3,192 research outputs found
Música em Pessoa
No full textSolista do concerto de abertura da temporada 2017 da OSPA, no dia 18 de março de 2017, no Salão de Atos da UFRGS, o pianista Alexandre Dossin é o convidado do Música em Pessoa desta edição.
"Não gosto da competição na música. Eu acho que ela é uma linguagem, uma comunicação."
Na entrevista, Dossin lembra, com muito carinho, que foi no Auditorium Tasso Corrêa, do Instituto de Artes, que realizou seu primeiro recital solo. Ex-aluno do bacharelado em Música da UFRGS, ele hoje é professor na Universidade de Oregon, nos Estados Unidos.Música de concert
Música em Pessoa
No full textSolista do concerto de abertura da temporada 2017 da OSPA, no dia 18 de março de 2017, no Salão de Atos da UFRGS, o pianista Alexandre Dossin é o convidado do Música em Pessoa desta edição.
"Não gosto da competição na música. Eu acho que ela é uma linguagem, uma comunicação."
Na entrevista, Dossin lembra, com muito carinho, que foi no Auditorium Tasso Corrêa, do Instituto de Artes, que realizou seu primeiro recital solo. Ex-aluno do bacharelado em Música da UFRGS, ele hoje é professor na Universidade de Oregon, nos Estados Unidos.Música de concert
Piano Series at Ole Miss Presents Alexandre Dossin in Concert, March 22
No full textOXFORD, Miss. - Described by international critics as a wonderful pianist, master of contrasts and master of expressiveness, Alexandre Dossin performs March 22 at the University of Mississippi
La filosofía del derecho de Alexandre Kojève
No full textThis article is a presentation of Alexandre Kojève’s philosophy of law, exposed in his Esquisse d’une phénoménologie du droit (1981). Little attention has been paid to this work. So there is a gap that has to be filled with a critical reflection of its strengths. Among them, undoubtedly, we count the fact that Kojève is introducing a conception of international justice that casts a singular light on current debates about cosmopolitanism and globalization. According to this author, citizenship is the key element of the process of global expansion of the juridical sphere. In sum, Kojève’s philosophy is useful to reflect upon the contrast between the juridical and the political, which is the basis for all philosophy of law, in order to achieve world peace and international justice.Este artículo es una presentación de la filosofía del derecho de Alexandre Kojève contenida en su Esquisse d’une phénoménologie du droit (1981). La poca atención que dicha obra ha recibido es un vacío que debiera llenarse con una reflexión crítica de sus puntos fuertes. Entre ellos destaca una concepción de la justicia internacional que proyecta una luz muy singular sobre los actuales debates en torno a la globalización y el cosmopolitismo. A ojos de este autor, la ciudadanía es el elemento clave para aquilatar la expansión global de lo jurídico. En suma, Kojève aparece como un valioso referente en la labor de pensar la contraposición entre lo jurídico y lo político que está en la base de toda filosofía del derecho, con la aspiración al logro de la justicia internacional y la paz mundial en el horizonte
Reconfiguração do consensualismo contratual: as ações tituladas nominativas e os limites à transmissão
No full textPartimos da evolução histórica do consensualismo contratual salientando os
principais carateres que, nos diversos momentos históricos, se foram evidenciando.
Numa segunda etapa exploramos os fundamentos dogmáticos do modelo de
transmissão contratual assumido pelo legislador e a sua viabilidade no sistema
jurídico global, em particular, no direito dos valores mobiliários. Constatamos a
crescente necessidade na prática mercantil e inevitabilidade no sistema jurídico
global da admissibilidade da existência de contratos de compra e venda de natureza
meramente obrigacional. Num terceiro momento desenvolvemos os principais
aspetos do regime jurídico aplicável às ações tituladas nominativas fora do mercado
regulado, em particular, os principais limites à transmissão, enquanto instrumentos/barreiras ao consensualismo contratual.We start from the historical evolution of contractual consensualism emphasizing the
main aspects that, in different historical moments, were showing up. In a second
stage we explore the dogmatic foundations of the transmission model contractual
assumed by the legislator and its viability in the global legal system, in particular, in
securities law. We note the growing need in commercial practice and inevitability in
the global legal system the admissibility of the existence of contracts of sale purely
obligatory. In the third stage we develop the main aspects of the legal regime
applicable to nominative titled actions outside the regulated market, in particular,
the main limits to the transmission, as instruments / barriers to contractual
consensualism
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Edino Krieger's solo piano works from the 1950s : a dialectical synthesis in Brazilian musical modernism
No full texttextIt is possible to identify a dialectic of disparate elements in tension during the
search for a Brazilian national aesthetics: on the one hand there is the regionalismo
(emphasis on regional characteristics, a term taken from a literary tendency of the
1910s and 1920s), which still uses standard techniques, at the other extreme there are
cosmopolitan movements such as the dadaism or futurism. One should also mention
the nationalistic primitivism of Mário de Andrade’s Macunaíma and Oswald de
Andrade’s Manifesto da Poesia Pau-Brasil and contrast it to the “universal,” “hightech”
twelve-tone technique of the 1940s. In my opinion, one of the syntheses that
resulted from this dialectical process was the neo-classicism of the 1950s, especially
that of Edino Krieger, whose work forms the basis of this discussion.
I first pay attention to Edino Krieger’s place in the aesthetic-historical context
of Brazilian musical nationalism. By way of introduction, this work traces the origins
of this cultural trend as it emerged from earlier examples of Romantic Nationalism,
with reference to works by Brasílio Itiberê, Alexandre Levy and Alberto
Nepomuceno, still based on European models. I then review the advent of the Week
of Modern Art in 1922, and finally the musical experiments of the 1940s, represented
mainly by the group Música Viva. All these elements are interrelated and together
form Edino Krieger’s background.
In my opinion, Edino Krieger’s piano works from the 1950s found a perfect
compositional balance and can be considered one of the highest achievements in
twentieth-century Brazil. Modal elements in the varied Brazilian folk traditions are a
consequence of Gregorian chant used by the Jesuits during the colonization of Brazil.
The modal language used by Krieger connects us therefore not only with Brazilian
folk sources, but also with early music history. Krieger’s polyphonic treatment of the
Brazilian material can be compared to Villa-Lobos’ great cycle Bachianas
Brasileiras. While Villa-Lobos mastered a perfect union of two completely different
musical cultures, one may also conclude that Edino Krieger mastered an original
synthesis of the music created since the early periods of history, combined with
Brazilian elements.Musi
“Era por Alexandre tod’esto demostrado”: ¿pruebas verídicas y pruebas engañosas en el Libro de Alexandre?
No full textEl Libro de Alexandre es un texto de s. XIII, que se escribió en la España medieval. En este escrito, el autor pretende demostrar que, en el Alexandre, algunas de las situaciones que se ponen a prueba son aceptadas, pero eso no significa que el macedonio gane la prueba. El articulo esta dividido en tres apartados. En el primero, el autor da cuenta de la historia textual de la obra y también dedica ciertas líneas al Estado de la cuestión del texto; mientras que, en la segunda parte, nos guía a conceptos etimológicos de los términos prueba, evidencia y demás. En el tercer apartado se centra en algunas pruebas expuestas en el Libro de Alexandre.The Libro de Alexandre is a literary work, written during the medieval Spain. In this paper, the author tries to demonstrate that, carefully reading the L.A, some of the situations that are set as proves are accepted, but it does not mean that Alexander can be a victor. This paper is divided in three sections: firstly, the author tells the textual history of the L.A and, then, tries to update the State of art: on the other hand, in the second part, the author offers meanings about terms as: prueba and evidencia. Finally, the author focuses on certain passages contained in the Libro de Alexandre that can be taken as failed proves
Mixing the Immiscible: Improvisation within Fixed-Media Composition
No full textThis paper will explore ways in which mastered improvisation practice, with the studio as an instrument, is a proposed avenue to bridge the historical dichotomy between what Ted Gioia describe as ‘the aesthetics of perfection’ and ‘the aesthetics of imperfection’. It is proposed as a way to re-embody fixed music, as experimented by the author through the composition of his last fixed-media work. This will be put in the context of a wider trend observed amongst the current emerging generation of composers interested in the aesthesics of the work, by opposition to the previous generations that placed the value of the work in its poietics. The vital and primal importance of practice outcome as practice-based research’s main document will also be advocated for, as these trends are happening in the laboratory of live music
Alexandre de Rhodes (1593?-1660)
No full textBiografia do jesuíta francês Alexandre de Rhodes (1593?-1660), missionário na Cochinchina (Vietname) e no Tonquim. Autor do Dicionário Anamita-Português-Latim (1651), Rhodes foi uma figura central no choque de interesses entre o Padroado Português e as ambições diplomáticas e políticas da França na Indochina e na China.Biography of the French Jesuit Alexandre de Rhodes (1593?-1660), missionary in Cochinchina (Vietnam) and Tonkin. Author of the Anamita-Portuguese-Latin Dictionary (1651), Rhodes was a central figure in the clash of interests between the Portuguese Padroado and France's diplomatic and political ambitions in Indochina and China.info:eu-repo/semantics/publishedVersio
La Clerecía de "Alexandre"
No full textEl artículo reflexiona sobre la educación que recibe Alexandre “El grande” a manos de su profesor Aristóteles, retratado en el “Libro de Alexandre”; a continuación analiza las disciplinas que compusieron dicho programa con el interés de proponer una interpretación de la lista de las siete artes liberales mencionadas. Este artículo ofrece una visión de las diferentes maneras en las que los textos reflejan la “clerecía” del protagonista así como de otros personajes, incluyendo el anónimo autor de los mismos. Cualquiera que se dedique a las mencionadas artes liberales será glorificado y Alexandre se presenta él mismo como modelo ideal de un príncipe en quien la nobleza y al inteligencia van unidas, una defensa clara de la “clerecía” como fuente fundamental de toda excelencia. This article deals with the education imparted on Alexander the Great by Aristotles, as portrayed in the “Libro de Alexandre”, analyzes the disciplines and proposes an interpretation of the list of the seven liberal arts mentioned therein. This article also offers an encompassing view of the different ways in which the text reflects the “clerecía2 of the protagonist as well as that of the other characters, including the anonymous author himself. Anyone who dedicates him or herself to the aforementioned liberal arts is thereby glorified, and Alexander presents himself as the ideal model of a prince in whom nobility and cleverness are joined, in a clear defense of the “clerecía” as the fundamental source of all excellence
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