1,721,178 research outputs found
David Coleman, Professor 2
No full textLt. Col. David Coleman was a Professor of Military Science and Tactics at Jacksonville State College beginning in September 1957. (circa 1958)https://digitalcommons.jsu.edu/lib-ac-histimg/9045/thumbnail.jp
David Coleman, Professor 1
No full textLt. Col. David Coleman was a Professor of Military Science and Tactics at Jacksonville State College beginning in September 1957. (circa 1958)https://digitalcommons.jsu.edu/lib-ac-histimg/9044/thumbnail.jp
Lieutenant Colonel David Coleman pinning ROTC Cadre Nathan Thompson
No full textROTC Cadre Lieutenant Colonel David Coleman is shown pinning Staff Sergeant Nathan Thompson during a ceremony held at Jacksonville State College (now Jacksonville State University). Thompson\u27s wife and child stand watching. (circa 1960)https://digitalcommons.jsu.edu/lib-ac-histimg/28652/thumbnail.jp
Lieutenant Colonel David Coleman, President Houston Cole, and Guest 2
No full textLieutenant Colonel David Coleman, Professor of Military Science at Jacksonville State College (now Jacksonville State University), stands left, as President Houston Cole stands right inside a Bibb Graves Hall office. Standing middle is an unidentified male. (circa 1960)https://digitalcommons.jsu.edu/lib-ac-histimg/4968/thumbnail.jp
Philipp W. Jones / David Coleman: The United Nations and Education. Multilateralism. Development and Globalisation. London: Routledge 2005 (288 S.) [Rezension]
Full text linkRezension von: Philipp W. Jones / David Coleman: The United Nations and Education. Multilateralism. Development and Globalisation. London: Routledge 2005 (288 S.; ISBN 0-415-33630-9; 117,50 EUR)
Does Britain Need More Immigrants? A Debate
No full textIn this debate, Nigel Harris and David Coleman discuss the pros and cons of migration. Taking the case of Britain, they address issues such as the desirability or otherwise of migration controls, gains and losses from migration, the ‘optimum’ size and composition of the country’s workforce, and the demographic, social and political consequences of migration.
Cadet Col. Jimmy Pike, Governor John Patterson, President Houston Cole, and Lt. Col. David Coleman Review Troops, 1961 Governor’s Day
No full textGovernor John Patterson visited Jacksonville State College (now Jacksonville State University) for Governor\u27s Day events held April 21, 1961. Dignitaries stand on a decorated platform. Shown are Cadet Col. Jimmy Pike, Governor John Patterson, President Houston Cole, and Lt. Col. David Coleman during review of the ROTC troops.https://digitalcommons.jsu.edu/lib-ac-histimg/47139/thumbnail.jp
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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