1,852 research outputs found
Mr Cyril Keightley [picture] /
No full textCondition: Good.; "In costume for unknown role. Only cabinet card image of Keightley yet located"--Vendor's note.; "Alfred Ellis & Walery. Copyright. 51 Baker Street, London W."--Printed beneath image. Details of photographers' studio printed on reverse including handwritten number "414437"
Map of property of Valvoline Oil Company and W. Dixon Ellis, Borough of Edgewater, Bergen Co., N.J.
No full textMap featuring the riparian lines of two properties: the Valvoline Oil Company and W. Dixon Ellis, in addition to the adjacent lots of John Winterburn and Nicholas Olsen.Source map supplied by New Jersey Department of Environmental ProtectionBearings or courses refer to True North, not Magnetic North
Hexology, 2018
No full textArtist(s): Edward N. Villella, Christopher t. Gossett, Deyla J. Montgomery, Alfred W. Ellis
Materials: Cardboard, paper, wire, fabric, recycled wood, assorted craft supplieshttps://openworks.mdanderson.org/recycledart2018/1014/thumbnail.jp
Map of British Columbia Reduced from the Original Map by Mr. Alfred Waddington
No full textby Alfred Waddington.Scale ca. [1:5,385,600] (W 132 00'--W 112 00'/N 57 40?--N 48 00'). Relief shown by hachures. Shows wagon roads, trails and explored routes
Flowers of Evil: The CIA and the Heroin Trade
No full textArticle on the CIA’s involvement in the heroin trade and its connections in Laos.McCoy, Alfred W. "Flowers of Evil: The CIA and the Heroin Trade",
Harper's Magazine 245.1466 (Jul 1, 1972): 47-5
The television work of Alfred Hitchcock
No full textThe thesis uses close textual analysis to study and evaluate the television work of Alfred Hitchcock. The corpus consists of the twenty shows personally directed by Hitchcock, including his appearances before and after those shows. In response to most previous writing, which tends to compare the programmes with Hitchcock’s films (often unfairly) the thesis emphasises them as products of television. Programmes are evaluated on the basis of their perceived success as television- if they harness conditions related to television production and integrate them with narrative themes or to create meaning. Hitchcock is considered to be the major creative force in each programme.
Chapter One provides a variety of important contexts including a brief history of US television of the 1950s, key literature on Hitchcock and analyses of contemporaneous programmes not directed by Hitchcock. The textual analysis chapters (2-8) consider aesthetic or thematic programme aspects. Chapter Two studies the various roles played by Hitchcock’s appearances as series host. Chapter Three considers the impact of censorship on programmes frequently dealing with murder, violence and insanity. Chapter Four analyses Hitchcock’s implementation of varieties of voice-over narration, a common device in short dramatic forms. Chapter Five studies Hitchcock’s use of point-of-view shots, particularly in relation to their role in the delivery of the narrative twist. Chapter Six considers the key Hitchcock theme of detachment from the world. Chapter Seven looks at moments from the programmes which demonstrate how aesthetic is influenced by television production conditions.
Hitchcock created a number of television masterpieces. His achievements in television are in many ways comparable in quality and consistency to his theatrical films. Even when considered in the context of other 1950s US anthology dramas, the Hitchcock-directed programmes are superior on many levels. Elements of his film style were highly suited to television production. Many of his greatest achievements embrace and harness television production conditions in their presentation strategies to create an integration of style and meaning
Hexology, 2018, detail
No full textArtist(s): Edward N. Villella, Christopher t. Gossett, Deyla J. Montgomery, Alfred W. Ellis
Materials: Cardboard, paper, wire, fabric, recycled wood, assorted craft supplieshttps://openworks.mdanderson.org/recycledart2018/1015/thumbnail.jp
Out on the green lawn in the winsome May, forgetting the moments that drifted by [first line]
No full textstrophic with choruspiano and voiceTo Chas. W. Ellis, Cinn. O.5878Johns Hopkins University, Levy Sheet Music Collection, Box
028, Item 029Words by Byron Webster, Esq. Music by Alfred von Rochow.Murra
Out on the green lawn in the winsome May, forgetting the moments that drifted by [first line]
No full textstrophic with choruspiano and voiceTo Chas. W. Ellis, Cinn. O.5878Johns Hopkins University, Levy Sheet Music Collection, Box
028, Item 029Words by Byron Webster, Esq. Music by Alfred von Rochow.Murra
To be authentic – what does that mean
No full textThe article presents shortly views of American thinkers about authenticity according to The Stanford Encyclopedia of Philosophy from Internet. Later, the author presents own theory on this topic. At last, in the conlusions of the work there are the most important statements of the article.dr Alfred Skorupka – doktor filozofii i magister psychologii. Pracuje na Politechnice Śląskiej, Wydział Inżynierii Materiałowej i Metalurgii, Katedra Inżynierii ProdukcjiDąbrowski, K. Trud istnienia, Wiedza Powszechna, Warszawa 1986.Bańka, J. Ja teraz. U źródeł filozofii człowieka współczesnego, Wydaw. „Śląsk”, Katowice 1983.Bańka, J. Metafizyka wirtualna. Traktat o strukturach chwilowych, Wydaw. Uniwersytetu Śląskiego, Katowice 2001.Maslow, A. H. Motywacja i osobowość, przeł. J. Radzicki, Wydaw. Naukowe PWN, Warszawa 2006.Schweitzer, A. Wielcy myśliciele Indii, przeł. K. Pruska i K. Pruski, Wydaw. „Cyklady”, Warszawa 1993.Whitehead, A.N. Process and Reality, The Free Press, New York 1985.S. Varga, Ch. Guignon: Authenticity, [w:] The Stanford Encyclopedia of Philosophy; https:// plato.stanford.edu/entries/authenticity 29.10.2018.3111212
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