1,720,962 research outputs found
New competencies in democratic communication? Blogs, agenda setting and political participation
No full textPolitical communication, Blogs, Democracy, Discourse, Agenda setting,
The Importance of Public Meaning for Political Persuasion
No full textThere have been many retrospective analyses written about the marriage-equality movement since the Supreme Court’s 2015 ruling that made marriages between people of the same sex legal in all 50 states. Most attribute that triumph to a stunningly swift turnaround in public comfort with and approval of same-sex relationships. However, public opinion data indicates that this narrative is inaccurate. In 2015, 51% of General Social Survey respondents declared that they found sexual relationships between people of the same sex to be “wrong” at least “some of the time.” Nevertheless, at the same time, 56% of respondents affirmed that people of the same sex ought to have the legal right to marry. This dissonance suggests that the most common narrative about the success of the movement misses something crucial about how political persuasion happened in this case, as well as the way that political persuasion happens in general. In this article, I show that the massive shift in support for same-sex marriage was likely not the result of large majorities changing their underlying attitudes regarding gay sexual relationships, but was instead the result of activists inserting new criteria for evaluating same-sex marriage into popular political discourse by consistently using resonant arguments. These arguments reframed the political stakes, changed the public meaning of the marriage debate, and altered the decisional context in which people determine their policy preferences.</jats:p
Ingenious Citizenship: Recrafting Democracy for Social Change. By Charles T. Lee. Durham, NC: Duke University Press, 2016. 298p. $25.95
No full textCHAPTER XII. Black Feminist Visions and the Politics of Healing in the Movement for Black Lives
No full textResponse to Charles T. Lee’s review of <i>The Politics of Common Sense: How Movements Use Public Discourse to Change Politics and Win Acceptance</i>
No full text
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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