1,922 research outputs found
Isabelle Doucet, The Practice Turn in Architecture: Brussels after 1968
No full textThe Practice Turn in Architecture: Brussels after 1968 is a book about architectural theory ant its critical theory legacy. Its addresses the transformations and hopes for criticality under recent debates in architectural theory that we can call «practice turn in architecture». The case study in this sense is Brussels and its critical practices; the guide-question of the book is «how to find a point of entry to this complex city?». Isabelle Doucet decided to study this kind of critical practi..
Narrate, Speculate, Fabulate: Didier Debaise and Benedikte Zitouni in Conversation with Isabelle Doucet
No full textOn Monday, 25 September 2017, I convened a conversation with philosopher Didier Debaise and social scientist Benedikte Zitouni in Brussels, and meandered between French and English discussing the ways in which we study and research the world. This "world" is, for Benedikte ,a world of activist urban practices, nineteenth-century urban planning in Brussels, urban agriculture, and eco-feminism, whilst Didier studies, as a philosopher, the concepts, ideas, and regimes of thought through which philosophers have guided us to study reality, nature, and science. Their work is relevant for architectural studies in that it inspires modes of inquiry, emphasises the importance of narration and story-telling, and helps in discussing reservations about making truth claims in architectural discourse. Their work resists developing generalisations from specific and situated problems, and encourages us to resist the conceptual taxonomies, comparative approaches, and projected abstractions through which theory all too often pretends to study the world and, worse, justify its findings. Instead, I find in Benedikte and Didier's writings companions for my own quest for situated accounts of architecture, and a welcome sense of hope that such accounts carry the potential of resistance and of imagining other possible futures. This imagination, exercised not in a distant future but in and through the thickness of the present, seems to me a task that demands our attention in a world of environmental collapse wherein we are yet to learn how to inhabit the knowledge that we are about to hit the wall, as Isabelle Stengers powerfully argues in In Catastrophic Times. 1 1 Isabelle Stengers, In Catastrophic Times: Resisting the Coming Barbarism, London: Open Humanities Press, 2015. I believe that architects have a role to play in healing our relationship with and care for Gaia, provided they relearn to celebrate the wildly imaginative nature of the world and of their own training as well as developing instrumentalised "solutions" (e.g. sustainability, green roofs, solar panels).SCOPUS: no.jinfo:eu-repo/semantics/publishe
Fuel to the Urban Debate or, at Last, an End to the Brussels Trauma?
No full textIn her article Isabelle Doucet discusses the recent exhibition ‘A Vision for Brussels: Imagining the Capital of Europe’, curated by Pier Vittorio Aureli and Joachim Declerck from the Berlage Institute in Rotterdam, at the BOZAR Centre of Fine Arts in Brussels. Rather than discussing the exhibition as such, she re-positions it within the broader context of recent as well as concurrent contributions to the Brussels debate. By doing so, she treats the exhibition and its accompanying publication as the departure point for a reflection on how Brussels reflects on Brussels. She relates the exhibition to some ‘brand new’ attempts to provide a strong vision for this European Capital: two new journals about ‘planning the capital’ and another Europe-in-Brussels exhibition. However, while she argues that ‘A Vision for Brussels’ aims to formulate a vision for the architectural discipline too, she questions whether ‘A Vision for Brussels’ produces a ‘vision’ for the city, a full-blown ‘project’ for Brussels and/or a ‘solution’ to the crisis of architecture and the city as well. In other words, who is leading the show in the exhibition: Brussels, Europe or the architecture and urban design disciplines
Cut-elimination, substitution and normalisation
No full textDate of Acceptance: 01/2015We present a proof (of the main parts of which there is a formal version, checked with the Isabelle proof assistant) that, for a G3-style calculus covering all of intuitionistic zero-order logic, with an associated term calculus, and with a particular strongly normalising and confluent system of cut-reduction rules, every reduction step has, as its natural deduction translation, a sequence of zero or more reduction steps (detour reductions, permutation reductions or simplifications). This complements and (we believe) clarifies earlier work by (e.g.) Zucker and Pottinger on a question raised in 1971 by Kreisel.Peer reviewe
Isabelle e dintorni
No full textCollocando il testo in un'analisi più ampia dei récits gidiani, il volume propone un studio genetico di "Isabelle" di Gide alla luce dei manoscritti conservati presso il Fonds Jacques Doucet della Bibliothèque Sainte-Geneviève di Parigi. Il volume contiene inoltre "brouillons" inediti relativi in particolare alle varianti della parte finale del romanzo, riprodotti con l'autorizzazione della figlia dell'autore
A vision for Brussels: Fuel to the urban debate or, at last, an end to the Brussels trauma?
No full textIn her article Isabelle Doucet discusses the recent exhibition 'A Vision for Brussels: Imagining the Capital of Europe', curated by Pier Vittorio Aureli and Joachim Declerck from the Berlage Institute in Rotterdam, at the BOZAR Centre of Fine Arts in Brussels. Rather than discussing the exhibition as such, she re-positions it within the broader context of recent as well as concurrent contributions to the Brussels debate. By doing so, she treats the exhibition and its accompanying publication as the departure point for a reflection on how Brussels reflects on Brussels. She relates the exhibition to some 'brand new' attempts to provide a strong vision for this European Capital: two new journals about 'planning the capital' and another Europe-in-Brussels exhibition. However, while she argues that 'A Vision for Brussels' aims to formulate a vision for the architectural discipline too, she questions whether 'A Vision for Brussels' produces a 'vision' for the city, a full-blown 'project' for Brussels and/or a 'solution' to the crisis of architecture and the city as well. In other words, who is leading the show in the exhibition: Brussels, Europe or the architecture and urban design disciplines
A vision for Brussels: Fuel to the urban debate or, at last, an end to the Brussels trauma?
No full textIn her article Isabelle Doucet discusses the recent exhibition 'A Vision for Brussels: Imagining the Capital of Europe', curated by Pier Vittorio Aureli and Joachim Declerck from the Berlage Institute in Rotterdam, at the BOZAR Centre of Fine Arts in Brussels. Rather than discussing the exhibition as such, she re-positions it within the broader context of recent as well as concurrent contributions to the Brussels debate. By doing so, she treats the exhibition and its accompanying publication as the departure point for a reflection on how Brussels reflects on Brussels. She relates the exhibition to some 'brand new' attempts to provide a strong vision for this European Capital: two new journals about 'planning the capital' and another Europe-in-Brussels exhibition. However, while she argues that 'A Vision for Brussels' aims to formulate a vision for the architectural discipline too, she questions whether 'A Vision for Brussels' produces a 'vision' for the city, a full-blown 'project' for Brussels and/or a 'solution' to the crisis of architecture and the city as well. In other words, who is leading the show in the exhibition: Brussels, Europe or the architecture and urban design disciplines
A vision for Brussels: Fuel to the urban debate or, at last, an end to the Brussels trauma?
No full textIn her article Isabelle Doucet discusses the recent exhibition 'A Vision for Brussels: Imagining the Capital of Europe', curated by Pier Vittorio Aureli and Joachim Declerck from the Berlage Institute in Rotterdam, at the BOZAR Centre of Fine Arts in Brussels. Rather than discussing the exhibition as such, she re-positions it within the broader context of recent as well as concurrent contributions to the Brussels debate. By doing so, she treats the exhibition and its accompanying publication as the departure point for a reflection on how Brussels reflects on Brussels. She relates the exhibition to some 'brand new' attempts to provide a strong vision for this European Capital: two new journals about 'planning the capital' and another Europe-in-Brussels exhibition. However, while she argues that 'A Vision for Brussels' aims to formulate a vision for the architectural discipline too, she questions whether 'A Vision for Brussels' produces a 'vision' for the city, a full-blown 'project' for Brussels and/or a 'solution' to the crisis of architecture and the city as well. In other words, who is leading the show in the exhibition: Brussels, Europe or the architecture and urban design disciplines
Autos, idipsum
No full textIdipsum est une locution qu’Augustin utilise pour désigner Dieu. Elle signifie littéralement « cela même ». Ce minimalisme sémantique ne laisse pas de la rendre mystérieuse. Faut-il y voir un emprunt à certains textes bibliques qui déjà en font usage ? Dans ce cas, idipsum, tel un nom propre vide de toute signification, se bornerait à indiquer Dieu en tant qu’il échappe à toute définition rationnelle. Ou bien faut-il rattacher idipsum à la tradition platonicienne qui recourt à des locutions grecques similaires pour désigner la réalité intelligible qui est « elle-même en elle-même » ? Idipsum serait alors la trace d’un héritage philosophique conduisant Augustin à une définition métaphysique de Dieu comme Être absolu. Cependant, cette alternative entre origine biblique et tradition platonicienne néglige la diversité des usages philosophiques des locutions formées sur auto puis ipsum : elles expriment d’abord l’identité et le fait d’être soi, puis la réflexivité, au croisement des champs dialectique, pratique et ontologique. Cet ouvrage explore la façon dont ces aspects de l’identité se sont construits, du autos grec à l’idipsum latin, à travers des études portant sur Homère, Platon, Aristote, le stoïcisme, le néoplatonisme grec puis latin, Augustin
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