29 research outputs found
Lawrie_Open_Practices_Disclosure_rev – Supplemental material for Cultural Variability in the Association Between Age and Well-Being: The Role of Uncertainty Avoidance
No full textSupplemental material, Lawrie_Open_Practices_Disclosure_rev for Cultural Variability in the Association Between Age and Well-Being: The Role of Uncertainty Avoidance by Smaranda Ioana Lawrie, Kimin Eom, Daniela Moza, Alin Gavreliuc and Heejung S. Kim in Psychological Science</p
Lawrie_Supplemental_Material_rev – Supplemental material for Cultural Variability in the Association Between Age and Well-Being: The Role of Uncertainty Avoidance
No full textSupplemental material, Lawrie_Supplemental_Material_rev for Cultural Variability in the Association Between Age and Well-Being: The Role of Uncertainty Avoidance by Smaranda Ioana Lawrie, Kimin Eom, Daniela Moza, Alin Gavreliuc and Heejung S. Kim in Psychological Science</p
Environmental considerations in the organizational context: A pathway to pro-environmental behaviour at work
No full textEncouraging pro-environmental behaviour at work can result in a significant reduction in environmental problems. Research revealed that general environmental considerations such as biospheric values and environmental self-identity are important antecedents of private pro-environmental behaviour. Yet, the question remains whether such general environmental considerations also predict pro-environmental behaviour at work. We propose a parsimonious theoretical model (the VIP-model) in which biospheric values affect personal norms to behave pro-environmentally at work and pro-environmental actions via the environmental self-identity. A study involving a diverse sample of employees from different European organizations supported the VIP-model, showing that biospheric values and environmental self-identity influence personal norms, and that stronger personal norms encouraged various self-reported pro-environmental behaviours at work to some extent. The VIP-model yields promising, cost-efficient strategies to encourage pro-environmental behaviour at work
La Danza de la moza donosa de Alberto Ginastera: un análisis para alumnado de nivel superior
No full textThe present work intends to offer tools to higher level students about certain analytical parameters, the form, fundamentally, that affect two fundamental stylistic molds, forged, over time, in the genre of instrumental music, the tripartite form, coming, in turn, from the binary, and the cyclic form. Once these models were exhausted, after the long classical-romantic period, composers began to mix these structures with other methods of organization, such as the golden section, especially in the first half of the 20th century, where a great neoclassical current took place. In this way, the Danza de la moza donosa, belonging to the suite of Danzas argentinas Op. 2, by Alberto Ginastera, is presented as a paradigmatic example of the fusion between the outlined molds –tripartite, cyclical and golden form–, in the author knew how to combine the traditional forms of European academic music with Argentine folklore, in short, two of the preeminent characteristics of neoclassical music, the recovery of elements from the past and the inclusion of popular music, whose study can help the students to the understanding of the musical work through the form.El presente trabajo pretende ofrecer herramientas al alumnado de nivel superior acerca de determina- dos parámetros analíticos, la forma, fundamentalmente, que inciden en dos moldes estilísticos fundamentales, forjados, a lo largo del tiempo, en el género de la música instrumental, la forma tripartita, procedente, a su vez, de la binaria, y la forma cíclica. Una vez agotados estos modelos, tras el largo período clásico-romántico, los compositores comenzaron a mezclar estas estructuras con otros métodos de organización, como la sección áurea, sobre todo, en la primera mitad del siglo XX, donde tuvo lugar una gran corriente neoclásica. De este modo, la Danza de la moza donosa, perteneciente a la suite de las Danzas argentinas Op. 2, de Alberto Ginastera, se presenta como un ejemplo paradigmá- tico de la fusión entre los moldes reseñados –forma tripartita, cíclica y áurea–, en el que autor supo aúnar las formas tradicionales de la música académica europea junto al folclore argentino, en suma, dos de las características preeminentes de la música neoclásica, la recuperación de elementos del pasado y la inclusión de la música popular, cuyo estudio puede ayudar al alumnado a la comprensión de la obra musical a través de la forma
The Dance de la moza donosa of Alberto Ginastera: an analysis of higher level students
No full textdos parámetros analíticos, la forma, fundamentalmente, que inciden en dos moldes estilísticos funda-mentales, forjados, a lo largo del tiempo, en el género de la música instrumental, la forma tripartita, procedente, a su vez, de la binaria, y la forma cíclica. Una vez agotados estos modelos, tras el largo período clásico-romántico, los compositores comenzaron a mezclar estas estructuras con otros méto-dos de organización, como la sección áurea, sobre todo, en la primera mitad del siglo XX, donde tuvo lugar una gran corriente neoclásica. De este modo, la Danza de la moza donosa, perteneciente a la suite de las Danzas argentinasOp. 2, de Alberto Ginastera, se presenta como un ejemplo paradigmá-tico de la fusión entre los moldes reseñados –forma tripartita, cíclica y áurea–, en el que autor supo aúnar las formas tradicionales de la música académica europea junto al folclore argentino, en suma, dos de las características preeminentes de la música neoclásica, la recuperación de elementos del pasado y la inclusión de la música popular, cuyo estudio puede ayudar al alumnado a la comprensión de la obra musical a través de la forma.The present work intends to offer tools to higher level students about certain analytical parameters, the form, fundamentally, that affect two fundamental stylistic molds, forged, over time, in the genre of ins-trumental music, the tripartite form, coming, in turn, from the binary, and the cyclic form. Once these models were exhausted, after the long classical-romantic period, composers began to mix these struc-tures with other methods of organization, such as the golden section, especially in the first half of the 20th century, where a great neoclassical current took place. In this way, the Danza de la moza donosa, belonging to the suite of Danzas argentinas Op. 2, by Alberto Ginastera, is presented as a paradig-matic example of the fusion between the outlined molds –tripartite, cyclical and golden form–, in the author knew how to combine the traditional forms of European academic music with Argentine folklore, in short, two of the preeminent characteristics of neoclassical music, the recovery of elements from the past and the inclusion of popular music, whose study can help the students to the understanding of the musical work through the form
Increased self-esteem leads to higher consistency and self-expression
No full textPrevious evidence from a three-wave cross-lagged study showed that self-esteem precedes an increase in two self-construal dimensions, namely consistency and self-expression. The present research aims to test the causality of these relationships using an experimental design
Increased self-esteem leads to higher consistency and self-expression
No full textPrevious evidence from a three-wave cross-lagged study showed that self-esteem precedes an increase in two self-construal dimensions, namely consistency and self-expression. The present research aims to test the causality of these relationships using an experimental design
Feminino para além do fálico: elementos para uma teorização sobre o feminino e a sexualidade
No full textExpomos as ideias freudianas sobre a feminilidade, passando pelos principais estudos de sua obra sobre o assunto, abordando algumas ideias deste autor sobre a sexualidade feminina e, a seguir, uma releitura lacaniana sobre o mesmo tema. Consideramos oportunos estes esclarecimentos, bem como nosso olhar evolutivo/histórico sobre a obra freudiana. A intenção é percorrer o caminho, de Freud a Lacan, em direção à posição feminina, com vistas a uma reflexão sobre a clínica do sujeito feminino no que concerne às suas dificuldades específicas e ao final de análise.We expound the Freudian ideas on the femininity, covering through the main studies of his workmanship on the subject, poring over some ideas of this author on feminine sexuality and following a Lacanian comprehension about this same subject. Taking as opportune these clarifications, as well as our historical and evolutive look on the Freudian workmanship. The intention is to go through the way, since Freud till Lacan, towards the feminine position, in the purpose of a reflection about the clinics of feminine subject, in it’s specific difficulties and the end of analysis
Special issue title: Optimization and mathematical modeling in energy systems
No full textOptimization and mathematical modeling has been successfully used in a variety of applications in the field of Energy Systems. In this Special Volume on optimization and mathematical modeling in energy systems, a variety of research results in different disciplines are included. The electrical energy storage, the resource efficiency of a base camps, the forecasting of energy exports, the wind energy, the optimal management and scheduling of micro grids optimal, the electricity expansion investment problem, the seismic response of a slope earth with embedded pipeline, and the battery deployment strategy, are investigated. © 2021, The Author(s), under exclusive licence to Springer-Verlag GmbH Germany, part of Springer Nature
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Golondrino y Calandria: an inedited Entremes of the 16th Century
No full textThe following entremés—till now unpublished—is listed as No.1127 in Paz y Melia's “Catâlogo de Piezas de Teatro' Manuscritas” in the Biblioteca Nacional of Madrid, under the title of “Entremés entre un muchacho llamado Golondrino y dos amigos suyos llamados Garnica y Zaballos, y de Doña Calandria, amiga del Golondrino, y de Vicente, aragonés, rufian, y de Angela, zamorana, amiga del rufian.” The manuscript is of three leaves quarto. The writing is that of the end of the sixteenth century, presenting certain peculiarities of letter formation common to the much more important "Entremés de un viejo que es casado con una mujer moza," No. 1125, which bears the signatura of Cristóbal Chaves, possibly the author of La Carcel de Sevilla, and another commonly given to Cervantes
