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Die Einheit der Ilias als tragisches Selbstbewusstsein. Das homerische Epos bei G.W.F. Hegel in der Phänomenologie des Geistes und in den Vorlesungen über die Ästhetik
Full text linkMy dissertation contributes to the on-going discussion concerning the unity of Homer"s Iliad. In his Aesthetics, G. W. F. Hegel argues for this unity against the famous F. A. Wolf whose Prolegomena inaugurated the so-called analysis of Homeric poetry.
In the first part of my dissertation, I highlight some fundamental conceptions of Hegel"s philosophy by discussing those paragraphs of the Phenomenology which deal with epic poetry. By focusing on Hegel"s definition of the terms "Vorstellung" and "Selbstbewußtsein", this discussion is a valuable resource for philosophers interested in the text of the Phenomenology because the philosophical commentaries on this opus only marginally refer to its philological background.
After this terse introduction to Hegel"s thought, the importance of the Iliad for the first and third part of the Aesthetics is shown. Hegel bases his philosophy of art chiefly on ancient Greek epic and tragic poetry, since these works of art constitute, according to Hegel, the peak and perfection of art as such.
In the final chapter, I develop an idealistic interpretation of the Illiad by summarizing Hegel"s different statements about epic poetry and by adding my own observations. In deviating from Hegel, I lay more stress upon the tragic structure of this epic.
The appendix deals with Hegel" philosophy of tragedy and the basic concepts, i.e. "guilt" and "justice," he uses in interpreting these poems
(An)gebundenes Delos? Zum Text des homerischen Apollonhymnus, Vers 53. Wiener Studien|Wiener Studien 123|
No full textIndex zu griechischen Zitaten bei Heidegger
No full textVerzeichnet sind hier diejenigen Stellen aus antiken Autoren, welche sich in den\ud
von Martin Heidegger selbst herausgegebenen Schriften finden1. Der Index ist\ud
folgendermaßen angeordnet:\ud
In der 1. Spalte stehen die Kürzel für die antiken Autoren;\ud
in der 2. Spalte die Angabe des jeweiligen Werks oder Fragments, das von Heidegger\ud
zitiert wird;\ud
in der 3. Spalte die Kürzel für die Werke Heideggers, in denen er die jeweilige\ud
Stelle nennt und\ud
in der 4. Spalte Hinweise, ob Heidegger den Originaltext ausschreibt und ob er\ud
eine Übersetzung der betreffenden Passage gibt
DER AUGENBLICK (EXAIPHNES) ALS AUSGANGSPUNKT EINES VERGLEICHES DER PHILOSOPHIE PLATONS UND NĀGĀRJUNAS
No full textDieser Beitrag ist der Versuch eines Vergleichs der Philosophie Platons und Nāgārjunas. Im Zentrum steht dabei der Augenblick. Durch ihn als dem Umschlagspunkt sind verschiedene, gegensätzliche Bestimmungen verknüpft. Dies kann als Paradoxie aufgefasst werden, aber ebenso als Ausdruck höchster Geistigkeit
Index zu griechischen Zitaten bei Heidegger
Full text linkVerzeichnet sind hier diejenigen Stellen aus antiken Autoren, welche sich in den
von Martin Heidegger selbst herausgegebenen Schriften finden1. Der Index ist
folgendermaßen angeordnet:
In der 1. Spalte stehen die Kürzel für die antiken Autoren;
in der 2. Spalte die Angabe des jeweiligen Werks oder Fragments, das von Heidegger
zitiert wird;
in der 3. Spalte die Kürzel für die Werke Heideggers, in denen er die jeweilige
Stelle nennt und
in der 4. Spalte Hinweise, ob Heidegger den Originaltext ausschreibt und ob er
eine Übersetzung der betreffenden Passage gibt
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Die Einheit der Ilias als tragisches Selbstbewusstsein. Das homerische Epos bei G.W.F. Hegel in der Phänomenologie des Geistes und in den Vorlesungen über die Ästhetik
No full textMy dissertation contributes to the on-going discussion concerning the unity of Homer"s Iliad. In his Aesthetics, G. W. F. Hegel argues for this unity against the famous F. A. Wolf whose Prolegomena inaugurated the so-called analysis of Homeric poetry.\ud
In the first part of my dissertation, I highlight some fundamental conceptions of Hegel"s philosophy by discussing those paragraphs of the Phenomenology which deal with epic poetry. By focusing on Hegel"s definition of the terms "Vorstellung" and "Selbstbewußtsein", this discussion is a valuable resource for philosophers interested in the text of the Phenomenology because the philosophical commentaries on this opus only marginally refer to its philological background.\ud
After this terse introduction to Hegel"s thought, the importance of the Iliad for the first and third part of the Aesthetics is shown. Hegel bases his philosophy of art chiefly on ancient Greek epic and tragic poetry, since these works of art constitute, according to Hegel, the peak and perfection of art as such.\ud
In the final chapter, I develop an idealistic interpretation of the Illiad by summarizing Hegel"s different statements about epic poetry and by adding my own observations. In deviating from Hegel, I lay more stress upon the tragic structure of this epic.\ud
The appendix deals with Hegel" philosophy of tragedy and the basic concepts, i.e. "guilt" and "justice," he uses in interpreting these poems
Das "Jetzt" in Aristoteles` Zeittheorie. Zu Physik IV I 1, 219 b 10 - 25. Wiener Studien|Wiener Studien 119|
No full text- …
