1,358,310 research outputs found
Henri Matisse Drawing: An Eye-Hand Interaction Study Based on Archival Film.
Get PDFHenri Matisse (1869-1954) attached fundamental importance to his drawings, in particular to the famous Themes et Variations series. These were accomplished following a precise method, starting with arduous life studies and evolving into brilliant spontaneous drawings. A 1946 archival documentary film showing the artist drawing four portraits of his grandson Gerard was shot in such a way as to allow the present author to undertake a detailed eye-hand interaction analysis of the drawing process.
It was found that Matisse’s temporal working rhythm and use of motor memory resulted in a more direct approach than that used by most painters. Taken together with remarks the artist made throughout his lifetime, these results provide a cognitive interpretation of his drawing method
Tivoli-Vauxhall
No full textBeschriftung: "TIVOLI-WAUXHALL"Herstellungsangabe: "A. H. EDITEUR, PARIS"
Closerie des Lilas
No full textBildbeschriftung: "CLOSERIE DES LILAS"Herstellungsangabe: "A. H. EDITEUR PARIS"
Tivoli-Vauxhall
No full textBeschriftung: "TIVOLI-WAUXHALL"Herstellungsangabe: "A. H. EDITEUR, PARIS"
Closerie des Lilas
No full textBildbeschriftung: "CLOSERIE DES LILAS"Herstellungsangabe: "A. H. EDITEUR PARIS"
Brain arteriovenous malformations presenting with haemorrhage
No full textIncludes bibliographical references
Micas. Reviews in Mineralogy -Editeur : Mineralogical Society of America, 1984
No full textManceau Alain. Micas. Reviews in Mineralogy -Editeur : Mineralogical Society of America, 1984. In: Bulletin de Minéralogie, volume 108, 2, 1985. p. 250
Micas. Reviews in Mineralogy -Editeur : Mineralogical Society of America, 1984
No full textManceau Alain. Micas. Reviews in Mineralogy -Editeur : Mineralogical Society of America, 1984. In: Bulletin de Minéralogie, volume 108, 2, 1985. p. 250
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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