada struktur makro yang terdiri dari makna lirik, dan struktur super yang terdiri dari intro, bait, bridge, chorus, dll. Lalu ada struktur mikro berupa kajian semantik, sintaksis, dan retoris
ANALISIS ISI PESAN TENTANG CITRA IBU DALAM LAGU "BERTAUT" KARYA NADIN AMIZAH
No full textThe song serves as a mass communication medium, where musical composition is used to convey messages through lyrics. The role of musicians, such as Nadin Amizah, can be categorized as communicators, with song lyrics serving as tools to deliver messages from the author to the listener. Messages expressed through lyrics encompass various expressions like anxiety, anger, love, which are then received by listeners as message recipients. This process involves communication realized through musical symbols, both in terms of melody and lyrics. Therefore, this study aims to understand and describe how Nadin Amizah utilizes song lyrics as a communication medium to shape the image of a mother through her songs. The research also employs image theory, a qualitative approach, and content analysis techniques. The findings show that the lyrics of "Bertaut" depict the image of a mother in several significant aspects. First, Nadin Amizah as a songwriter uses lyrics as an effective communication tool to convey emotional messages to listeners. Second, various forms of maternal love and affection are portrayed in the lyrics, highlighting the crucial role of mothers in a child's life. Third, the lyrics emphasize that a child is a reflection of their mother, with the desired image being the best to create a brilliant generation. Fourth, without a mother's image and support, a child tends to feel lacking and lost in facing life's challenges
Making Built Heritage. Riegl's Present Values in Adaptive Reuse
No full textThis work is part of a doctoral thesis by the frst author that deals with assessing values in adaptive reuse projects and their refection in legislation and practice in Flanders and Wallonia. This research project is funded by the Research Foundation Flanders (FWO) [G050519N]
Making Built Heritage. Riegl's Present Values in Adaptive Reuse
No full textThis work is part of a doctoral thesis by the frst author that deals with assessing values in adaptive reuse projects and their refection in legislation and practice in Flanders and Wallonia. This research project is funded by the Research Foundation Flanders (FWO) [G050519N]
Gaya Bahasa Perulangan Pada Lirik Lagu Nadin Amizah Dalam Album Selamat Ulang Tahun : Kajian Stilistika
No full textThis research aims to discuss the language style of repetition and messages in the lyrics of Nadin Amizah's song in the Happy Birthday Album. The theory applied in this research is stylistic theory. Language style plays an important role in assessing the beauty of a literary work. Tarigan states that there are four types of language styles, namely, comparative language styles, conflicting language styles, linking language styles, and repetition language styles. This research aims to describe the repetitive language style and messages contained in the Happy Birthday album by Nadin Amizah. The research method used is a qualitative descriptive method with data collection techniques using note-taking techniques. The data in this research are the song lyrics in the Happy Birthday album. From the research results, six types of repetition language styles were found, namely: (1) alliteration, (2) assonance, (3) anaphora, (4) mesodilopsis, (5) epizeukis, and (6) epanalepsis. Furthermore, in this album there are messages about the relationship between the author and the people around him, such as family, friends and partners, which are explained by feelings of hurt and trauma
Governance and power in the metropolitan regions of the Randstad
No full textThis chapter focuses on the nature and powers of governance arrangements in two Dutch metropolitan areas, both situated in the Randstad: the Metropolitan Region Amsterdam (Metropoolregio Amsterdam) and the Metropolitan Region Rotterdam The Hague (Metropoolregio Rotterdam Den Haag ). It considers the power of process by analysing the actor network and relations. The chapter deals with an overview of recent international trends in metropolitan governance. It then presents a summary of trends in sub-national governance in the Netherlands. Territorial governance is being redefined in the light of important societal challenges, new powers and responsibilities and new attempts to increase the societal relevance of planning. Metropolitan governance bodies – bodies aiming at organising responsibilities among public authorities in metropolitan areas – are extremely common in most OECD countries. Amidst the economic recession of the 1980s cooperation between the three Randstad provinces picked up again in various domains from 1985 onwards, including spatial planning.Green Open Access added to TU Delft Institutional Repository 'You share, we take care!' - Taverne project https://www.openaccess.nl/en/you-share-we-take-care Otherwise as indicated in the copyright section: the publisher is the copyright holder of this work and the author uses the Dutch legislation to make this work public.Land DevelopmentSpatial Planning and Strateg
The Bond of Mother and Child in the Lyrics of the Song Linked by Nadin Amizah (Semiotic Analysis of Roland Barthes)
No full textMusic is a creative medium that people use to communicate their emotions and
worldview. Through song lyrics and accompanying video clips, someone uses music to
express opinions, feelings, or even social criticism. 'Bertaut' by Nadin Amizah is a song about
someone's outpouring of emotions which has succeeded in capturing the audience's attention
and winning various awards. Even though it was released a year ago, "Bertaut" still tops the
charts on music platforms to this day. Using Roland Barthes' semiotics, this research seeks to
identify and examine the mother-child bond that appears in the song "Bertaut" by Nadin
Amizah. This research was analyzed semiotically using Roland Barthes' semiotics and is
qualitative descriptive with a critical paradigm. The author conducted library research to
collect information by looking through books, news, articles and other literary works. The
information is then recorded and recorded. The findings of this research clarify the myths,
connotations and denotations regarding the mother-child bond contained in the song
"Bertaut" by Nadin Amizah. This song tells the story of the difficulties a single mother faces
in supporting her family and herself. Family members assign responsibilities to each other,
and they are each responsible for their own duties
NADIN – LIBURNIAN CULT OF THE DEAD, RESEARCH CAMPAIGNS 2004–2006, 2009
No full textAutor iznosi nove rezultate istraživanja liburnskog Nadina (Nedinum) u kontekstu dosadašnjih saznanja o nadinskom arheološkom kompleksu s kontinuitetom života od ranoga brončanog doba do 17. st. Cjelovito su istraženi humak 13 te grobni prostor (14 x 6,8 m), nazvan cela I, u sastavu nekropole na ravnome podno Gradine (Nedinum).
Humak 13, u upotrebi od 9. do 6. st. pr. Kr., s 19 kružno (koncentrično) raspoređenih grobova, s 37 identificiranih individua (od toga 16,2% djece), bitno upotpunjuje poznavanje liburnskih humaka: njihovu planimetriju, stanovite konstrukcijske, obredne i društvene aspekte.
Nakon otkrića spaljivanja mrtvih iz brončanog doba (Podvršje – Matakov brig, Nadin, Ervenik, Duševića glavica – Krneza) u sjevernoj Dalmaciji, u humku 13 iz Nadina, s najvećim brojem pokojnika kod Liburna, otkriveni su uz gr. 4 iz Dragišića, prvi spaljeni liburnski pokopi u sjevernoj Dalmaciji.
Cela I, ogledni uzorak velike nadinske nekropole na ravnome, sklop je sastavljen od grobova i arhitekture; prvi je takav istražen oblik u liburnskoj kulturi. Dokumentirane su dvije osnovne faze izradnje cele: liburnska, iz željeznog doba, i liburnsko–rimska iz vremena romanizacije. Drugoj fazi pripadaju ogradni zidovi cele, četvrtasti postament monumentalnog spomenika (?) ili edikule (?), spaljeni pokopi, te brojni pokretni spomenici.
Cela je u rimsko doba bila sastavni dio pravilnog rastera liburnsko–rimske nekropole planiranog tipa “uz prometnice“. Podignuta nad starim liburnskim grobljem, samo djelomično je “negirala“ i uništila njegovu prostornu strukturu. Jer, liburnskoj fazi ukapanja pripada većina grobova, s dominacijom zgrčenih pokojnika, s prilozima uglavnom od 6. st. pr. Kr. nadalje. Liburnsko ograđivanje grobnih četvrtastih parcela vrstom obzida potvrđuje stanovitu planiranost i monumentalnost i liburnske nekropole iz “starijega“ željeznog doba.The author presents the latest results of the excavations of Liburnian Nadin (Nedinum) in the context of current knowledge about the Nadin archaeological complex with continuity of life from the Early Bronze Age to the 17th century. Burial mound 13 was completely explored as well as the grave area (measuring 14 x 6,8 m) designated as “cella I” within a flat necropolis at the foot of Gradina (Nedinum).
Burial mound 13, dated from the 9th to 6th centuries BC, has 19 circularly (concentrically) distributed graves with 37 identified individuals (16,2% of which were children). This burial mound contributes significantly to the study of Liburnian burial mounds: their planimetry, certain constructional, ritual and social aspects. Following the discovery of cremation of the dead from the Bronze Age (Podvršje – Matakov brig, Nadin, Ervenik, Duševića glavica – Krneza) in northern Dalmatia, burial mound 13 from Nadin, with the greatest number of buried individuals in Liburnian society, yielded first Liburnian cremation burials in northern Dalmatia, along with grave 4 from Dragišić.
Cella I which is a typical sample of great Nedinum flat necropolis, is a complex consisting of graves and architecture; it is the first of the kind to be investigated in the Liburnian culture. Two basic building phases of the cella were identified: the Liburnian phase, from the Iron Age, and the Liburnian–Roman phase from the Romanization period. Enclosing walls of the cella belong to the second phase as well as a rectangular base of a great monument (?) or aedicule (?), cremation burials and a multitude of movable monuments.
In the Roman period cella was a part of a regular scheme of Liburnian–Roman necropolis of the planned type “near the roads”. It only partially “negated” and destroyed the structure of the old Liburnian cemetery above which it was raised. Namely most of the graves belong to the Liburnian phase of burials with prevalence of crouched position of the deceased. Most grave goods can be dated from the 6th century onwards. Liburnian enclosing of rectangular grave parcels with a kind of wall confirms certain premeditation and monumentality of Liburnian necropolis from the “Early” Iron Age
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