705 research outputs found
[Stammbuch Albert Heinrich Gelb]
No full text[STAMMBUCH ALBERT HEINRICH GELB]
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Register über die hierinn befindliche Nahmen. / Einträge Bl. 1 - 10 (0v 1r)
Wolfart, Martin Theodor; Blatt 1 (0v 1r)
Besserer, Eitel Albrecht; Blatt 2 (1v 2r)
Welser, Marx Christoph von; Blatt 3 (2v 3r)
Stock, Christian; Blatt 4 (3v 4r)
Seitz, J H von; Blatt 6 (5v 6r)
Eydam, Johann Reinhard; Blatt 7 (6v 7r)
Tölke, Wendelin Reinhard; Blatt 9 (8v 9r)
Buchard, Georg Sigmund; Blatt 10 (9v 10r)
Krafft von Dellmensingen, Raymund; Blatt 15 (14v 15r)
Neubronner, Marx Tobias von; Blatt 20 (19v 20r)
Guther, David; Blatt 21 (20v 21r)
Hermann, Zacharias; Blatt 24 (23v 24r)
Hartmann, Christoph Ludwig; Blatt 26 (25v 26r)
Kohn, Alphons; Blatt 27 (26v 27r)
Wagner, Christoph; Blatt 28 (27v 28r)
Weissenborn, Jesaias Friedrich; Blatt 34 (33v 34r)
Kolbe, Georg Ludwig; Blatt 36 (35v 36r)
Judelius, Elias Caspar; Blatt 38 (37v 38r)
Uhl, Johann Andreas; Blatt 39 (38v 39r)
Ringmacher, Daniel; Blatt 40 (39v 40r)
Frick, Johann; Blatt 41 (40v 41r)
Selb, Marcus Daniel; Blatt 41v (41v 42r)
Baier, Johann; Blatt 42 (41v 42r)
Roth, Eberhard Rudolph; Blatt 43 (42v 43r)
Welsch, Nicolaus; Blatt 46 (45v 46r)
Veiel, Elias Jacob; Blatt 47v (47v 48r)
Weyhenmeyer, Elias; Blatt 48 (47v 48r)
Frick, Albrecht; Blatt 49 (48v 49r)
Raab, Johann Michael; Blatt 50 (49v 50r)
Raab, Georg Christoph; Blatt 51 (50v 51r)
Dietz, Johann Georg; Blatt 52 (51v 52r)
Stölzlin, David; Blatt 53 (52v 53r)
Algoewer, David; Blatt 54 (53v 54r)
Herrnbauer, Johann Georg; Blatt 55 (54v 55r)
Kaib, Lorenz; Blatt 56 (55v 56r)
Herttenstein, Johann Friedrich; Blatt 57 (56v 57r)
Mertz, Johann Andreas; Blatt 58 (57v 58r
Food as Performance dan Food in Performance dalam Film Jiro Dreams of Sushi Karya David Gelb
No full textPenelitian ini menganalisis representasi food as performance dan food in
performance dalam film dokumenter Jiro Dreams of Sushi Karya David Gelb.
Berangkat dari pemahaman bahwa makanan tidak hanya berfungsi sebagai
kebutuhan biologis, tetapi juga sebagai media komunikasi budaya, penelitian ini bertujuan menjelaskan bagaimana praktik kuliner Jepang ditampilkan sebagai pertunjukan keterampilan, estetika, dan filosofi hidup. Metode penelitian yang digunakan adalah deskriptif kualitatif melalui teknik observasi dokumen berupa analisis visual terhadap delapan adegan terpilih. Empat adegan dikategorikan sebagai food as performance, yaitu membakar nori, mencuci beras, mengiris ikan, dan membuat tamagoyaki yang menunjukkan proses produksi makanan sebagai performa tubuh, disiplin, dan etos kerja (shokunin kishitsu). Empat adegan lainnya dikategorikan sebagai food in performance, yaitu diskusi keluarga mengenai sushi,
interaksi senpai-kouhai, close-up visual sushi, dan representasi kesempurnaan budaya yang menampilkan makanan sebagai ekspresi identitas, estetika bigaku, dan nilai kesederhanaan wabi-sabi. Teori Lindenfeld & Langellier (2009) dan Santich (2009) digunakan untuk menafsirkan fungsi performatif makanan dalam konteks
budaya Jepang. Hasil penelitian menunjukkan bahwa sushi dalam film ini bukan hanya hidangan, tetapi performa buaya yang menyatukan teknik, identitas, dan filosofi kerja Jepang
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Letter from David Diringer to Emmett Bennett Jr., February 20, 1960
No full textDiringer remarks on Gelb's syllabic theory and Phoenician alphabets for his book The Alphabet: The Key to the History of Mankind.Classic
Clinical and Radiographic Evaluation of Brånemark Implants with an Anodized Surface following Seven-to-Eight Years of Functional Loading
No full textThe aim of this study was to evaluate the clinical and radiographic long-term outcomes of dental implants with an anodized TiUnite surface, placed in routine clinical practice. Two clinical centers participated in the study. One hundred and seven implants (80 in the maxilla and 27 in the mandible) in 52 patients were followed in the long term. Both one- and two-stage techniques were used for 38 and 69 implants, respectively. Thirty-eight single tooth restorations and 22 fixed partial prostheses were delivered, according to a delayed loading protocol, within 4 to 12 months since implant placement. All implants were stable at insertion and at the long-term follow-up visit, which occurred between 7 and 8 years of functional loading. The mean followup was 7.33±0.47 years. The mean marginal bone level change at the long-term followup as compared to baseline was 1.49±1.03 mm. No implant failure occurred. Healthy peri-implant mucosa was found around 95% of implants, whereas 91% of implants showed no visible plaque at the implant surfaces at the long-term followup. The study showed that dental implants with the TiUnite anodized surface demonstrate excellent long-term clinical and radiographic outcomes
How to think like Leonardo Da Vinci seven steps to genius every day
No full textMichael Gelb's How to Think Like Leonardo Da Vinci is an inspiring and inventive guide that teaches readers how to develop their full potential, using the principles of Da Vincian thought identified by the author. Beginning with a brief historical biography of Da Vinci and an overview of the astounding advances made in the arts and sciences during the Renaissance, Gelb illustrates the seven fundamental elements of Da Vinci's thought process: Questionare: A questing, insatiably curious approach to life Dimostrazione: A commitment to test knowledge through experience Sensazione: The continual refinement of the senses, especially sight, as the means to clarify experience Sfumato: A willingness to embrace ambiguity, paradox and uncertainty Arte/Scienza: The development of the balance between science and art, logic and imagination. "Whole-brain" thinking Corporalita: The cultivation of ambidexterity, fitness and poise Connessione: A recognition and appreciation for the interconnectedness of all things and phenomena. "Systems" thinking. Loaded with practical exercises, quotes, sidebars, illustrations and material drawn directly from Da Vinci's personal notebooks, How to Think Like Leonardo Da Vinci is both a tribute to his great achievements and a call to carry on his legacy in our everyday lives by utilizing our potential to the best of our ability
Newes ABC Büechlein / Inventirt, und in Kupffer gestochen, von Luca Kilian Burger zu Augsburg. MDCXXVII dem ... Herren Melchior Gelb, Goldschmid und Jubilier in Augspurg/ meinem vertrauten Herren Schwageren dedicierts der Author
No full textColores verdaderos. Una panorámica fenomenológica
No full textIn this paper, the author historically develops with full detail what he calls «phenomenological conceptions of color», situated all during the first decades of the twentieth century. The author traces the general coordinates of the theories of color and the philosophical problems posed by thinkers that were very close to Husserl (Schapp and Reinach), and then gives a detailed review of some representatives of psychological tendencies related to phenomenology (Carl Stumpf, Kurt Koffka, Karl Bühler, Ewald Hering, David Katz, Adhemar Gelb, and others). Finally, the author analyzes two of the most representative positions after Husserl’s legacy: that of Merleau-Ponty and Hermann Schmitz. The author also includes an appendix that explains the theories of Aristotle and Goethe.En el presente artículo, el autor desarrolla ampliamente lo que él mismo denomina «concepciones fenomenológicas del color», elaboradas durante las primeras décadas del siglo xx. Traza las coordenadas generales de las teorías del color y los problemas filosóficos que plantean autores muy cercanos a Husserl (Schapp y Reinach) y posteriormente hace una detallada revisión de algunos representantes de corrientes psicológicas afines a la fenomenología (Carl Stumpf, Kurt Koffka, Karl Bühler, Ewald Hering, David Katz, Adhemar Gelb y otros). Finalmente, analiza dos de las posturas más representativas de la fenomenología post-husserliana: la de Merleau-Ponty y la de Hermann Schmitz. Además, incluye un apéndice en el que explica las teorías de Aristóteles y Goethe como dos posturas ya fenomenológicas
Collapse and Reconstitution: Autonomy and the Avant-Garde
No full textA critical discussion of the historical avant-garde, De Stijl and the work of Theo van Doesburg and its reception and re-interpretations through the years. For the occasion of an art installation at the Centraal Museum in Utrecht by the artist Antonis Pittas.Green Open Access added to TU Delft Institutional Repository 'You share, we take care!' - Taverne project https://www.openaccess.nl/en/you-share-we-take-care Otherwise as indicated in the copyright section: the publisher is the copyright holder of this work and the author uses the Dutch legislation to make this work public.Space & Typ
Investigating New Approaches Of Visual Storytelling Through The Deconstruction Of Story
No full textStories are a unique human creation that fosters emotional connections and have been developed and refined by writers and storytellers throughout history. This thesis aims to explore the creation of new systems for visual storytelling by deconstructing existing works of literature and interpreting them through a series of graphic design methodologies adopted from a variety of visual media like film, comics, and design. This is achieved through a “Research Through Design” process, an iterative practice of deconstructing narratives and literary research, followed by the development of visual language and deliberations. This thesis conceives of three new systems for adapting written stories into visual forms: “The Unrecognizable Patterns of Overhearing,” “Documentation of the World of Story,” and “Parallels, Perspectives, and Subjective Views.” These systems are applied to design and produce new visualizations that represent abstract ideas found in literary narratives
Design for Plants: Posthumanist Approach to Speculative Design for Plants
No full textPlants have been viewed through an anthropocentric lens by humans resulting in the undermining of plant intelligence. More specifically, this happens due to the belief that the only correct way of expressing cognition is defined by the human experience. This thesis examines how posthumanism can be applied to Speculative Design strategies to reshape how humans interact with plants. The thesis project is split into two explorations providing viewers with alternative possibilities for how humans can rekindle their relationship with plants and the natural world. The first exploration speculates about how in the future humans might use wearable technology to communicate and build relationships with plants through meaningful interactions. The second exploration uses drawings to depict an idealized future for plants once stronger relationships between humans and plants are established. The goal of my thesis is to see how design can encourage a change in attitude toward plants
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