1,721,090 research outputs found

    David Wiley [Entrevista]

    No full text
    Entrevista a David Wiley realizada y traducida por Mª Paz Prendes Espinosa, Directora de RIIT

    David Wiley Mullins

    No full text
    Posed, head and shoulders.David Wiley Mullins (August 11, 1906-September 22, 1987) entered the University of Arkansas, Fayetteville in 1927 and graduated in 1931. He also earned degrees from several other universities. He served in the U.S. Navy during World War II. He became President of the University of Arkansas and served from 1960-1974. Mullins Library, built in 1968, the main library on campus, is named in his honor. In 1983, the University of Arkansas awarded him an honorary Doctor of Law degree. (University of Arkansas Office of the Chancellor web site and Encyclopedia of Arkansas

    David Wiley Mullins

    No full text
    Portrait, head and shoulders. On verso: [photo. Stamp]. [engr. Instr.] Dr. D.W. Mullins.David Wiley Mullins (August 11, 1906-September 22, 1987) entered the University of Arkansas, Fayetteville in 1927 and graduated in 1931. He also earned degrees from several other universities. He served in the U.S. Navy during World War II. He became President of the University of Arkansas and served from 1960-1974. Mullins Library, built in 1968, the main library on campus, is named in his honor. In 1983, the University of Arkansas awarded him an honorary Doctor of Law degree. (University of Arkansas Office of the Chancellor web site and Encyclopedia of Arkansas

    David Wiley Mullins

    No full text
    Mullins speaking at luncheon. Whaley and Bowen seated at left. On verso: Whaley, Storm (left l). Bowen, William H. (left 2). [engr. Instr.] Dr. Mullins - 21 Sep. '68 - End. Chair luncheon.David Wiley Mullins (August 11, 1906-September 22, 1987) entered the University of Arkansas, Fayetteville in 1927 and graduated in 1931. He also earned degrees from several other universities. He served in the U.S. Navy during World War II. He became President of the University of Arkansas and served from 1960-1974. Mullins Library, built in 1968, the main library on campus, is named in his honor. In 1983, the University of Arkansas awarded him an honorary Doctor of Law degree. (University of Arkansas Office of the Chancellor web site and Encyclopedia of Arkansas

    David Wiley Mullins

    No full text
    Mullins seated in armchair, behind table and in front of fire place.David Wiley Mullins (August 11, 1906-September 22, 1987) entered the University of Arkansas, Fayetteville in 1927 and graduated in 1931. He also earned degrees from several other universities. He served in the U.S. Navy during World War II. He became President of the University of Arkansas and served from 1960-1974. Mullins Library, built in 1968, the main library on campus, is named in his honor. In 1983, the University of Arkansas awarded him an honorary Doctor of Law degree. (University of Arkansas Office of the Chancellor web site and Encyclopedia of Arkansas

    David Wiley Mullins

    No full text
    Mullins seated with arm resting on table.David Wiley Mullins (August 11, 1906-September 22, 1987) entered the University of Arkansas, Fayetteville in 1927 and graduated in 1931. He also earned degrees from several other universities. He served in the U.S. Navy during World War II. He became President of the University of Arkansas and served from 1960-1974. Mullins Library, built in 1968, the main library on campus, is named in his honor. In 1983, the University of Arkansas awarded him an honorary Doctor of Law degree. (University of Arkansas Office of the Chancellor web site and Encyclopedia of Arkansas

    Introduction by David Wiley to Part 2 of Littlejohn, A. (2003) Reusing Online Resources: Design Perspectives

    No full text
    Abstract: The chapters in this part of the book explore a number of ways of wrapping educational contexts around existing online resources, allowing them to be reused exactly as they are -- without necessitating editing or other alteration a priori. Notes: Reprinted with permission from: 'Reusing Online Resources: A Sustainable Approach to eLearning', (Ed.) Allison Littlejohn. Kogan Page, London. ISBN 0749439491. Editor: Allison Littlejohn

    Going Beyond Counting First Authors in Author Co-citation Analysis

    Full text link
    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

    Full text link
    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
    corecore