1,721,163 research outputs found
Dowling, G L, 412500
No full textThis record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/382465Surname: DOWLING. Given Name(s) or Initials: G L. Military Service Number or Last Known Location: 412500. Missing, Wounded and Prisoner of War Enquiry Card Index Number: 51262.213703
Item: [2016.0049.14758] "Dowling, G L, 412500
Dowling, G A, NX59612
No full textThis record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/382474Surname: DOWLING. Given Name(s) or Initials: G A. Military Service Number or Last Known Location: NX59612. Missing, Wounded and Prisoner of War Enquiry Card Index Number: 34482.213721
Item: [2016.0049.14767] "Dowling, G A, NX59612
Dowling, G P, SX9865
No full textThis record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/382479Surname: DOWLING. Given Name(s) or Initials: G P. Military Service Number or Last Known Location: SX9865. Missing, Wounded and Prisoner of War Enquiry Card Index Number: 45714.213730
Item: [2016.0049.14772] "Dowling, G P, SX9865
Dowling, G W, QX12230
No full textThis record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/382475Surname: DOWLING. Given Name(s) or Initials: G W. Military Service Number or Last Known Location: QX12230. Missing, Wounded and Prisoner of War Enquiry Card Index Number: 7279.213723
Item: [2016.0049.14768] "Dowling, G W, QX12230
Fantasmi a Palazzo Lanfranchi e porcellini d'India a Bagni di Pisa: appunti su Byron, Shelley e il primo "gran commento" di Dante in inglese
No full textAn examination of Shelley and Byron's interest in Dante as a poet and patriot and of their relations with Irish expatriate John Taaffe, author of the first English-language commentary on the Divine Comedy (1821)
“I WANT TO GO TO ANOTHER LAND”. A.E. STALLINGS AND THE POETRY OF EXILE
Get PDFThis paper examines three versions of Cavafy’s poem, “The City”, by the American poet, A.E. Stallings. Stallings, since 1999 resident in Greece, has often addressed issues of home and exile. Her different versions show not only a development in her attitude towards translation but also a growing awareness of the universality of Cavafy’s great poem on exile
Byron e Dante in Casa Guidi Windows di Elizabeth Barrett Browning
No full textThe essay examines Elizabeth Barrett Browning's dialogue with Dante and Byron (and Shelley) in her poem 'Casa Guidi Windows', written in support of the Italian Risorgimento
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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