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Ainsi parlait la vie
No full textEn radicalisant la démarche phénoménologique, Michel Henry nous invite à repenser de manière tout à fait inédite le sentir et le penser. Dans cette présentation, notre souhait sera dans un premier temps de rendre compte de cette nouvelle approche en montrant comment la phénoménologie henrienne est susceptible de redéfinir le penser, le sentir, puis leur articulation. Dans un second temps, et sur la base des éléments qui auront ainsi été rappelés, nous interrogerons la démarche henrienne en ex..
Vie et Ironie : Dialogue entre Michel Henry et Richard Rorty sur la possibilité et les conséquences en philosophie d'une critique radicalisée de la représentation
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Nihilisme et Révélation
No full textUne « philosophie de la vie » est-elle possible dès lors que « vie » et « philosophie » renvoient aux deux modes de manifestation que Michel Henry distingue et ne cesse de caractériser comme étant radicalement différents, hétérogènes et opposés ? Michel Henry n’a pas manqué de soulever cette question ; il y aurait même répondu. Pourquoi dès lors y revenir ? C’est ce que nous tenterons de montrer dans un premier temps. Plus précisément, nous reviendrons sur les diverses réponses apportées succ..
Les enjeux éthiques dans les services de néonatalogie intensive. Une étude de terrain en Fédération Wallonie-Bruxelles
No full textPraxis and Pragmatism
Get PDFA constructive dialogue between Henry’s phenomenology and Rorty’s pragmatism does not seem very likely: each would probably consider that the other has not been faithful to his claim of breaking with philosophical tradition and thus ultimately reproduces its limits. Nevertheless, one can also note that Henry and Rorty are not at the same level of analysis: while Henry focuses on giving coherent grounds for any philosophical critique of representation, Rorty is occupied with the consequences of such critique on philosophy itself. If one considers this difference, there emerge new results: Henry’s phenomenology is fundamental for the recognition of what Rorty calls the “human being’s sense of self-identity”, while it falls to Rorty’s pragmatism to ensure that, as hoped by Henry, there is “a mode of philosophy that does not harm essence”
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Get PDFWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
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