55,479 research outputs found
‘Bangladeshis in London and Tower Hamlets: Community Activism and the Local State’
No full textA chapter in J. Duerrschmidt, M. Caselli and J. Eade (2024), Migrants’ (Im)mobilities in European Urban Contexts: Global Pandemic and Beyond, Palgrave Macmillan. The chapter introduces the London borough of Tower Hamlets and its Bangladeshi population before describing the Covid 19 timeline and its differential impact in the UK and on the Bangladeshi residents in Tower Hamlets. The focus then shifts to the role played by Bangladeshi 'Covid Champions', community centres and political activists, the vaccination campaign from late 2020, economic considerations, family dynamics and generation, state regulations and Muslim funerals, middle class residents in the borough before ending with the conclusion.<br/
[Coronelli terrestrial globe] [cartographic material] /
No full textFacsimile reproduction of terrestrial globe originally designed and constructed by Vincenzo Coronelli. Relief shown pictorially.; Includes portrait of Coronelli in cartouche.; Includes text and ill.; Accompanied by laminated, 14-leaf spiral bound A4 booklet 'Copy of 42-inch Terrestrial Globe by Vincenzo Coronelli edition of 1693', by J.C. Eade, dated May 2003. Contains photos of construction of the facsimile and translations of selected texts on the globe.; Also available online http://nla.gov.au/nla.map-vn6154743; Original version: Venezia : [s.n.], 1688.; National Library of Australia's copy has sticker: J.C. Eade 1978.Copy of 42-inch Terrestrial Globe by Vincenzo Coronelli edition of 1693
[Coronelli celestial globe] [cartographic material].
No full textFacsimile reproduction of celestial globe originally designed and constructed by Vincenzo Coronelli.; Includes text and ill.; Also available online http://nla.gov.au/nla.map-vn6154832; Original version: Venezia : [s.n.], 1693.; National Library of Australia's copy has sticker: J.C. Eade 1978
New pathways in pilgrimage studies: Interview with John Eade
Full text linkNové cesty v štúdiách pútí: rozhovor s Johnom Eadeom.
John Eade je profesorom sociológie a antropológie na Univerzite v Roehamptone, hosťujúcim profesorom na Katedre pre štúdium náboženstva Univerzity v Toronte, členom Výskumnej jednotky migrácie na UCL a spoluzakladateľom a spolueditorom publikácií Routledge Studies in Pilgrimage, Religious Travel and Tourism a Bloomsbury Religion, Space & Place Series. Je tiež bývalým výkonným riaditeľom CRONEM (Centrum pre výskum nacionalizmu, etnicity a multikulturalizmu).John Eade is Professor of Sociology and Anthropology at the University of Roehampton, Visiting Professor at the Department for the Study of Religion, Toronto University, a member of the Migration Research Unit at UCL and co-founder and co-editor of Routledge Studies in Pilgrimage, Religious Travel and Tourism and the Bloomsbury Religion, Space & Place Series. He is also the former Executive Director of CRONEM (Centre for Research on Nationalism, Ethnicity and Multiculturalism).
Craig Berry on Global Ethics and Civil Society edited by John Eade and Darren J. O’Byrne. Aldershot, UK: Ashgate, 2005. 180pp.
Full text linkA review of:
Global Ethics and Civil Society edited by John Eade and Darren J. O’Byrne. Aldershot, UK: Ashgate, 2005. 180pp
Multicultural Models
No full textThis chapter will examine the academic models developed to understand cultural pluralism generated by global migration. The focus will be on how those models have engaged with multiculturalism as state policy and practice in North America and West Europe. Attention will also be paid to the relationship between multiculturalism and cosmopolitanism across an expanding European Union and the limited empirical research undertaken on everyday multicultural and cosmopolitan discourses and practices across the region
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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