1,721,843 research outputs found
Dodela nagrade "Dušan Bandić" za 2007. godinu Dragani Antonijević
No full textNagrada je dodeljena dr Dragani Antonijević, docentu na Filozofskom fakultetu Univerziteta u Beogradu za knjigu "Karađorđe i Miloš: Mit i politika", Beograd 2007, Srpski genealoški centar - Odeljenje za etnologiju i antropologiju Filozofskog fakulteta, Etnološka biblioteka knj. 3
Amalia Dragani, « Postface », dans Fabula-LhT, n° 21, « Anthropologie et Poésie », dir. Nicolas Adell, Vincent Debaene et Amalia Dragani, May 2018,
No full textInternational audienc
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Campesinado pobre y conflictos socio-económicos en la Rusia stalinista. Colectivización de la tierra y transformaciones en el sector rural más vulnerable
No full textFil: Dragani, Alan. Universidad Nacional de Luján. Departamento de Ciencias Sociales; Argentina.En el contexto histórico de la Rusia stalinista, este trabajo se propone realizar una primera aproximación al estudio y análisis del sector rural más vulnerable, es decir, el campesinado pobre. Como sujeto histórico colectivo ha sido invisibilizado, y se busca revalorizar su papel en tres aspectos a considerar: primero, en lo que se refiere a su importancia en el proyecto colectivizador stalinista, que por cierto fue llevado a cabo mediante métodos compulsivos y violentos; segundo, a los trastornos y transformaciones que dicho sujeto histórico ha padecido en el proceso de colectivización forzosa; y finalmente, las resistencias manifestadas desde este sector rural hacia el propio Estado soviético
Convocazione impropria e formazione del consenso nella società per azioni
No full textL'articolo esamina le conseguenze della convocazione “impropria”, intesa quale nozione atta a comprendere ogni ipotesi in cui il procedimento di indizione dell’adunanza assembleare e di comunicazione del relativo avviso si discosti dalle previsioni legali o statutarie.La riflessione svolta induce a rimeditare il ruolo della convocazione e dell’incidenza che i relativi vizi spiegano nell’ambito del procedimento assembleare, attraverso una lettura che, anche facendo leva sulle numerose possibilità garantite dalle più recenti innovazioni tecnologiche e sull’analisi empirica della realtà delle s.p.a. chiuse, giunga a valorizzare il superamento di formalità prive di rilevanza sostanziale a favore di una maggiore flessibilità dei processi decisionali e della stabilità delle deliberazioni
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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