1,720,955 research outputs found
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
TANGGAPAN MASYARAKAT KELURAHAN KIMIRIREJO KOTA MAGELANG TERHADAP KREDIBILITAS TUKUL ARWANA SEBAGAI PEMBAWA ACARA BUKAN EMOAT MATA DI TRANS 7 (PENELITIAN DESKRIPTIF KUANTITATIF)
Kebutuhan masyarakat akan media massa televisi sebagai alat komunikasi massa,
memmbawa konsekuensi bagi stasiun-stasiun televisi yang ada untuk dapat memprodukasi siaran
yang bermutu agar tidak ditinggalkan oleh audiencenya. Trans7 sebagai salah satu stasiun swasta
di Indonesia memprodukasi suatu tayangan talkshow yang menghibur dan informatif belakangan
ini menjadi andalan stasiun televisi yaitu Bukan Empat Mata disiarkan setiap hari senin sampai
jumat pukul 22.00 sampai 23.00 WIB dengan pembawa acara: Tukul Arwana. Dalam Bukan
Empat Mata ditampilkan: topik yang unik, topik yang menarik, topik yang timeless, talk show,
komedi, musik, kejutan untuk bintang tamu, kejutan untuk pembawa acara.
Bukan Empat Mata program televisi yang berbeda dengan lainnya, program ini
menggunakan presepsi komedi dan selalu menghadirkan Selebriti di setiap episodenya. Bukan
Empat Mata menawarkan informasi dan juga sekaligus komedi segar yang dibawakan oleh Tukul
Arwana yang diharapkan mampu menghibur penonton sampai terpingkal-pingkal dengan candaan
segar sambil mengobrol ringan seputar topik-topik menarik bersama para bintang tamu. Sangat
menarik untuk dicermati ketika komunikan telah akrab dengan kehadiran sosok Tukul Arwana
yang identik dengan Bukan Empat Mata.
Tanggapan Masyarakat Kelurahan Kemirirejo Kota Magelang Terhadap Kredibilitas
Tukul Arwana Sebagai Pembawa Acara Bukan Empat Mata Di Trans7, dalam penelitian ini Tukul
Arwana bertindak sebagai komunikator dalam proses komunikasi massa dengan komunikannya
sebagai penonton Bukan Empat Mata adalah masyarakat Kelurahan Kemirirejo Kota Magelang.
Tanggapan diukur melalui efek, yaitu: efek kognitif: berkenaan dengan respon melalui
jawaban responden mengenai perubahan pikiran, misalnya: responden yang pada awalnya tidak
mengetahui menjadi mengetahui. efek afektif: berkenaan dengan respon melalui jawaban
responden mengenai perubahan perasaan, misalnya: responden yang awalnya tidak senang
menjadi senang. efek konatif: berkenaan dengan respon melalui jawaban responden mengenai
perubahan tindakan, misalnya: responmden yang awalnya tidak menonton menjadi menonton.
Kredibilitas dilihat dari: Expertise Tukul Arwana yang dinilai oleh responden meliputi:
Tukul mampu memberikan pertanyaan kepada bintang tamu dengan jelas, Tukul mampu
menyampaikan salam pembuka dan salam penutup dengan jelas, Tukul mampu menggunakan
bahasa asing (kata/istilah), Tukul mampu mengeksploitir suara dengan meniru suara orang lain,
binatang atau benda dengan lucu. Trustworthess Tukul Arwana yang dinilai oleh responden
meliputi: Tukul jujur dalam memberikan jawaban pada narasumber, Tukul sopan dalam
berpenampilan, Tukul tulus dalam memberikan nasehat
Dari tanggapan Masyarakat Kelurahan Kemirirejo Kota Magelang Terhadap Kredibilitas
Tukul Arwana Sebagai Pembawa Acara Bukan Empat Mata Di Trans7 dapat diketahui bahwa dari
dua komponen kredibilitas: expretise dan trustworhess.
Pertama, expertise Tukul Arwana sebagai pembawa acara Bukan Empat Mata dinilai
“tinggi” dari tanggapan efek kognitif responden, dinilai “rendah” dari tanggapan efek afektif
responden, dinilai “tinggi” dan “rendah” dari tanggapan efek konatif responden.
Kedua trustworthess Tukul Arwana sebagai pembawa acara Bukan Empat Mata dinilai
“tinggi” dari tanggapan efek kognitif responden, dinilai “tinggi” dari tanggapan efek afektif
responden, trustworthess Tukul Arwana sebagai pembawa acara Bukan Empat Mata dinilai
“tinggi” dari tanggapan efek konatif responden
koamabayili/VECTRON-author-checklist: VECTRON author checklist
We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
Author-wise bibliometric analysis based on entropy.
Author-wise bibliometric analysis based on entropy.</p
Author Under Sail The Imagination of Jack London, 1893-1902
In Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Intro -- Title Page -- Copyright Page -- Dedication -- Contents -- Acknowledgments -- Introduction -- 1. Spirit Truth -- 2. From Absorption to Theatricality and Back Again -- 3. "I Will Build a New Present" -- 4. Sons as Authors -- 5. Fathers as Publishers -- 6. The Daughter as Author -- 7. Lovers as Authors -- 8. At Sea with the Family -- 9. Yellow News, Yellow Stories -- 10. The Return Home -- Notes -- Bibliography -- Index -- About Jay WilliamsIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
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