2,510 research outputs found

    Rachel Swarns: The 272 (Library Resources)

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    A bibliography of resources available through the Holy Cross Libraries which provide additional information related to Rachel Swarns: The 272, a discussion with Rachel Swarms, President Vincent D. Rougeau, Board of Trustees Chair Helen W. Boucher, M.D. \u2786, and Jesuit Provincial Joseph M. O\u27Keefe, S.J., \u2776. Swarms is associate professor of journalism at New York Universityand the author of The 272: The Families Who Were Enslaved and Sold to Build the American Catholic Church This event was sponsored by the McFarland Center for Religion, Ethics and Culture, and was held at the College of the Holy Cross on March 20, 2024.https://crossworks.holycross.edu/bibliography_events/1021/thumbnail.jp

    SUPPLEMENTARY_MATERIAL_-_S_Table_1 – Supplemental material for The role of renal mass biopsy in the management of small renal masses – patterns of use and surgeon opinion

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    Supplemental material, SUPPLEMENTARY_MATERIAL_-_S_Table_1 for The role of renal mass biopsy in the management of small renal masses – patterns of use and surgeon opinion by Melinda M Protani, Andre Joshi, Victoria White, David JT Marco, Rachel E Neale, Michael D Coory, Graham G Giles, Damien M Bolton, Ian D Davis, Simon Wood and Susan J Jordan in Journal of Clinical Urology</p

    Open access self-archiving: An author study

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    This, our second author international, cross-disciplinary study on open access had 1296 respondents. Its focus was on self-archiving. Almost half (49%) of the respondent population have self-archived at least one article during the last three years. Use of institutional repositories for this purpose has doubled and usage has increased by almost 60% for subject-based repositories. Self-archiving activity is greatest amongst those who publish the largest number of papers. There is still a substantial proportion of authors unaware of the possibility of providing open access to their work by self-archiving. Of the authors who have not yet self-archived any articles, 71% remain unaware of the option. With 49% of the author population having self-archived in some way, this means that 36% of the total author population (71% of the remaining 51%), has not yet been appraised of this way of providing open access. Authors have frequently expressed reluctance to self-archive because of the perceived time required and possible technical difficulties in carrying out this activity, yet findings here show that only 20% of authors found some degree of difficulty with the first act of depositing an article in a repository, and that this dropped to 9% for subsequent deposits. Another author worry is about infringing agreed copyright agreements with publishers, yet only 10% of authors currently know of the SHERPA/RoMEO list of publisher permissions policies with respect to self-archiving, where clear guidance as to what a publisher permits is provided. Where it is not known if permission is required, however, authors are not seeking it and are self-archiving without it. Communicating their results to peers remains the primary reason for scholars publishing their work; in other words, researchers publish to have an impact on their field. The vast majority of authors (81%) would willingly comply with a mandate from their employer or research funder to deposit copies of their articles in an institutional or subject-based repository. A further 13% would comply reluctantly; 5% would not comply with such a mandate

    Youth perceptions and practices of leadership: The influence of structured leadership development programmes in a community context

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    There has been much research focused on adult conceptions and experiences of leadership and its impact on both individuals and organisations. What has not been investigated as fully, is youth leadership and the contexts within which young people’s leadership experiences and emerging understandings are developed. Most opportunities for youth leadership are centred within educational contexts with traditional and hierarchical structures that limit access for all but an elite minority. This thesis presents findings from a research project involving a school-community partnership. It examines perceptions of leadership by youth participating in a 12 week experiential community leadership development programme, and the how involvement within this context influenced the leadership perceptions of nine participants involved in the study. Youth voice was integral as participants actively reflected on ideas of leadership through youth-centric research methodologies. Findings indicated that the youth who participated in this study perceived leadership as relational and transformational actions experienced on a personal level by someone they have an on-going relationship with; they felt there is inadequate acknowledgement of extra-curricular youth leadership experience and perceived inequity in access to leadership development opportunities for youth within school contexts; they desired experiential leadership development opportunities that were authentic, challenging and inclusive; and that participating in an experiential youth leadership development programme in a community context provided positive benefits for all participants. This research is of significance to those working with youth in experiential leadership contexts, youth themselves, and those with an interest in leadership and youth development from a practitioner, or research perspective. Through representing a positive exemplar of a school-community partnership that broadens the context within which positive leadership development opportunities take place, it provides particular challenges to schools regarding the way that they perceive, acknowledge and grow leadership in youth. It will help to inform practitioners regarding effective practice when working with youth, and crucially, gives youth a voice as to the influence contextual experience has on their developing understandings

    Narrative threads: ethnographic tourism, Romani tourist tales, and fiber art

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    This thesis examines the need for the ethnographer to process their own emotions and experiences as part of the ethnographic experience. Specifically, it argues for the credibility of artistic expression resulting from fieldwork. Drawing on the author’s experience during the 2012 inaugural "Romani Music, Culture, and Human Rights" study abroad program at the University of Pittsburgh, this thesis offers an analysis of five works of fiber art. Originally perceived by the author as separate from the thesis writing process, they became an integral part of thesis once they were recognized as the non-verbal processing of the my emotional response to events abroad and, therefore, essential components of the research process. I argue that emotional processing is an integral part of writing an ethnography, for as the ethnographer works through their experiences, their understanding of the events changes, and this in turn impacts the ways in which the ethnographic is perceived and analyzed

    Beor, Rachel Annie (Death, 1906-11-26)

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    Address: 1484 State Ave.Age at death: 10 yrs.Pg 143/1906/0517/F W S/N. Y./Dr. D. J. Davis/Wm. F. Fuldner/Spring GroveOriginal record filed in drawer labeled &#039;BENS-BERGMAN&#039;

    Polyphony and the anxiety of influence in the fiction of Henry James

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    James's fiction, especially in the Middle Phase, centres on the figure of the artist and is characterized by, the two interrelated aspects which previous criticism has largely overlooked: the Bakhtinian 'polyphonic' -creation of 'author-thinkers'; and the conflict between ephebes and precursors, for which Harold-Bloom's concept of 'the-anxiety of influence' is the most illuminating model. Polyphony is the narrative mode, and influence is the intra-artistic, theme. These, as the Introduction to the thesis makes clear, are rehearsed in James's inaugural novel, Roderick Hudson. Rowland Mallet is an author-thinker, and his failure is caused by authorial limitations. His monologism -is impaired by his mistaking empathy for the authorial sympathy. Likewise, Hudson's failure does not arise from a mercurial temperament, but from a polyphonic shortcoming: not possessing the power of fiction to contain the fiction of power in, his mentor. And the relationships among the three artists - Gloriani, Hudson and Singleton - perfectly exemplify the Bloomian-theme. It is these two concepts, polyphony and influence, which are the major preoccupation in the Middle Phase; as, the works chosen demonstrate. These are a novella, a novel, and a number of short stories all of which have been unjustifiably neglected. Chapter One, on The Aspern Papers, argues that Tina Bordereau, far from being, the artless victim seen by many critics, actually challenges and defeats the narrator by the very form of her narrative. Her 'realist' discourse undermines his language of 'romance', and shows up its internal unstability. Chapter Two is an extensive study of the critical reception of The Tragic Muse. The most common areas of critical attention have been its contemporary topicality, its relation to previous novels on similar themes, and the possible genealogy of Gabriel Nash. Those have all missed the core of the work. - Chapter Three demonstrates how polyphony and the anxiety of influence make the novel what it really is. Influence arises from the juxtaposition of, and the wrestling between, artistic ephebes and their precursors (Nick and Nash,, Miriam and Madame Carre). The dialogic quality defined by Bakhtin is crucial to the proper, and even-handed, characterization of all, the conflicts in the novel. And since most of James's tales in the eighties and nineties -are about 'masters - and acolytes, the anxiety of influence remains central. Chapter Four is a study of 'The Author of Beltraffiol' and 'The Lesson of the Master'. Again the characters' manipulations are a crucial focus in a way that G6rard Genette's terminology helps to illuminate. The fact that the ephebe is the author-thinker emphasizes the inextricability of the Bakhtinian and the Bloomian in James. Just as polyphony offers a different focus for explicating the poetics of James's fiction; so the ephebal conflict provides the basis for a fresh perception of James's own artistic struggle
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