1,720,961 research outputs found
Tour of the CERN forests with the Office National des Forêts
No full textVisits to CERN's forest plots with the ONF. CERN has signed an agreement with the Office National des Forêts (ONF) to manage and preserve its forests and to secure and preserve the banks of the Lion stream. The CERN forests are among the last lowland forests in the Pays de Gex. These visits enabled us to observe the forests to draw up a management plan
Rivers around CERN
No full textTouring the rivers around the CERN sites to take measurements (pH, temperature, conductivity and oxygen)
Biodiversity & landscapes at CERN
No full textBiodiversity on site, all environments and faune/flora combined (forest, grassland, urban
Biodiversity (forest) on the Prevessin site
No full textPhotos of the fauna and flora species present on the Prevessin site. The photos were taken on Thursday 25 April 2024
Orchids on CERN sites
No full textPhotos of orchids that can be found on CERN sites (unfenced and fenced)
Environmental Incident Exercise with CFRS
No full textEnvironmental Incident exercise with CFRS to raise awareness of the response procedure among the departments concerned and to train the CFRS teams. Type of incident: technological risk -> physico-chemical pollution -> water pollution
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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