1,721,116 research outputs found

    Supplemental Material, Audio4 - Twirling Triplets: The Qualia of Rotation and Musical Rhythm

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    Supplemental Material, Audio4 for Twirling Triplets: The Qualia of Rotation and Musical Rhythm by Niels Chr. Hansen, and David Huron in Music & Science</p

    Supplemental Material, Audio5 - Twirling Triplets: The Qualia of Rotation and Musical Rhythm

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    Supplemental Material, Audio5 for Twirling Triplets: The Qualia of Rotation and Musical Rhythm by Niels Chr. Hansen, and David Huron in Music & Science</p

    Supplemental Material, Audio3 - Twirling Triplets: The Qualia of Rotation and Musical Rhythm

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    Supplemental Material, Audio3 for Twirling Triplets: The Qualia of Rotation and Musical Rhythm by Niels Chr. Hansen, and David Huron in Music & Science</p

    Supplemental Material, Audio1 - Twirling Triplets: The Qualia of Rotation and Musical Rhythm

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    Supplemental Material, Audio1 for Twirling Triplets: The Qualia of Rotation and Musical Rhythm by Niels Chr. Hansen, and David Huron in Music & Science</p

    Supplemental Material, Audio2 - Twirling Triplets: The Qualia of Rotation and Musical Rhythm

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    Supplemental Material, Audio2 for Twirling Triplets: The Qualia of Rotation and Musical Rhythm by Niels Chr. Hansen, and David Huron in Music & Science</p

    AppendixA_EnjoyingSadMusic – Supplemental material for Enjoying Sad Music: A Test of the Prolactin Theory

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    Supplemental material, AppendixA_EnjoyingSadMusic for Enjoying Sad Music: A Test of the Prolactin Theory by Olivia Ladinig, Charles Brooks, Niels Chr. Hansen, Katelyn Horn and David Huron in Musicae Scientiae</p

    AppendixB_EnjoyingSadMusic – Supplemental material for Enjoying Sad Music: A Test of the Prolactin Theory

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    Supplemental material, AppendixB_EnjoyingSadMusic for Enjoying Sad Music: A Test of the Prolactin Theory by Olivia Ladinig, Charles Brooks, Niels Chr. Hansen, Katelyn Horn and David Huron in Musicae Scientiae</p

    Commentary on "Asynchronous Preparation of Tonally Fused Intervals in Polyphonic Music" by David Huron

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    In his most recent contribution to an important and well-framed series of papers on auditory grouping and the perception of polyphonic music, David Huron seeks further evidence for his working hypothesis that J.S. Bach controls the employment of perfect consonances by desynchronizing their onsets, thereby inhibiting the perceptual fusion of polyphonic voices. However the more novel contribution of the present study would seem to be its demonstration that Bach also regulates the employment of dissonant tones by consistently desynchronizing their onsets. This finding provides the first concrete evidence for Wright and Bregman’s otherwise untested hypothesis that the control and salience of dissonance in polyphonic music are closely related to principles of auditory stream segregation (Wright, 1986; Wright & Bregman, 1987)

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
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