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    Ernst Bloch e il principio utopico ieri e oggi. "Spirito dell’utopia" un secolo dopo

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    «Il tema» del numero 5 del 2019 di B@belonline, curato da Attilio Bruzzone, Guelfo Carbone e Elisabetta Colagrossi, raccoglie gran parte degli interventi di un convegno internazionale tenutosi tra Roma e Genova nel 2018 per celebrare il centenario della pubblicazione della prima edizione del Geist der Utopie. Abbiamo qui voluto restituire il dialogo a distanza tra queste due occasioni, generate dal comune intento di tornare a confrontarsi, sempre di nuovo, con quest’opera “esplosiva” del giovane Bloch, uno dei capolavori del pensiero politico utopico del secolo scorso.This part of the present issue ("Il Tema"), edited by Attilio Bruzzone, Guelfo Carbone and Elisabetta Colagrossi, collects most of the papers discussed at the international conference held in 2018 partly in Rome and partly in Genoa in order to celebrate the centenary of Bloch’s Geist der Utopie. The overarching aim is to showcase the dialogue between these two occasions and the shared intent to tackle, once again, this “incendiary” work by Bloch, which is a masterpiece of the political thought on the Utopia of the last centur

    Ernst Bloch e il principio utopico ieri e oggi. "Spirito dell’utopia" un secolo dopo

    No full text
    This part of the present issue ("Il Tema"), edited by Attilio Bruzzone, Guelfo Carbone and Elisabetta Colagrossi, collects most of the papers discussed at the international conference held in 2018 partly in Rome and partly in Genoa in order to celebrate the centenary of Bloch’s Geist der Utopie. The overarching aim is to showcase the dialogue between these two occasions and the shared intent to tackle, once again, this “incendiary” work by Bloch, which is a masterpiece of the political thought on the Utopia of the last century

    PER UNA SEPARAZIONE DEI POTERI (ATMOSFERICI)

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    Gandhi and Peace in the Museums of the World

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    The article is about Gandhi’s musealization as a pacifist leader in the world. Particular emphasis has always been placed on the figure of Gandhi as a symbol of peace, a concept that encompasses many aspects of his vision. Gandhi’s pacifism is not only a rejection of war, passive nonviolence, but it is an active force, which, in order to be realized through satya (Truth) and ahiṃsā (nonviolence), acts on two levels, spiritual and political. This includes a transformative dialogue between individuals and nations, the renunciation by the great powers of imperialist designs, nuclear disarmament, the ideal of the sarvodaya (universal uplift), and practicing voluntary poverty. To understand whether these aspects are evaluated, the author analyzes significant museums for peace in India and outside India, taking into account the particular historical and cultural contexts to which they belong. These institutions give audiences access to witnessing aspects of the universality of the Gandhian message, reflecting a communion between East and West. While recognizing that in museum’s choices we sometimes witness the exploitation and trivialization of the Mahatma, for the purpose of commercialization, they have the capacity to restore, if not the entirety and complexity of the historical figure and his message, at least a part of it and an invitation to deepen and explore its meaning

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
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