1,720,955 research outputs found
“SE FOSSE POSSÍVEL, EU GOSTARIA DE CONTAR UMA HISTÓRIA”: O TEOR TESTEMUNHAL NA LITERATURA CONTEMPORÂNEA PÓS-DITATORIAL
Diante da série de catástrofes da “era dos extremos”, no século XX, as artes e a literatura, especificamente, junto de outras formas de representação do passado tiveram de repensar a sua própria relação com a linguagem. Na balança entre a necessidade e a impossibilidade do contar, a literatura encontrou no testemunho o seu principal representante. No contexto brasileiro, pós-ditadura civil-militar, a tentativa de “narrar o inenarrável”, ou seja, de apresentar outra forma de elaboração para que a experiência traumática possa, ainda que sob o signo da impossibilidade, ser contada e dividida, permanece até os dias atuais, com a literatura brasileira contemporânea. Esta proposta centra-se em uma leitura comparativa das obras K. – relato de uma busca (2011) e Os visitantes (2016) de Bernardo Kucinski, e Não falei (2004), de Beatriz Bracher, tendo em vista o seu teor testemunhal
“O mal de Alzheimer nacional”: (in)justiça, história e literatura
Fifty years after the Brazilian military coup, the arts are still trying to represent this period. One of the greatest examples of contemporary Brazilian literature, which this article intends to talk about, is K. (2011), of Bernardo Kucinski, which narrates the search of a father for her daughter, A., missed politician in the period of civil-military dictatorship, and to whom he tries to give some justice through the narrative. The reading of the book will contrast different areas of knowledge, such as History, Psychoanalysis, Politic and Law, especially with the Shoshana Felman’s book The juridical unconscious (2002). According to Felman, the perspective is that the trials and the law usually reproduce and repeat political and social traumas, through his juridical unconscious (using Freud’s concepts), and they are marked by the impossibility of listening. Otherwise, the literature would be the space in which the violence hypocrisy would be put in evidence, giving pace to those that usually do not have it in the legal environment.Cinquenta anos depois do golpe militar brasileiro, as artes ainda procuram refletir e representar o período. Um dos grandes exemplos da literatura brasileira contemporânea, e sobre o qual este texto pretende versar, é o livro K. (2011), de Bernardo Kucinski. A trama centra-se na busca de um pai, K., por sua filha, A., desaparecida política no período do regime militar, e para a qual exige justiça, através da construção de uma narrativa. A leitura da obra proposta buscará contrastar diferentes áreas do conhecimento, como História, Psicanálise, Política e Direito, em especial com o texto de Shoshana Felman, O inconsciente jurídico (2002). A perspectiva levantada pela autora é a de que os julgamentos e a lei, de maneira geral, reproduzem e repetem os traumas sociais e políticos, a partir do seu inconsciente jurídico (dotada dos conceitos de trauma e de inconsciente de Freud). Os julgamentos históricos são marcados pela sua impossibilidade de escuta da voz do testemunho, enquanto a literatura seria o espaço no qual a hipocrisia da violência é colocada à prova, garantindo a escuta daqueles que não tem voz garantida no ambiente jurídico
O TEMPO DA TRANSMISSÃO EM A CHAVE DE CASA, DE TATIANA SALEM LEVY E A RESISTÊNCIA, DE JULIÁN FUKS: PÓS-MEMÓRIA, SEGUNDA GERAÇÃO E HERANÇA
More than fifty years after the coups d'état in Latin America, there is a "generational turn", in Leonor Arfuch's terms, in contemporary production. Through a "second generation" writing, authors born after the historical period, heirs of the traumas of other(s), reopen the historical and familiar past in literature. This is the case in the novels by Tatiana Salem Levy, A chave de casa, and Julián Fuks, A resistência, in which authors who are sons and daughters of those persecuted during the military regimes take the word about this past. This article will seek to discuss how literature deals with this temporal displacement, observing especially how the trauma of dictatorial violence continues to produce subjective and social effects in the following generations and how it manifests itself literarily. It will also look at trauma theory and the transmission of traumatic events to subsequent generations.Passados mais de cinquenta anos dos golpes de Estado na América Latina, há um “giro geracional”, nos termos de Leonor Arfuch, na produção contemporânea. Com uma escrita de “segunda geração”, autores e autoras nascidos depois do período histórico, herdeiros dos traumas de outro(s), reabrem o passado histórico e familiar na literatura. Esse é o caso dos romances de Tatiana Salem Levy, A chave de casa, e de Julián Fuks, A resistência, em que autores filhos e filhas de perseguidos durante os períodos militares tomam de assalto a palavra sobre esse passado. Este artigo buscará debater como a literatura lida com esse deslocamento temporal observando, especialmente, como o trauma da violência ditatorial segue produzindo efeitos subjetivos e sociais nas gerações seguintes e de que forma se manifesta literariamente. Também se debruçará sobre a teoria do trauma e as transmissões dos eventos traumáticos às gerações seguintes
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
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