2,386 research outputs found
G. Prouvost, Thomas d'Aquin et les thomismes. Essai sur l'histoire des thomismes (coll. Cogitatio Fidei, 195). 1996
Dasseleer Pascal. G. Prouvost, Thomas d'Aquin et les thomismes. Essai sur l'histoire des thomismes (coll. Cogitatio Fidei, 195). 1996. In: Revue théologique de Louvain, 29ᵉ année, fasc. 2, 1998. pp. 229-231
A. Patfoort, La Somme de saint Thomas et la logique du dessein de Dieu, 1998
Dasseleer Pascal. A. Patfoort, La Somme de saint Thomas et la logique du dessein de Dieu, 1998. In: Revue théologique de Louvain, 30ᵉ année, fasc. 3, 1999. pp. 402-403
Thomas d'Aquin, De la Vérité, Question 2, La science en Dieu. Introduction, traduction et commentaire de Serge-Thomas Bonino, o.p. (coll. Vestigia, 17. Pensée antique et médiévale). 1996
Dasseleer Pascal. Thomas d'Aquin, De la Vérité, Question 2, La science en Dieu. Introduction, traduction et commentaire de Serge-Thomas Bonino, o.p. (coll. Vestigia, 17. Pensée antique et médiévale). 1996. In: Revue théologique de Louvain, 29ᵉ année, fasc. 3, 1998. pp. 361-364
Thomas d'Aquin & Dietrich de Freiberg, L'être et l'essence. Le vocabulaire médiéval de l'ontologie, traduction française et commentaires par Alain de Libéra et Cyrille Michon, bilingue latin-français (coll. Points Essais, 339). 1996
Dasseleer Pascal. Thomas d'Aquin & Dietrich de Freiberg, L'être et l'essence. Le vocabulaire médiéval de l'ontologie, traduction française et commentaires par Alain de Libéra et Cyrille Michon, bilingue latin-français (coll. Points Essais, 339). 1996. In: Revue théologique de Louvain, 29ᵉ année, fasc. 4, 1998. pp. 525-527
Gilbert Narcisse, Les raisons de Dieu. Argument de convenance et esthétique théologique selon saint Thomas d'Aquin et Hans Urs von Balthasar. Préface de Jean-Pierre Torrell
Dasseleer Pascal. Gilbert Narcisse, Les raisons de Dieu. Argument de convenance et esthétique théologique selon saint Thomas d'Aquin et Hans Urs von Balthasar. Préface de Jean-Pierre Torrell. In: Revue Philosophique de Louvain. Quatrième série, tome 96, n°3, 1998. pp. 526-527
Samuel Beckett and the Writers of Port-Royal
It has been observed that ‘the literary influences on Beckett have been far more important than has been acknowledged, and more important indeed, than the philosophical influences’ (Smith 2002: 3). The truth of this statement is evidenced by the description that scholars have given of Samuel Beckett’s relationship to seventeenth century French classicism. To date, critical interest has been limited for the most part to the figure of the philosopher René Descartes on the (fragile) grounds that Beckett was exclusively concerned with the Cartesian imperative of clarity and order, the fundamental dualism between body and mind, and Nominalism.
Together with the assumption that Beckett’s vision was essentially Cartesian, his literary filiation with Pascal was suggested by critics, but only in terms of Beckett’s formal approach to the theatre. In his short article on En attendant Godot in 1953, the playwright Jean Anouilh was among the first reviewers to suggest that Beckett’s drama synthesizes the encounter between ‘classicism’ and a ‘modern’ form of art. It is well known that Beckett retained a lifelong admiration for Pascal – indeed, Pascal was one of his ‘old chestnuts’ (Knowlson 1997: 653). Little attention has been paid, however, to the originality of Pascal’s thought, the specific nature of his prose, and the impact these might have had upon Beckett’s mature work, especially the trilogy and the subsequent short prose. Yet, in the literary and philosophical context of post-war France, Beckett’s filiation with Pascal, their corresponding preoccupations, were evident to his contemporaries, who identified Pascal as an underlying presence in his works
Esthétique «thomiste» ou esthétique «thomasienne»?
St. Thomas has left us no treatise on beauty. His aesthetics, if they exist, are implicit. As a result, the commentator who aims to set out the thought of St.Thomas on beauty can only present a hypothetical reconstruction. Setting out the esthetics of St. Thomas amounts therefore for the commentator to taking part, whether he wishes to or not, in the tradition that claims to a greater or lesser extent to be that of Aquinas, namely the «Thomist» tradition. From the strictly historical point of view it is illusory to wish to grasp the aesthetics of Thomas himself. This article puts forward a possible reconstruction of the aesthetics of St. Thomas. It sets out firstly the objective ontological conditions attributed by Thomas to the beautiful: proportion, perfection and clarity. The question of the transcendality of beauty is then treated. Finally, the problem of its subjective apprehension is approached. (Transi, by J. Dudley).Saint Thomas n'a laissé aucun traité sur le beau. S'il existe chez lui une esthétique, celle-ci n'est qu'implicite. Il s'ensuit que le commentateur qui ambitionne d'exposer la pensée de saint Thomas sur le beau ne peut en présenter qu'une reconstruction hypothétique. Exposer l'esthétique de Thomas revient donc pour le commentateur à prendre part, qu'il le veuille ou non, à la tradition qui se réclame à plus ou moins juste titre de l'Aquinate: la tradition «thomiste». Vouloir saisir l'esthétique «thomasienne», d'un strict point de vue historique, relève de l'illusion. Le présent article propose une reconstruction possible de l'esthétique de saint Thomas. Il expose d'abord les conditions ontologiques objectives que Thomas attribue au beau : la proportion, la perfection et la clarté. Il traite ensuite la question de sa transcendantalité. Finalement, il s'intéresse au problème de son appréhension subjective.Dasseleer Pascal. Esthétique «thomiste» ou esthétique «thomasienne»?. In: Revue Philosophique de Louvain. Quatrième série, tome 97, n°2, 1999. pp. 312-335
Sabil and Wikala of Dhul Fiqar Oda Bashi
interior, courtyard, "Vue de l'Okel Zoulfiqar," color plate XLIV of Pascal Coste's "Architecture arabe; ou, Monuments du Kaire, mesurés et dessinés, de 1818 à 1826", 1818-182
First person - Aude Pascal
International audienceFirst Person is a series of interviews with the first authors of a selection of papers published in Journal of Cell Science, helping early-career researchers promote themselves alongside their papers. Aude Pascal is first author on `Annexin A2 and Ahnak control cortical NuMA-dynein localization and mitotic spindle orientation', published in JCS. Aude is a research assistant in the lab of Re ' gis Giet at University of Rennes, France, who is particularly interested in developmental biology. She has always been struck by the fact that a whole organism displaying multiple functions arises from a single cell. For this reason, she has oriented her research on mitosis and meiosis to study the different steps, components and structures involved in these processes
Pascal Tutorial, 1987
There exists a limited number of tutorials for the Pascal programming language using the Apple Computer. The demand for these tutorials exceeds the supply. In this thesis an attempt was made to rectify this shortage by designing a Pascal tutorial for the Apple computer. This Pascal tutorial is designed to assist with instructing an introductory computer programming course in Pascal, incorporating Apple Superpilot as the authoring language. Emphasis is placed on making the program "user friendly." A person with no previous programming experience should be able to easily execute this tutorial. The information presented as the subject matter of the tutorial will follow the guidelines recommended by the Association for Computing Machinery
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