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Dorothy Noyes (interview transcript)
No full textDorothy Noyes interview, conducted by Jo Ann Lee. Included in the Oral Histories: Scholars of Feminism collection compiled by the AFS Women's Section Oral History Project. This interview and accompanying photographs are available at the Minds@UW respository at the University of Wisconsin-Madison
Dorothy Noyes Arms Correspondence
Full text linkEntries include a typed letter and a hand written letter and biography on personal stationer
Making Sense of Senses. Interview with Dorothy Noyes
Full text linkI interviewed Dorothy Noyes, Director of the Center for Folklore Studies, and As- sociate Professor of English, Comparative Studies, and Anthropology Ohio State University, Columbus (United States). Currently, her research interests involve the collective representations of plural societies, the social organization of vernacular creativity, and the history of international cultural regimes. Her primary fieldwork is in Catalonia, Spain, where she has studied the politics of local festivities. It was her book Fire in the Plaça (2003) that put some questions to my head about senses and encouraged me to get engaged with sensual experiences of ethnographic fieldwork.nonPeerReviewe
Escuchar a los objetos
Full text linkThis experimental section includes some parts of the performative event “The materiality of transformations: Listening to objects”, which closed the 14th SIEF conference held in Santiago de Compostela in 2019. Barbara Kirshenblatt-Gimblett, Regina Bendix, Dorothy Noyes, Sharon Roseman and Francisco Cruces conversed on stage about the cultural meanings of a selection of personal objects. By unveiling the stories contained in mezuzahs, hair, a serving platter and a shawl, they put the methodological power of the object/story couplet to the test. The benefits of articulating narrativity with materiality; the silent power of things in everyday life; the embedded character of storytelling, and some of its affective, moral and celebratory virtues were highlighted. The final event can be seen at <https://vimeo.com/362078953> from minute 00:52:50 to 01:31:00.Esta sección experimental incluye algunas partes del evento performativo “La materialidad de las transformaciones: escuchar a los objetos”, que clausuró el XIV congreso de SIEF celebrado en Santiago de Compostela en 2019. Barbara Kirshenblatt-Gimblett, Regina Bendix, Dorothy Noyes, Sharon Roseman y Francisco Cruces conversaron sobre los significados culturales de una selección de objetos personales. Al desvelar las historias contenidas en mezuzahs, cabello, una fuente o un chal, se puso a prueba el poder metodológico del par objeto / historia, los beneficios de articular la narratividad con la materialidad y el silencioso poder de las cosas en la vida cotidiana. Se destacó el carácter incorporado de la narración y algunas de sus virtudes afectivas, morales y celebratorias. Este evento performativo se puede ver en <https://vimeo.com/362078953> from minute 00:52:50 to 01:31:00
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Review of: Fire in the Plaça: Catalan Festival Politics After Franco (Noyes)
Full text linkThis is a published book review of Dorothy Noyes' book Fire in the Plaça: Catalan Festival Politics After Franco (University of Pennsylvania Press, 2003)
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