188 research outputs found
A comparison of early and late works of Akutagawa Ryunosuke
A thesis comparing works from early and late period of activity of Akutagawa Ryunosuke. Representative work of early period is Jigokuhen (Hell Screen) and the representative of late works is Haguruma (Spinning Gears). Intention of this thesis is to follow and analyse the change from early works, where the author dosen't use autobiographical components, to late works purely autobiographical. To achieve goals I use biographical books about the autor and other literary works including chapters connected to Akutagawa's activities. A thesis also studies the lot of being an artist in Akutagawa's work and how his works were influenced by western authors
A comparison of early and late works of Akutagawa Ryunosuke
A thesis comparing works from early and late period of activity of Akutagawa Ryunosuke. Representative work of early period is Jigokuhen (Hell Screen) and the representative of late works is Haguruma (Spinning Gears). Intention of this thesis is to follow and analyse the change from early works, where the author dosen't use autobiographical components, to late works purely autobiographical. To achieve goals I use biographical books about the autor and other literary works including chapters connected to Akutagawa's activities. A thesis also studies the lot of being an artist in Akutagawa's work and how his works were influenced by western authors
Studi Stilistika Gaya Bahasa dalam Cerita Pendek Rashomon Karya Akutagawa Ryunosuke
This paper discusses the style of language in Rashomon by Akutagawa Ryunosuke. The purpose of this study was to determine the language style in Rashomon. This is a qualitative project using a stylistic theory of language style. This research uses Rashomon's data source, Akutagawa Ryunosuke's short stories and analyzed by Keraf theory. The conclusion of this study is that the author uses a variety of language styles but is dominated by the comparative language style of humans and animals. a comparative language style is used to reinforce the author's ideas and have a dramatic effect on the reader
MAKNA GRAMATIKAL KEREDOMO, DEMO, SHIKASHI DALAM CERITA PENDEK SHIRO KARYAAKUTAGAWA RYUNOSUKE
This examined about the Grammatical meaning of setsuzokushi keredomo, demo and shikashi in a short story titled“Shiro†by Akutagawa Ryunosuke. The purpose of this researchis to examine the functions of setsuzokushi keredomo, demo and shikashi in ashort story titled“Shiroâ€. The author used descriptive analysis method in qualitative paradigm. The author’s ability to assert this research in terms based on existed data and analyze based on reasons was the priority in the process of writing this research. The result of this research showed the functional variety of gyakusetsu setsuzokushi keredomo, demo and shikashi, but both of setsuzokushi keredomo, demo and shikashi have the same meaning which is use to express opposite things.Keywords: Grammatical meaning,keredomo, demo, shikashi,gyakusetsu setsuzokush
Higher occupancy humanism : the trade-offs for encouraging middle income housing in a global city
Thesis (M.Arch.)--Massachusetts Institute of Technology, Dept. of Architecture; and, (S.M.)--Massachusetts Institute of Technology, Dept. of Urban Studies and Planning, 2003.Includes bibliographical references (leaf 46).This electronic version was submitted by the student author. The certified thesis is available in the Institute Archives and Special Collections.In high density urban areas where the land acquisition and construction cost components are significant relative to total development costs, the market typically supplies a high-income housing product in order to justify the risks for new construction. In places such as New York, Tokyo, London and other land supply restricted cities, the effect of these rising costs has forced the unsubsidized middle-class to migrate further and further from the center of the city where most of the infrastructural area amenities and jobs are located. This causes extended commuting times that result in the exacerbation of pollution and wasted allocation of resources. In effect, the overall function of the city grows more inefficient. All the while, the demographic texture of the central city becomes a polarized gathering of the wealthy elite and the service oriented subsidized poor. The lack of income diversity results in a spatial built form that also mimics this polarized condition. In these circumstances, might there be a strategy for encouraging a housing prototype that specifically targets the broad middle class market in order for cities to maintain diverse communities, a tapestry of spatial form, and a more efficient competitive city. The hypothesis is that if housing occupancy levels can be doubled from what is currently allowed within spaces that are tighter than typical American standards, then middle-income affordability can be achieved without diminishing design quality. This thesis investigates what flexible spatial possibilities there may be for middle-income housing based on a series of design priorities that are underpinned with an approach that advocates for a more intense occupancy use per unit of housing. Due to the augmented use intensity, flexibly designed elements are built within the spatial form of each unit. Each design variation is subsequently tested against a private sector based feedback mechanism that measures the affordability range that the design can offer. This iterative tool reveals what income groups can be supplied due to the design changes put forth by the varying design priorities. It is the hope that this tool will enable architects, developers, and the capital markets to understand the trade-offs made from both a spatial form perspective as well as a market perspective in order to ultimately enhance the condition of the built environment.by Ryunosuke Konishi.S.M.M.Arch
Agutagawa
Medium: Woodcut.Print Image Size: 14 x 11 inches.Print Edition: no edition.Alternate Medium: Woodcut.Ink(s): black.Support: laid mulberry paper.A bust-length portrait of Ryunosuke Akutagawa - whose works include the short stories In a Grove and Rashoman - holding a book and writing brush. An alternate portrait of the author [CMA 2001.034.033] was completed the same year
Author Correction: Implications of TP53 allelic state for genome stability, clinical presentation and outcomes in myelodysplastic syndromes
チュウゴク ニ オケル シナ ユウキ ノ ホンヤク
In China, the novels of Ryunosuke Akutagawa attracted great attention at a very early time. It might start from the early translation of the "Nose", "Rashomon Gate" by Lu Xun - Zhou Shuren and his brothers. In the beginning of the 1980s, the upsurge of literary translation of Sichuan was boomed. At that time, Akutagawa Ryunosuke can be said the most popular Japanese literary writers in China, who had the most translated works. However, the "Chinese Travel", which described in 1921, over 100-day travel experiences and notes in China, was rarely translated. After the first translation by Xia Mianzun in 1922, this work that shows Akutagawa's ability as a journalist has been forgotten for more than 80 years. Until 2005, the complete works of Ryunosuke were published, which made the Chinese Travels be translated and published again. In this paper, the author analyzed the translation backgrounds and features of three versions of the "Chinese Travel" (i.e., the translation of Xia Mianzun in 1922, the translation of Chen Baosheng and Zhang Qingping in 2005 and the translation of Qin Gang in 2007), and attempted to find out the differences among the three translations. The situations of Akutagawa's literary works being translated at different periods could represent the acceptance levels of Japanese literature at different periods in China, while research on the translation of Japanese literary works is of great significance on the study of culture and literature between Chinese and Japanese
Author Correction: Implications of TP53 allelic state for genome stability, clinical presentation and outcomes in myelodysplastic syndromes
An Essay on Akutagawa Ryunosuke\u27s \u22SEIHO NO HITO\u22
SEIHO NO HITO written as Akutagawa\u27s reexamination of the New Testament life of Jesus indicates the author\u27s view of Jesus himself and of Christianity in general. In this short essay, I treat the first chapter of \u22SEIHO NO HITO\u22 written as a preface under the title of \u22Ecce Homo\u22 and I explain Akutagawa\u27s interest for the Japanese Christianity. I conclude that the motif of \u22SEIHO NO HITO\u22 was the rewriting of Jesus as a man, not as God, showing Akutagawa\u27s distance from God and his sympathy for a human Jesus
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