1,721,021 research outputs found
Barry C. Keenan, Imperial China's Last Classical Academies. Social Change in the Lower Yangzi, 1864-1911, Berkeley, Institute of East Asian Studies, University of California Press, 1994
No full textElman Benjamin. Barry C. Keenan, Imperial China's Last Classical Academies. Social Change in the Lower Yangzi, 1864-1911, Berkeley, Institute of East Asian Studies, University of California Press, 1994. In: Études chinoises, vol. 16, n°1, Printemps 1997. pp. 167-173
Collecting and Classifying : Ming Dynasty Compendia and Encyclopedias (Leishu)
No full textThe mushrooming of reference (leishu) and daily-use encyclopedias (riyong leishu) in the sixteenth and seventeenth centuries drew on earlier book collections, which Chinese literati previously had valued as texts while preparing for civil examinations or for collecting source materials needed by officials to carry out their activities. Since 1000, these traditional collections transmitted a specific epistemological approach for investigating things, events, and phenomena. Beginning in the mid-thirteenth century under Mongol rule, new types of leishu developed, some of which, owing to the steady expansion of printing as well as literacy and the corresponding proliferation of a bookish print culture, reached a much wider readership than ever before. On the one hand, these new types of leishu covered a wider range of knowledge. On the other hand, they represented a form of classicism that approached things/events/phenomena textually, i.e., in a lexicographic and etymological way. Using the encyclopedic form, compilers increasingly applied the ideals for " investigating things and extending knowledge " (gewu zhizhi) beyond the classical corpus. This textual approach to natural studies and practical knowledge culminated in the creation of textual repositories simulating " textual museums. "Collecter et classer: anthologies et encyclopédies au cours de la dynastie Ming
Les leishu et les encyclopédies à usage quotidien des XVIe et XVIIe siècles se sont inspirés de collections de livres plus anciens, appréciés et utilisés par les lettrés chinois pour préparer les concours impériaux ou pour mener à bien leurs missions, grâce au matériau qui y était rassemblé. Depuis 1000, ces collections traditionnelles ont transmis une approche épistémologique spécifique pour explorer les choses, les événements et les phénomènes. Dès la moitié du XIIIe siècle, sous l'empire Mongol, de nouveaux types d'encyclopédies se développèrent, dont certains, du fait de l'expansion de l'imprimerie, de l'alphabétisation et de la culture du livre imprimé, gagnèrent un lectorat plus important que jamais. Ces nouvelles encyclopédies couvraient, d'une part, un champ de savoir plus étendu, et, d'autre part, elles incarnèrent une forme de classicisme appréhendant les choses/événements/phénomènes texmellement, c'est-à-dire, de façon lexicographique et étymologique. En utilisant la forme encyclopédique, les compilateurs appliquèrent l'idéal d'« explorer les choses et étendre la connaissance» au-delà du corpus classique. Cette approche textuelle des études naturelles et du savoir pratique culmina avec la création de trésors textuels comparables à des «musées textuels».Benjamin Elman
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a, tà»%mmm "fê«*n- mmitmmn^Mx^z^h *xmï.muMz-&Elman Benjamin. Collecting and Classifying : Ming Dynasty Compendia and Encyclopedias (Leishu). In: Extrême-Orient, Extrême-Occident, 2007, hors série. Qu'était-ce qu'écrire une encyclopédie en Chine ? / What dit it mean to write an encyclopedia in China ? pp. 131-157
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Compte-rendu sur Benjamin A. Elman (éd.) (2014), Rethinking East Asian languages, vernaculars, and literacies, 1000-1919
No full textInternational audienceReview on: Elman, Benjamin A., ed. 2014. Rethinking East Asian Languages, Vernaculars, and Literacies, 1000-1919. Sinica Leidensia 115. Leiden ; Boston: Brill.Compte-rendu sur : Elman Benjamin A. (éd.), Rethinking East Asian languages, vernaculars, and literacies, 1000-1919, Leiden ; Boston, Brill, coll. « Sinica Leidensia », n˚ 115, 2014, 324 p
Compte-rendu sur Benjamin A. Elman (éd.) (2014), Rethinking East Asian languages, vernaculars, and literacies, 1000-1919
No full textInternational audienceReview on: Elman, Benjamin A., ed. 2014. Rethinking East Asian Languages, Vernaculars, and Literacies, 1000-1919. Sinica Leidensia 115. Leiden ; Boston: Brill.Compte-rendu sur : Elman Benjamin A. (éd.), Rethinking East Asian languages, vernaculars, and literacies, 1000-1919, Leiden ; Boston, Brill, coll. « Sinica Leidensia », n˚ 115, 2014, 324 p
Compte-rendu sur Benjamin A. Elman (éd.) (2014), Rethinking East Asian languages, vernaculars, and literacies, 1000-1919
No full textInternational audienceReview on: Elman, Benjamin A., ed. 2014. Rethinking East Asian Languages, Vernaculars, and Literacies, 1000-1919. Sinica Leidensia 115. Leiden ; Boston: Brill.Compte-rendu sur : Elman Benjamin A. (éd.), Rethinking East Asian languages, vernaculars, and literacies, 1000-1919, Leiden ; Boston, Brill, coll. « Sinica Leidensia », n˚ 115, 2014, 324 p
The Better Earth: Contextualizing Contemporary Organic Farming with China's Dynamic Agricultural History
No full textThe Clash of East Asian and Central Asian Civilizations: Uyghur Identity and Chinese State Power From the Early Qing Dynasty to the Present
No full textVariations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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