236 research outputs found
Report on industrial attachment with Goodrich Aerospace Pte Ltd
No full textThis IA report serves as an account on the experience earned during the author’s 6 month work in Goodrich Control Systems Singapore as an industrial attachment student. During the attachment period, the author was given to chance to be exposed in various areas in the company. Some areas that he was exposed are engineering and continuous improvement in the company. He is also been exposed to the daily operations of a typical aerospace maintenance, repair and overhaul (MRO) company. One of the main projects that the author did was the new capability project. The new capability project exposes the author the importance of gaining new capabilities for a MRO company. It also exposes the author the importance of planning beforehand and obtaining data for adding the new capability into the company. But due to time constraints, this report will not be able to describe the completion of adding this new capability in the company
Broadway Actress Edna Goodrich, 1906
No full textAutographed on photo.
PH Coll 253.96Photographs from a collection of motion picture, theater and other performers and performances. It includes identified and unidentified actors, musical groups, dramatists, plays, movie stills and other photographic theater memorabilia.
Edna Goodrich (born Bessie Edna Stevens; December 22, 1883-May 26, 1972) was an American Broadway actress, Florodora girl, author, and media sensation during the early 1900s
Recollections of a lifetime, or, Men and things I have seen : in a series of familiar letters to a friend, historical, biographical, anecdotal and descriptive /
No full text"List of works of which S. G. Goodrich is the editor or author," v. 2, p. [537]-554.First published 1856.Includes bibliographical references and index.Mode of access: Internet
La revista The Arts (1920-31). Historias. Revista de la Dirección de Estudios Históricos Num. 72 (2009) enero-abril
No full textLloyd Goodrich (1897-1987) es mejor conocido por su asociación con el Whitney Museum of Modern Art y sus libros pioneros sobre pintores como Thomas Eakins, Winslow Homer y Edward Hopper, entre otros. En su juventud fue uno de los editores de la revista estadounidense The Arts y en este ensayo ofrece una visión personalísima de esta legendaria publicación, donde llegaron a colaborar Marius de Zayas, José Juan Tablada y Diego Rivera. Tomado de American Art Journal, vol. V, núm. 1, mayo de 1973
Data structures and algorithms in C++ / Michael T. Goodrich, Roberto Tamassia, David M. Mount.
No full textIncludes bibliographical references and index.Includes bibliographical references and index.xxii, 714 pages :"An updated, innovative approach to data structures and algorithms Written by an author team of experts in their fields, this authoritative guide demystifies even the most difficult mathematical concepts so that you can gain a clear understanding of data structures and algorithms in C++. The unparalleled author team incorporates the object-oriented design paradigm using C++ as the implementation language, while also providing intuition and analysis of fundamental algorithms. Offers a unique multimedia format for learning the fundamentals of data structures and algorithms Allows you to visualize key analytic concepts, learn about the most recent insights in the field, and do data structure design Provides clear approaches for developing programs Features a clear, easy-to-understand writing style that breaks down even the most difficult mathematical concepts Building on the success of the first edition, this new version offers you an innovative approach to fundamental data structures and algorithms."-
Peter Parley's method of telling about geography to children (frontispiece and title page)
No full textRelief prints--wood engravings;Illustrated with uncolored wood engravings.
The frontispiece depicts Peter Parley suffering from gout warning the children "if you run against my toe, I'll not tell you another story"
Printed on the title page: With nine maps and seventy-five engravings. Principally for the use of schools.
Additional publishers listed on the title page are: New York, Collins and Hannay; Boston, Carter and Hendee; Philadelphia, Towar J. and D.M. Hogan; Baltimore, Plaskitt and Company; Washington, P. Thompson.
This book attempted to incorporate lessons of morality and religion into the text. The history of Asia, for example, emphasizes events that took place in the Old Testament.
Preface reads: "I hope I need make no apology for having availed myself of occasional opportunities to inculcate lessons of morality and religion upon the youthful heart. The heart is as capable of being taught as the intellect, and happiness depends much more upon its proper and right cultivation, than upon the cultivation of the mind. Yet I fear that the moral part of children, the source of feeling and sentiment is often left to run to weeds, and consequently shoots up into wild, irregular, and sometimes over-mastering passions. The sooner the juvenile bosom can be made to feel the gentle and genial influences of truth, love, humanity, and religion, the better. A principal thing to be aimed at on this subject, is to adapt moral instruction to the character of those whom it is designed to benefit, and carefully to avoid wearying and disgusting children with unsuitable and unseasonable admonition."Samuel Goodrich was born in Ridgefield, Connecticut, the 6th of ten children and the son of a minister, in 1793. His career as a book publisher began in 1816. In the early 1820s Goodrich came to the conclusion that children as well as adults preferred to read truth rather than fancy and that it would be possible to present history, geography, science, etc. ( truth) in such a way that it would be more interesting to children than fairies, giants and monsters. Based on this conclusion Goodrich moved his business to Boston and Peter Parley was born in 1827 with PETER PARLEY'S TALES ABOUT AMERICA. Goodrich expanded his publishing efforts to textbooks and magazines. His publications were so popular that he attracted imposters, particularly in England. Spurious Peter Parleys appeared everywhere, infuriating Goodrich, but he did not succeed in putting an end to them.
The frontispieces of many Peter Parley books depict the author in varying states of health. Although he is often portrayed as an older man, he was actually a young man in the 1820s and 1830s.Peter Parley; History; Geography and travel
Peter Goodrich és a Satirical Legal Studies
No full textSatirical Legal Studies is a study by Peter Goodrich, written in 2005. It was published in Michigan Law Review. I wrote my essay with the purpose of analyzing the main points of this study because – as I know – it has not been translated or published in Hungarian yet.
Goodrich gives a comprehensive analysis of the history of the satirical genres, making comparisons, revealing the most important characteristics of these kind of writings. It is the function that distinguishes simple humour from satire and especially legal satire. Satire uses humour as a tool for pointing out to relevant legal matters that need to be changed, so it can easily be admitted that the purpose of satire is reform itself. It means also that the satirical tendencies in jurisprudence have always become stronger in times of need for reforms but we can state that independent of this satire has (more or less) always been present throughout the history of jurisprudence.
Satire has classical, antique traditions that show us the connections between satire and politics or literature. The literary vein of satire or legal satire is less radical than the other one which is in close connection with politics. The latter, more radical form is called Menippean satire and the style of it has always been a certain call for reforms, it always represented a certain social urge to change some relevant legal matters.
The study deals with the problems of metaphysical nonsenses in the territory of law, such as for example law would be God made, or it could be unchangeable. Satirical Legal Studies clearly states that these are all contradictional nonsenses. Besides this Satirical Legal Studies has always represented and fought against the social injustice and the injustice of legal institutions.
These main points guide us to the figure of the Bad Man, whom the author, Goodrich features as the immunological power of the society revealing all the serious social affairs waiting for an answer. Taking all these facts into consideration the Bad Man is not a tool for the idea of Bad, what’s more: he is or can be the cure for a society’s illness if the legal system does not ignore him and his voice at all because his decadence is only the decadence of the certain time and place that he is a part of. The role of satire is to face the legal system with the pure reality and needs in order to become adequately reactive. Satirical Legal Studies is a study by Peter Goodrich, written in 2005. It was published in Michigan Law Review. I wrote my essay with the purpose of analyzing the main points of this study because – as I know – it has not been translated or published in Hungarian yet.
Goodrich gives a comprehensive analysis of the history of the satirical genres, making comparisons, revealing the most important characteristics of these kind of writings. It is the function that distinguishes simple humour from satire and especially legal satire. Satire uses humour as a tool for pointing out to relevant legal matters that need to be changed, so it can easily be admitted that the purpose of satire is reform itself. It means also that the satirical tendencies in jurisprudence have always become stronger in times of need for reforms but we can state that independent of this satire has (more or less) always been present throughout the history of jurisprudence.
Satire has classical, antique traditions that show us the connections between satire and politics or literature. The literary vein of satire or legal satire is less radical than the other one which is in close connection with politics. The latter, more radical form is called Menippean satire and the style of it has always been a certain call for reforms, it always represented a certain social urge to change some relevant legal matters.
The study deals with the problems of metaphysical nonsenses in the territory of law, such as for example law would be God made, or it could be unchangeable. Satirical Legal Studies clearly states that these are all contradictional nonsenses. Besides this Satirical Legal Studies has always represented and fought against the social injustice and the injustice of legal institutions.
These main points guide us to the figure of the Bad Man, whom the author, Goodrich features as the immunological power of the society revealing all the serious social affairs waiting for an answer. Taking all these facts into consideration the Bad Man is not a tool for the idea of Bad, what’s more: he is or can be the cure for a society’s illness if the legal system does not ignore him and his voice at all because his decadence is only the decadence of the certain time and place that he is a part of. The role of satire is to face the legal system with the pure reality and needs in order to become adequately reactive.  
Peter Goodrich és a Satirical Legal Studies
No full textSatirical Legal Studies is a study by Peter Goodrich, written in 2005. It was published in Michigan Law Review. I wrote my essay with the purpose of analyzing the main points of this study because – as I know – it has not been translated or published in Hungarian yet.
Goodrich gives a comprehensive analysis of the history of the satirical genres, making comparisons, revealing the most important characteristics of these kind of writings. It is the function that distinguishes simple humour from satire and especially legal satire. Satire uses humour as a tool for pointing out to relevant legal matters that need to be changed, so it can easily be admitted that the purpose of satire is reform itself. It means also that the satirical tendencies in jurisprudence have always become stronger in times of need for reforms but we can state that independent of this satire has (more or less) always been present throughout the history of jurisprudence.
Satire has classical, antique traditions that show us the connections between satire and politics or literature. The literary vein of satire or legal satire is less radical than the other one which is in close connection with politics. The latter, more radical form is called Menippean satire and the style of it has always been a certain call for reforms, it always represented a certain social urge to change some relevant legal matters.
The study deals with the problems of metaphysical nonsenses in the territory of law, such as for example law would be God made, or it could be unchangeable. Satirical Legal Studies clearly states that these are all contradictional nonsenses. Besides this Satirical Legal Studies has always represented and fought against the social injustice and the injustice of legal institutions.
These main points guide us to the figure of the Bad Man, whom the author, Goodrich features as the immunological power of the society revealing all the serious social affairs waiting for an answer. Taking all these facts into consideration the Bad Man is not a tool for the idea of Bad, what’s more: he is or can be the cure for a society’s illness if the legal system does not ignore him and his voice at all because his decadence is only the decadence of the certain time and place that he is a part of. The role of satire is to face the legal system with the pure reality and needs in order to become adequately reactive. Satirical Legal Studies is a study by Peter Goodrich, written in 2005. It was published in Michigan Law Review. I wrote my essay with the purpose of analyzing the main points of this study because – as I know – it has not been translated or published in Hungarian yet.
Goodrich gives a comprehensive analysis of the history of the satirical genres, making comparisons, revealing the most important characteristics of these kind of writings. It is the function that distinguishes simple humour from satire and especially legal satire. Satire uses humour as a tool for pointing out to relevant legal matters that need to be changed, so it can easily be admitted that the purpose of satire is reform itself. It means also that the satirical tendencies in jurisprudence have always become stronger in times of need for reforms but we can state that independent of this satire has (more or less) always been present throughout the history of jurisprudence.
Satire has classical, antique traditions that show us the connections between satire and politics or literature. The literary vein of satire or legal satire is less radical than the other one which is in close connection with politics. The latter, more radical form is called Menippean satire and the style of it has always been a certain call for reforms, it always represented a certain social urge to change some relevant legal matters.
The study deals with the problems of metaphysical nonsenses in the territory of law, such as for example law would be God made, or it could be unchangeable. Satirical Legal Studies clearly states that these are all contradictional nonsenses. Besides this Satirical Legal Studies has always represented and fought against the social injustice and the injustice of legal institutions.
These main points guide us to the figure of the Bad Man, whom the author, Goodrich features as the immunological power of the society revealing all the serious social affairs waiting for an answer. Taking all these facts into consideration the Bad Man is not a tool for the idea of Bad, what’s more: he is or can be the cure for a society’s illness if the legal system does not ignore him and his voice at all because his decadence is only the decadence of the certain time and place that he is a part of. The role of satire is to face the legal system with the pure reality and needs in order to become adequately reactive.  
Garland : being a selection of interesting stories /
No full textIncludes one of the imitations of the Pickwick papers: "An omitted Pickwick paper restored by Poz. Chapter CCXIV. Showing Mr. Weller's views relating to matrimony, with a slight touch at widowhood."S.G. Goodrich is the author of some of these selections, including Ireland and the Irish.Mode of access: Internet
Studies of the Mechanisms of TFIIH and Noncoding RNAs in Eukaryotic Transcription
No full textThe control of eukaryotic transcription is carefully orchestrated and involves many types of regulatory factors. Transcription is the underlying mechanism that controls all cellular processes and when left unchecked results in diseased cell states and cell death. Understanding the detailed mechanisms and processes of eukaryotic transcription is the goal of these studies. Inspired by our previous eukaryotic transcription kinetic studies, Chapter 2 describes identifying a factor that accelerates the rate of promoter escape. Spiking in vitro transcription assays with a nuclear extract resulted in an increase in the rate of in vitro transcription from the adenovirus major late promoter. With the understanding that many factors are involved in transcriptional regulation, we hypothesized that a factor could function to enhance the rate of transcription after being recruited to promoters. I set out to purify, identify, and characterize this factor. I developed a rate assay to monitor purification of the factor over several columns. The purified rate-accelerating factor was identified to be the general transcription factor TFIIH. Comparing my purified TFIIH to two standard TFIIH purifications revealed that high concentrations of TFIIH accelerated the rate of early transcription. Recent studies have identified thousands of long noncoding RNAs (lncRNAs) with the potential to regulate gene expression, some on a single gene level and others potentially regulating multiple genes through mechanisms controlling chromatin structure. At the time this work was started, there were no genome-wide methods to determine whether these lncRNAs interact directly with chromatin, and if so, where. I developed a method named ChOP-seq to identify the genomic regions with which the lncRNA HOTAIR associates. I was ultimately able to show RNA-dependent enrichment of specific genomic regions using the ChOP technique, identifying a diverse set of genes that may be regulated by HOTAIR. We are positioned to apply our new knowledge of ChOP assays to other ncRNAs. This method has the potential to extend our understanding of the mechanisms that contribute to epigenetic programming
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