1,721,764 research outputs found
British writers and the approach of World War II
No full textThis book considers the literary construction of what E. M. Forster calls 'the 1939 State', namely the anticipation of the Second World War between the Munich crisis of 1938 and the end of the Phoney War in the spring of 1940. Steve Ellis investigates not only myriad responses to the imminent war but also various peace aims and plans for post-war reconstruction outlined by such writers as T. S. Eliot, H. G. Wells, J. B. Priestley, George Orwell, E. M. Forster and Leonard and Virginia Woolf. He argues that the work of these writers is illuminated by the anxious tenor of this period. The result is a novel study of the 'long 1939', which transforms readers' understanding of the literary history of the eve-of-war era
(Re)Imagining Los Angeles: five psychotopographies in the fiction of Steve Erickson
No full textThe thesis investigates psychotopography: the dynamic interrelationship of emotions,
landscape, and the individual. Psychotopography suggests an all-encompassing connection
between landscape and emotion and attempts to outline the intricacies of this, subsequently
providing new ways of mapping the landscape, in particular, a re-mapping of emotional and
psychic responses to the urban space. The aim of psychotopography is to create new
understandings of ourselves, the ways in which we interact with the city, and the identities that
arise as a result, through an exploration of the psychotopographic states and tendencies of a
place, as identified in creative processes such as fiction, art and film.
This study is done with particular reference to the landscape of Los Angeles and
individuals relationship with it. Psychotopography is a term specifically used by Los-Angeles
based American novelist Steve Erickson, and therefore the thesis approaches psychotopography
principally through Erickson’s writings, using studies of five psychotopographic states identified in
his work: emotion, happiness, numbers, liquidity and apocalypse. These five main chapters deal
with themes that are significant not only in Erickson’s writings but as part of the experience of Los
Angeles and the surrounding area, and the interrelation between these themes, their motifs and
the notion of psychotopography.
The psychotopography of Erickson’s novels and characters is intricately woven through all
aspects of his writing and therefore the methodology used during the study of Erickson’s writing is
close thematic analysis. This allows a highly detailed and deliberate exploration of both the
mechanics and concepts within Erickson’s fiction.
The thesis will develop the notion of psychotopography both within the novels and the
wider context of the Los Angeles and Southern Californian landscape, going on to suggest how
this notion might be applied to other disciplines and mediums
Gender and the politics of the gaze in Bronte's Wuthering Heights
Get PDFDissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão, Programa de Pós-Graduação em Letras/Inglês e Literatura Correspondente, Florianópolis, 2009.O objetivo deste estudo é apresentar uma análise de como a imagem de Catherine é moldada pelo olhar masculino, como ela enfrenta os três tipos de olhar - o olhar dos personagens, o olhar do leitor, e o olhar do autor - e finalmente, se o olhar masculino é interrompido. O parâmetro teórico desta análise, o conceito do olhar masculino, é teorizado por Laura Mulvey no artigo "Prazer Visual e Cinema Narrativo" (1975) o qual critica a relação entre o olhar masculino e a imagem feminina do prazer visual moldado pela sociedade patriarcal. Através da crítica de Mulvey do prazer visual generizado em filmes, que pertence ao contexto do cinema clássico de Hollywood, articulo sua teoria em relação ao romance Wuthering Heights de Emily Brontë para examinar a dinâmica do olhar masculino em relação à personagem feminina Catherine. Este estudo teve também por objetivo analisar o quanto o paradigma teórico de Mulvey produzido para cinema poderia ser aplicado especificamente em um texto literário escrito no século XIX.The objective of this thesis is to present an analysis of whether Catherine's image has been shaped by the male gaze, how she contends with the three looks of the male gaze - the look of the characters, the look of the reader, and the look of the author - and finally, how the male gaze is broken. The theoretical parameter of this analysis, the concept of the male gaze, is theorized by Laura Mulvey in the article "Visual Pleasure and Narrative Cinema" (1975) which critiques the relation between the male gaze and the female image within the patriarchal molding of visual pleasure. Borrowing Mulvey's critique of the gendering of visual pleasure in films, which pertains to the context of classical Hollywood cinema, I have articulated her theory in relation to Emily Brontë's Wuthering Heights, to examine the dynamics of the male gaze regarding the female character, Catherine. This study also aimed at examing the extent to which Mulvey's theoretical paradigm produced for cinema could be articulated specifically in relation to a literary text written in the nineteenth century
Steve Dobrogosz's 'When Lilacs Last in the Dooryard Bloom'd': A Conductor's Perspective
Get PDFSwedish composer Steve Dobrogosz (b. 1956) is primarily known for his jazz piano and songwriting career, having been an influential figure in the Stockholm musical scene since the 1980’s. Eventually he began to explore traditional notated composition and, following the international success of his Mass (1992) for choir, piano, and strings, Dobrogosz’s compositional style became more refined while retaining its exploratory nature. His compositions currently number in the thousands, including significant choral/orchestral works like the Requiem (2001), Christmas Cantata (2003), Stabat Mater (2012), and When Lilacs Last in the Dooryard Bloom’d (2000). Dobrogosz is a master of creating full, luxuriant sonic textures that require careful treatment of text.
This document is an analysis of Steve Dobrogosz’s choral/orchestral setting of Walt Whitman’s pastoral elegy When Lilacs Last in the Dooryard Bloom’d. Contained within the paper are sections covering biographical information of the both the composer and the poet Walt Whitman, Dobrogosz's compositional approach and style, and a detailed musical analysis of each of the six movements that dissects form/thematic structure, tonality, texture, thematic construction, meter/rhythm, and harmony. The analysis pays particular attention to the synthesis of Walt Whitman’s unmetered free verse and Dobrogosz’s lyrical melodic constructions, illustrating Dobrogosz’s masterful handling of complicated poetic material
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Get PDFWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Get PDFWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
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