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    A Small War in Cameroon: looking back on the events of 1955-64

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    Elizabeth Rechniewski, University of Sydney Over the last decade there has been great interest in the origins and development of COIN theory and the success or otherwise of its practical application in fields including Indochina and Algeria, not least because of the influence of the ‘French School’ of counter-revolutionary warfare on contemporary American military strategy, encapsulated in (FM) 3-24. In the discussion that has taken place and the books that have been written I have seen, howe..

    Ambiguity, the Artist, the Masses, and the Double Nature of Language

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    In her article Ambiguity, the Artist, the Masses, and the \u27Double Nature\u27 of Language Elizabeth Rechniewski discusses the function of the European intellectual elite through a close reading of two very different yet related books, John Carey\u27s The Intellectuals and the Masses, and Pierre Bourdieu\u27s Les Règles de l\u27art. Through a contrapuntal reading of the arguments of these two critics, she argues that Symbolist experiments may actually be read as reactionist; in celebrating art\u27s supposed conquest of independence and refinement, they are replete with nostalgia for a time when the artist and the intellectual were able to ignore the pressure and the demands made on art from the outside. Rechniewski argues that the double nature of language is less a discovery of the nineteenth-century avant-garde than a stake in their struggle over the control of culture within an artistic field split between the fields of the masses and restricted production. The assertion of the essential ambiguity of language opens up a space for creation and interpretation to which the specialist — writer, critic, scholar — has privileged, perhaps exclusive access: this claim underpins their deontology, the professional ideology which legitimates their activity

    Imagining Geographies, Mapping Identities: Geographies of Identity special issue

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    Special issueInternational audienceThe ambition of this issue of Portal is to reach across the methodological boundaries of history, politics, literature and geography to apply their complementary perspectives to the study of identity and its relation to space and place, an aim that involves attempting to identify the many different ways the notoriously slippery concepts of identity and geography may intersect.For this issue we have selected articles that cast a fresh perspective on two areas where identity and geography intersect: the construction of identity through the imaginative recreation of place in literature: Mapping Literary Spaces; and the study of the shifting relationships of centre and periphery, exclusion and inclusion in urban settings and geopolitical confrontations: Social and Political Peripheries.Gerard Toal has written that geography is not a noun but a verb: it does not describe what space is but studies what we do with space, imaginatively and politically. The articles in this issue illustrate the exercise of the literary and political imagination and the role of materiality and memory in the creation of geographic representation. They show too a new awareness of the centrality of space in the constitution of identities, and the need for a new geocritical reading of its discourse, as the interrelations of place and community are played out on the many scales of social and political life, from the local to the global

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    After the Cold War

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    The year 1989 signalled the end of the Cold War that had bound the USA and the Soviet Union in a competitive embrace. With the collapse of the Soviet Union the intellectual and political frameworks that had sustained Cold war conflict lost salience, however, important residues of that era continued to permeate global discourse. Just as the reach of Cold War politics had extended far beyond the realms of the USA and the USSR, the consequences of the end of that conflict similarly affecte..

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    ‘Réformer, réunir, réussir’ – French President François Hollande’s Slogan for the First World War Centenary Commemorations

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    On 7 November the French President François Hollande launched the programme of events to commemorate the centenary of the First World War, using the opportunity to draw lessons  - as he sees them - for the national priorities of today. Under the slogan ‘réformer, réunir, réussir’ (reform, unite, succeed) Hollande concluded that only unity - of the kind that united the nation during the war - would overcome the problems that France faces today, problems that are no longer military but economic..
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