1,721,620 research outputs found
David Kennedy & Derrick Riley, Rome's Desert Frontier from the Air
No full textThoen Hugo. David Kennedy & Derrick Riley, Rome's Desert Frontier from the Air. In: L'antiquité classique, Tome 62, 1993. pp. 586-587
David Kennedy & Derrick Riley, Rome's Desert Frontier from the Air
No full textThoen Hugo. David Kennedy & Derrick Riley, Rome's Desert Frontier from the Air. In: L'antiquité classique, Tome 62, 1993. pp. 586-587
Declassified satellite photographs and archaeology in the Middle East: case studies from Turkey
No full textRecent availability of declassified satellite images of landscapes and ancient cities in Turkey offer new and valuable material for archaeolgical research. Here David Kennedy explains the significance and use of some images in the Euphrates Valley.</jats:p
Views from the Margins: A Response to David Kennedy
Get PDFThis Essay focuses on two groups that often find or position themselves on the margins of public international law: market actors and women. It also explores two time periods: the 1920s-30s and the 1980s-90s. Consequently, the trajectory of my analysis roughly parallels that of David Kennedy.\u27 But while his trajectory ends with trade, mine begins with it
David Kennedy, Nouvelles approches de droit international, Paris, A. Pedone, 2009
No full textBarsalou Olivier. David Kennedy, Nouvelles approches de droit international, Paris, A. Pedone, 2009. In: Revue Québécoise de droit international, volume 22-1, 2009. pp. 175-179
David Kennedy, Of War and Law, Princeton, Princeton University Press, 2006
No full textBarsalou Olivier. David Kennedy, Of War and Law, Princeton, Princeton University Press, 2006. In: Revue Québécoise de droit international, volume 21-1, 2008. pp. 467-470
Kurt Mills on The Dark Sides of Virtue: Reassessing International Humanitarianism by David Kennedy. Princeton: Princeton University Press, 2005. 400 pp.
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The Dark Sides of Virtue: Reassessing International Humanitarianism by David Kennedy. Princeton: Princeton University Press, 2005. 400 pp
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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