7,196 research outputs found
1981 Bach Festival Christmas Concert
No full text4 p.The 1981 Bach Festival Christmas Concert was performed on December 15. It was directed by Russell Hammar. The featured songs were "Of the Father's Love Begotten," "Prepare Thyself, Zion," "Gloria in Excelsis," "Sanctus (Mass in B-Minor)," "Serenade de Concert," "Ding, Dong! Merrily on High," "And the Trees Do Moan," Allelulia (von Himmel Hoch)," and "We Wish You a Merry Christmas.
Cuidado de enfermagem, com visão holográfica, na abordagem de idosas com depressão, utilizando a terapia floral de Bach
No full textTese (doutorado) - Universidade Federal de Santa Catarina, Centro de Ciências da Saúde. Programa de Pós-Graduação em Enfermagem.Este estudo teve como objetivo investigar a relevância do cuidado de Enfermagem com visão holográfica, incluindo a aplicação dos florais de Bach em idosas com depressão, usando o referencial de Enfermagem de Betty Neuman. Foi utilizada uma metodologia qualitativa com abordagem analítica e analógica. A técnica da abordagem foi o estudo de casos, aplicando-se a entrevista semi- estruturada e a escala de Beck - Depression Inventory - BDI, para semi-quantificar a depressão. Foi feito análise estatística das médias dos BDIs. O diagnóstico de depressão foi baseado no DSM IV, feito por uma geriatra, que também fez a avaliação desses casos após o período estipulado de tratamento (20 semanas). As idosas participavam das sessões de terapia de grupo, realizadas por uma psicóloga. As voluntárias foram 13 idosas, acima de 60 anos, em depressão, assistidas no Centro de Reabilitação de Idosos Damásio Barbosa de Franca - João Pessoa - Paraíba, no período de julho de 2002 a fevereiro de 2003. Os dados foram colhidos através das respostas dos questionários. Entre as informações foram identificados os estressores, os fenômenos de Enfermagem, segundo a Classificação Internacional da Prática de Enfermagem (CIPE) - versão ALFA, e as metas a serem trabalhadas através da terapia floral de Bach. Os fenômenos de Enfermagem ligados aos estressores intrapessoais mais freqüentes foram: depressão; dificuldade para dormir; isolamento social; tristeza; desesperança; falta de apetite; ansiedade; culpa; medo; insônia; fadiga; baixa auto-estima; interação social prejudicada; sono intermitente; déficit nutricional. Dentre os ligados aos estressores intra e interpessoal associados, destacaram-se: falta de apetite; culpa; distúrbio do relacionamento familiar; insônia; crenças de valores; processo familiar alterado; interação social prejudicada. Dos ligados aos estressores intra, inter e extrapessoais perceberam-se: distúrbio no relacionamento familiar; interação social limitada. Percebeu-se que os estressores que mais contribuíram para a depressão em idosos estavam ligados aos intrapessoais, fossem eles associados ou não a outros estressores. A intervenção da enfermagem foi à prescrição dos florais de Bach. Pode-se concluir que o cuidado de Enfermagem com visão holográfica, incluindo a aplicação dos florais de Bach, em idosas com depressão, contribuiu para a redução significante dos estressores nessas pacientes. Assim, a sua aplicabilidade é possível uma vez que a teoria escolhida trabalha com os estressores, sendo esses harmonizados através da terapia floral de Bach, que atua nas causas dos desconfortos, equilibrando o indivíduo e devolvendo-lhe a saúde
1984 Bach Festival Christmas Concert
No full text5 p.The 1984 Bach Festival Christmas Concert was performed on December 4. It was directed by Russell Hammar. The featured songs were "O Magnum Mysterium," "Comfort, Comfort Ye My People," "Adeste Fidelis," Of the Fathers Love Begotten," "Psallite," "The Holly and the Ivy," "God Rest you Merry, Gentlemen," "The First Nowell," "Sweet Little Jesus Boy," "Let Carols Ring," "Noel Nouvelet," Hark, the Herald Angels Sing," "O Little Town of Bethelehem," "And the Trees do Moan," "Sing Noel," and "We Wish you a Merry Christmas.
Polonaise // de // Bach
No full textTitre uniforme : Bach, Wilhelm Friedemann (1710-1784). Compositeur. [12 polonaises. Clavecin. BR A 27-38]Titre uniforme : Bach, Wilhelm Friedemann (1710-1784). Compositeur. [Polonaises. Clavecin. BR A 27. Do majeur]Titre uniforme : Bach, Wilhelm Friedemann (1710-1784). Compositeur. [Polonaises. Clavecin. BR A 28. Do mineur]Titre uniforme : Bach, Wilhelm Friedemann (1710-1784). Compositeur. [Polonaises. Clavecin. BR A 29. Ré majeur]Titre uniforme : Bach, Wilhelm Friedemann (1710-1784). Compositeur. [Polonaises. Clavecin. BR A 30. Ré mineur]Titre uniforme : Bach, Wilhelm Friedemann (1710-1784). Compositeur. [Polonaises. Clavecin. BR A 31. Mi bémol majeur]Titre uniforme : Bach, Wilhelm Friedemann (1710-1784). Compositeur. [Polonaises. Clavecin. BR A 32. Mi bémol mineur]Titre uniforme : Bach, Wilhelm Friedemann (1710-1784). Compositeur. [Polonaises. Clavecin. BR A 33. Mi majeur]Titre uniforme : Bach, Wilhelm Friedemann (1710-1784). Compositeur. [Polonaises. Clavecin. BR A 34. Mi mineur]Titre uniforme : Bach, Wilhelm Friedemann (1710-1784). Compositeur. [Polonaises. Clavecin. Br A 35. Fa majeur]Titre uniforme : Bach, Wilhelm Friedemann (1710-1784). Compositeur. [Polonaises. Clavecin. BR A 36. Fa mineur]Titre uniforme : Bach, Wilhelm Friedemann (1710-1784). Compositeur. [Polonaises. Clavecin. BR A 37. Sol majeur]Titre uniforme : Bach, Wilhelm Friedemann (1710-1784). Compositeur. [Polonaises. Clavecin. BR A 38. Sol mineur]Comprend : Polonoise 1 ; Polonoise 2 ; Polonoise 3 ; Polonoises 4 ; Polonaise 5 ; Polonoises 6 ; Polonoise 7 ; Polonoises 8 ; Polonoise 9 ; Polonoises 10 ; Polonois (sic) 12Titre propre pris à la couv. - Cemb. ou pf. - Mention ms. de J.B. Weckerlin sur la couv. : "Guillaume Friedemann // fils aîné de J. Sébastien // Nous avons l'autographe de ce morceau // J.B.W". - Les 6 premières polonaises sont une copie du ms. autogr. Ms. 1572Présentation musicale : [Partition]Appartient à l’ensemble documentaire : RISM1Appartient à l’ensemble documentaire : RISMMssPolonaises (instrument à clavier
J.C. Bach's London keyboard sonatas : style and context
No full textJ. C. Bach's keyboard works include several sets of accompanied sonatas, a genre that enjoyed a wide popularity during the Classical era, but never
found its way into the concert repertoire. The accompanied sonata was a genre meant for domestic performance; the solo keyboard sonata, on
the other hand, was adopted in due course by concert audiences. J. C. Bach composed works within both genres during most of his productive years, and his output constitutes a corpus of remarkable consistency. J. C. Bach's removal to London in 1762 coincided with his clear adoption of a galant style, marked by the Italianate influence, and the abandonment of most Baroque traits. The British milieu provided additional factors: the rise of the pianoforte, a thriving music-publishing market, and a great interest in domestic music making among the affluent classes. These factors marked J. C. Bach's output at various levels. Keyboard works had to conform to the proficiency of the amateur performer, a
fact reflected in the accompanied output mostly. The number of movements, their length, and the inclusion of particular technical devices are readily observable differences between the two genres. The most remarkable
distinction lies perhaps in the preference for binary sonata format in the accompanied. sonatas from the mid 1760s to the 1770s, in spite of a later tendency for tripartite designs in both genres. J. C. Bach's lifelong preference for motivic phrase structure conditioned his keyboard production and partly explains the gap in quality between some of his works and sonatas composed around the same time by Haydn and Mozart, who developed more effective means to connect the melodic material
to higher structural units. J. C. Bach's influence, however, endured in Mozart's handling of melody, and his keyboard production constitutes, in spite of some flaws, a noteworthy example of elegance and craftsmanship
The Rich Demystified - A Reply to Bach, Corneo, and Steiner (2008)
No full textThe contribution Bach, Corneo, and Steiner (2008) has argued that “the rich” do not pay taxes adequately in relation to their income, finding, for instance, an effective tax rate of only 38.1% for the 0.001% fractile of German income taxpayers in 2001. This result contrasts sharply with the legislated top marginal income tax rate of 48.5%. We subject the results contained in Bach, Corneo, and Steiner (2008) to a rigorous analysis: We find major flaws and inconsistencies with regard to methodology, i.e. the omission of corporate taxes and inter-temporal aspects of taxation. Restating basic rules for the measurement of effective tax rates, we provide values for what we term the “comprehensive nominal tax rate” (CNTR) and show that the headline result in Bach, Corneo, and Steiner (2008) of 38.1% is underestimated by over 12 percentage points. As an important distributional result, the CNTR increases with increasing taxable income.top incomes, income taxation, taxing the rich, comprehensive nominal tax rate
Capacitação Online do Software Bibliométrico VOSviewer
No full textCapacitação online promovida pelo Programa de Educação Continuada de Usuários do SiBi/UFPR. Data: 17/11/2020. Palestrante: Dra. Janete Saldanha Bach Estevão.O VOSviewer é um software para construção e visualização de redes bibliométricas. Essas redes podem incluir, por exemplo, periódicos, pesquisadores ou publicações individuais, e podem ser construídas com base em relações de citação, acoplamento bibliográfico, co-citação ou co-autoria.Programa de Educação Continuada de Usuários do SiBi/UFPR (ProEduC
Sechs Sonaten // auf das Clavier // von // Carl Phillipp Emanuel Bach
No full textTitre uniforme : Bach, Carl Philipp Emanuel (1714-1788). Compositeur. [6 sonates. Clavier. H 24-29]Titre uniforme : Bach, Carl Philipp Emanuel (1714-1788). Compositeur. [Sonates. Clavier. H 24. Fa majeur]Titre uniforme : Bach, Carl Philipp Emanuel (1714-1788). Compositeur. [Sonates. Clavier. H 25. Si bémol majeur]Titre uniforme : Bach, Carl Philipp Emanuel (1714-1788). Compositeur. [Sonates. Clavier. H 26. Mi majeur]Titre uniforme : Bach, Carl Philipp Emanuel (1714-1788). Compositeur. [Sonates. Clavier. H 27. Do mineur]Titre uniforme : Bach, Carl Philipp Emanuel (1714-1788). Compositeur. [Sonates. Clavier. H 28. Do majeur]Titre uniforme : Bach, Carl Philipp Emanuel (1714-1788). Compositeur. [Sonates. Clavier. H 29. La majeur]Instr. : clavier non spécifiéAppartient à l’ensemble documentaire : RISM1Appartient à l’ensemble documentaire : RISMMssSonates (instrument à clavier
Fantasia ex C. Moll // von // Sebastian Bach
No full textTitre uniforme : Bach, Johann Sebastian (1685-1750). Compositeur. [Fantasie und Fuge. Clavier. BWV 906. Do mineur]. ExtraitsClavier. - Mq. la fugue. - Corrections au crayon marronAppartient à l’ensemble documentaire : RISM1Appartient à l’ensemble documentaire : RISMMssFugues (instrument à clavier)Fantaisies (musique
Duchenne muscular dystrophy: continuous noninvasive ventilatory support prolongs survival
No full textOBJECTIVE: To describe survival outcomes with noninvasive ventilation (NIV) for full ventilatory support, and a mechanically assisted cough and oximetry protocol in a series of patients with Duchenne muscular dystrophy.
METHODS: We monitored end-tidal carbon dioxide (PETCO2), SpO2, vital capacity, maximum insufflation capacity, and cough peak flow. Nocturnal NIV was initiated for symptomatic hypoventilation. An oximeter and mechanically assisted cough device were prescribed when the pa- tient’s maximum assisted cough peak flow fell below 300 L/min. Patients used up to continuous NIV and mechanically assisted cough to return SpO2 to > 95% during intercurrent respiratory infections or as otherwise needed. We recorded respiratory and cardiac hospitalizations and mortality, and quantified survival by duration of continuous NIV dependence (ie, unable to maintain oxygenation without the ventilator).
RESULTS: With advancing Duchenne muscular dystrophy, 101 nocturnal-only NIV users extended their NIV use throughout the daytime hours and required it continuously for 7.4 +- 6.1 years to 30.1 +- 6.1 years of age, with 56 patients still alive. Twenty-six of the 101 became continuously dependent without requiring hospitalization. Eight tracheostomized users were decannulated to NIV. Thirty-one consecutive unweanable intubated patients were extubated to NIV plus mechanically assisted cough. Of the 67 deaths (including 8 patients who died from heart failure before requiring ventilator use), 34 (52%) were probably cardiac, 14 (21%) were probably respiratory, and 19 (27%) were of unknown or other etiology.
CONCLUSIONS: Continuous NIV along with mechanically assisted cough and oximetry as needed can prolong life and obviate tracheotomy in patients with Duchenne muscular dystrophy. Unweanable patients can be decannulated and extubated to NIV plus mechanically assisted cough.Peer reviewe
- …
