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Investigating the autobiography of Murathan Mungan through creative drama
No full textCreative drama helps the child or adult to find the opportunity to understand both the self and the other by means of fiction, based on their own life dynamics. In this study, it is aimed to observe the opinions of the participants about the relationship between the author-poet's life and literary accumulation through creative drama workshops based on the dramatic situations in his life story, which are found in Mungan's autobiographical books "Goblins of Money" and "Map Method Notebook". Observational and focus group interviews were used as a data collection tool in the study which was conducted with descriptive analysis approach which is one of the qualitative research methods. In this study, the of Murathan Mungan's autobiography was examined via creative drama method and interview themes were prepared by the researcher and evaluated by two different field experts in order to observe the participants' opinions about the effects of the author-poet of the autobiography on his authorship and their awareness about themselves. In the study, a ten-item interview was planned by the researcher as a data collection tool, the workshop evaluation outputs obtained with the application of creative drama and the observer's notes were reported and two autobiographical and a book of the author-poet were and many documents were examined. Findings obtained from this study are that the author had been a very good observer since childhood and had a wide imagination, with his art-loving nature had made himself, intensity of dramatic situations in his autobiography had provided him with richness of life, but life alone had not been sufficent to be an author nor to be proliferant, with his strong character, talent, curiosity and desire the author had been the discoverer of himself and participants had been of the opionion that they had been excited and eager about reading and writing along the process. It was found that Murathan Mungan's autobiography might be beneficial for the leaders who will work in the field of creative drama in terms of its effects on authorship and the experiential wealth it provides to the participants.Yaratıcı drama, çocuğun veya yetişkinin kendisinden, kendi yaşam dinamiklerinden yola çıkarak, hem kendisini hem de kurgu yoluyla üstlendiği rol gereği, ötekini anlama olanağı bulmasına yardımcı olur. Bu çalışmada Murathan Mungan'ın "Paranın Cinleri" ve "Harita Metod Defteri" adlı otobiyografik kitaplarında bulunan, yaşam öyküsündeki dramatik durumlardan yola çıkılarak hazırlanmış yaratıcı drama atölyeleri ile katılımcıların yazar-şairin yaşamı ve edebi birikimi arasında ilişki kurup kurmadıklarına ilişkin görüşlerinin gözlemlenmesi amaçlanmıştır. Nitel araştırma yöntemlerinden betimsel analiz yaklaşımıyla gerçekleştirilmiş araştırmada veri toplama aracı olarak gözlem ve odak grup görüşmesi kullanılmıştır. Araştırmada Murathan Mungan otobiyografisi yaratıcı drama yöntemiyle incelenerek katılımcıların yazar-şairin özyaşamöyküsünün yazarlığına etkileri hakkındaki görüşlerinin ve kendilerine yönelik farkındalıklarının gözlemlenmesi amacıyla araştırmacı tarafından görüşme temaları hazırlanmış ve hazırlanan görüşme temaları iki farklı alan uzmanı tarafından değerlendirilerek geliştirilmiştir. Çalışmada veri toplama aracı olarak araştırmacı tarafından on temadan oluşan bir görüşme planlanmış, yaratıcı drama uygulaması ile elde edilen atölye değerlendirme çıktıları ile araştırmacının gözlem notları raporlaştırılmış ve yazar-şairin iki otobiyografik bir de deneme kitabı ile çok sayıda doküman incelenmiştir. Bu araştırmadan elde edilen bulgular; yazarın çocukluğundan itibaren hayal dünyasının geniş ve çok iyi bir gözlemci olduğu; sanata düşkün yapısı ile adeta kendi kendisini oldurduğu; özyaşamöyküsündeki dramatik durumların yoğunluğunun, yazara, yaşantı zenginliği sunduğu; fakat yalnızca yaşantının kişileri yazarlığa, üretkenliğe götürmek için yeterli olmadığı; güçlü kişiliği, sanata olan yeteneği, merakı ve arzusu ile kendi kendisinin keşfedeni olduğu; yaratıcı drama yönteminin etkili bir öğrenme ortamı oluşturduğu ve katılımcıların süreçte yazmaya, okumaya ilişkin heyecan ve istek duydukları yönündeki görüşleri bulunduğudur. Bulgular Murathan Mungan otobiyografisinin, yazarlığına etkileri ve katılımcılara sağladığı deneyimsel zenginlik bakımından yaratıcı drama alanında çalışma yapacak liderler için faydalı olabileceğini göstermiştir
Investigating the autobiography of Murathan Mungan through creative drama
No full textYaratıcı drama, çocuğun veya yetişkinin kendisinden, kendi yaşam dinamiklerinden yola çıkarak, hem kendisini hem de kurgu yoluyla üstlendiği rol gereği, ötekini anlama olanağı bulmasına yardımcı olur. Bu çalışmada Murathan Mungan'ın "Paranın Cinleri" ve "Harita Metod Defteri" adlı otobiyografik kitaplarında bulunan, yaşam öyküsündeki dramatik durumlardan yola çıkılarak hazırlanmış yaratıcı drama atölyeleri ile katılımcıların yazar-şairin yaşamı ve edebi birikimi arasında ilişki kurup kurmadıklarına ilişkin görüşlerinin gözlemlenmesi amaçlanmıştır. Nitel araştırma yöntemlerinden betimsel analiz yaklaşımıyla gerçekleştirilmiş araştırmada veri toplama aracı olarak gözlem ve odak grup görüşmesi kullanılmıştır. Araştırmada Murathan Mungan otobiyografisi yaratıcı drama yöntemiyle incelenerek katılımcıların yazar-şairin özyaşamöyküsünün yazarlığına etkileri hakkındaki görüşlerinin ve kendilerine yönelik farkındalıklarının gözlemlenmesi amacıyla araştırmacı tarafından görüşme temaları hazırlanmış ve hazırlanan görüşme temaları iki farklı alan uzmanı tarafından değerlendirilerek geliştirilmiştir. Çalışmada veri toplama aracı olarak araştırmacı tarafından on temadan oluşan bir görüşme planlanmış, yaratıcı drama uygulaması ile elde edilen atölye değerlendirme çıktıları ile araştırmacının gözlem notları raporlaştırılmış ve yazar-şairin iki otobiyografik bir de deneme kitabı ile çok sayıda doküman incelenmiştir. Bu araştırmadan elde edilen bulgular; yazarın çocukluğundan itibaren hayal dünyasının geniş ve çok iyi bir gözlemci olduğu; sanata düşkün yapısı ile adeta kendi kendisini oldurduğu; özyaşamöyküsündeki dramatik durumların yoğunluğunun, yazara, yaşantı zenginliği sunduğu; fakat yalnızca yaşantının kişileri yazarlığa, üretkenliğe götürmek için yeterli olmadığı; güçlü kişiliği, sanata olan yeteneği, merakı ve arzusu ile kendi kendisinin keşfedeni olduğu; yaratıcı drama yönteminin etkili bir öğrenme ortamı oluşturduğu ve katılımcıların süreçte yazmaya, okumaya ilişkin heyecan ve istek duydukları yönündeki görüşleri bulunduğudur. Bulgular Murathan Mungan otobiyografisinin, yazarlığına etkileri ve katılımcılara sağladığı deneyimsel zenginlik bakımından yaratıcı drama alanında çalışma yapacak liderler için faydalı olabileceğini göstermiştir.
Creative drama helps the child or adult to find the opportunity to understand both the self and the other by means of fiction, based on their own life dynamics. In this study, it is aimed to observe the opinions of the participants about the relationship between the author-poet's life and literary accumulation through creative drama workshops based on the dramatic situations in his life story, which are found in Mungan's autobiographical books "Goblins of Money" and "Map Method Notebook". Observational and focus group interviews were used as a data collection tool in the study which was conducted with descriptive analysis approach which is one of the qualitative research methods. In this study, the of Murathan Mungan's autobiography was examined via creative drama method and interview themes were prepared by the researcher and evaluated by two different field experts in order to observe the participants' opinions about the effects of the author-poet of the autobiography on his authorship and their awareness about themselves. In the study, a ten-item interview was planned by the researcher as a data collection tool, the workshop evaluation outputs obtained with the application of creative drama and the observer's notes were reported and two autobiographical and a book of the author-poet were and many documents were examined. Findings obtained from this study are that the author had been a very good observer since childhood and had a wide imagination, with his art-loving nature had made himself, intensity of dramatic situations in his autobiography had provided him with richness of life, but life alone had not been sufficent to be an author nor to be proliferant, with his strong character, talent, curiosity and desire the author had been the discoverer of himself and participants had been of the opionion that they had been excited and eager about reading and writing along the process. It was found that Murathan Mungan's autobiography might be beneficial for the leaders who will work in the field of creative drama in terms of its effects on authorship and the experiential wealth it provides to the participants
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Get PDFWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Get PDFWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
No full textWe have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
Author-wise bibliometric analysis based on entropy.
No full textAuthor-wise bibliometric analysis based on entropy.</p
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