11 research outputs found
A System to Simulate and Reproduce Audio-Visual Environments for Spatial Hearing Research
No full textSOFE system and cover pag
Cienfuegos and the poetic projection of «Nicasio»
No full textThis article proposes a reading of Cienfuegos’ lyric poetry based on the existence of two levels of discourse, public and private, similar to the ones that can be differentiated in his plays and that the author cultivates with different purposes in mind. it is observed that cienfuegos wrote his poetry from a personal distance which nonetheless reflects his own life experience
Cueing mechanisms in auditory signal detection
No full textat Berkeley as holder of a NATO science fellowship. The authors would like to thank the unknown reviewers for valuable comments which helped us to improve on the former versions of this paper. Cor-respondence should be addressed to the first author, who is now at th
Cienfuegos and the poetic projection of «Nicasio»
No full textThis article proposes a reading of Cienfuegos’ lyric poetry based on the existence of two levels of discourse, public and private, similar to the ones that can be differentiated in his plays and that the author cultivates with different purposes in mind. it is observed that cienfuegos wrote his poetry from a personal distance which nonetheless reflects his own life experience.El artículo propone la lectura de la poesía lírica de Cienfuegos a partir de la existencia de dos niveles en su discurso, público y privado, similares a los que es posible diferenciar en su obra dramática y que el autor cultiva con diferentes propósitos. Se trata de observar cómo cienfuegos escribe su poesía con un distanciamiento personal que, no obstante, refleja su propia experiencia vital
Cienfuegos and the poetic projection of «Nicasio» Cienfuegos y la proyección poética de «Nicasio»
No full textThis article proposes a reading of Cienfuegos’ lyric poetry based on the existence of two levels of discourse, public and private, similar to the ones that can be differentiated in his plays and that the author cultivates with different purposes in mind. it is observed that cienfuegos wrote his poetry from a personal distance which nonetheless reflects his own life experience.El artículo propone la lectura de la poesía lírica de Cienfuegos a partir de la existencia de dos niveles en su discurso, público y privado, similares a los que es posible diferenciar en su obra dramática y que el autor cultiva con diferentes propósitos. Se trata de observar cómo cienfuegos escribe su poesía con un distanciamiento personal que, no obstante, refleja su propia experiencia vital
Francisco Ayala and the invention of cinema
No full textEl eje de este artículo gira en torno a un proceso de escritura de un discurso sobre el cine, que en este caso interesa especialmente a partir de su enunciador: el escritor literario que teoriza sobre el cine, interés que pone de relieve la relación entre el pensamiento sobre este y la escritura. En el contexto de los años veinte, propongo el recorrido por un proceso de escritura afectada por lo cinematográfico. Se trata de las modificaciones en diversas ediciones de un texto del escritor español Francisco Ayala, alteraciones que habilitan los interrogantes acerca de la noción de cine que maneja el autor así como de la relación con la literatura que propone.The axis of this article turns around the process of writing a speech on cinema, in this case particularly interested from its enunciator: the literary writer who theorized about cinema, interest that highlights the relationship between thinking about cinema and writing. In the context of the Twenties, I propose a tour of a process of writing affected by the cinematographic. They are changes in different editions of a text by the spanish writer Francisco Ayala. These alterations allow questions about the notion of cinema that has the author and the relationship with the literature he proposes.Facultad de Humanidades y Ciencias de la Educació
Francisco Ayala and the invention of cinema
No full textEl eje de este artículo gira en torno a un proceso de escritura de un discurso sobre el cine, que en este caso interesa especialmente a partir de su enunciador: el escritor literario que teoriza sobre el cine, interés que pone de relieve la relación entre el pensamiento sobre este y la escritura. En el contexto de los años veinte, propongo el recorrido por un proceso de escritura afectada por lo cinematográfico. Se trata de las modificaciones en diversas ediciones de un texto del escritor español Francisco Ayala, alteraciones que habilitan los interrogantes acerca de la noción de cine que maneja el autor así como de la relación con la literatura que propone.The axis of this article turns around the process of writing a speech on cinema, in this case particularly interested from its enunciator: the literary writer who theorized about cinema, interest that highlights the relationship between thinking about cinema and writing. In the context of the Twenties, I propose a tour of a process of writing affected by the cinematographic. They are changes in different editions of a text by the spanish writer Francisco Ayala. These alterations allow questions about the notion of cinema that has the author and the relationship with the literature he proposes.Facultad de Humanidades y Ciencias de la Educació
