1,720,952 research outputs found
SEJARAH SEKSUALITAS DALAM FILM MASA ORDE (1970-1993)
Full text linkPenelitian ini bertujuan untuk dapat memahami bagaimana film-film seksualitas di masa Orde Baru di produksi dan didistribusikan pada masyarakat, dan seperti apa tanggapan masyarakat serta sineas film terhadap fenomena menjamurnya film-film berbumbu seks di Indonesia. Metode penelitian yang digunakan dalam kajian ini adalah metode sejarah, yang terdiri atas pengumpulan sumber (heuristik), kritik sumber (verifikasi), interpretasi (penafsiran), dan penulisan (historiografi). Dalam tahap pertama yaitu heuristik, penulis mengumpulkan sumber penulisan yaitu sumber primer seperti arsip, koran dan majalah, juga sumber sekunder seperti buku dan jurnal yang dapat diakses secara luring maupun daring. Setelah data terkumpul, data diverifikasi secara kritik intern maupun ekstern. Setelah mengetahui bahwa sumber itu tervalidasi, maka kemudian diteliti apakah sumber itu dapat dipercaya. Selanjutnya adalah interpretasi dalam rangka menafsirkan berbagai sumber yang telah diuji keakuratannya. Penulis menguraikan sumber yang telah terverifikasi berdasarkan analisisnya, setelah itu disatukan. Tahap akhir dilakukan penulisan dalam bentuk skripsi. Penelitian ini disajikan secara deskriptif-analisis, dan sistematis dengan menguraikan bagaimana kiprah film-film seksualitas di masa Orde Baru 1970-1993.
Kajian dalam skripsi ini membahas latar belakang lahirnya film-film seksualitas di masa Orde baru yang ditandai dengan kemunculan film Bernafas Dalam Lumpur di tahun 1970 yang menjadi film terlaris pada tahun tersebut, keberhasilan itu kemudian menjadi formula jitu bagi para sineas perfilman nasional untuk mengikuti membuat film dengan unsur-unsur seksualitas. Ditahun 1970 film-film bertema seks memiliki cirinya sendiri dengan alur cerita tentang percintaan remaja, sementara di tahun 1980 an film-film seks lebih bergenre mistik atau horor dengan berbagai adegan seks dan kekerasan atau sadisme. Menjamurnya film semacam ini tidak lepas dari regulasi Badan Sensor Film (BSF) yang tidak jelas dalam menggunting film untuk diedarkan, selain itu munculnya gelombang impor film asing membuat film-film Indonesia menjadi kelas kedua di negaranya sendiri.
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This study aims to understand how sexuality films during the New Order era were produced and distributed to the public, and what the responses of the public and filmmakers were to the phenomenon of the proliferation of sex films in Indonesia. The research method used in this study is the historical method, which consists of source collection (heuristics), source criticism (verification), interpretation (interpretation), and writing (historiography). In the first stage, heuristics, the author collects writing sources, namely primary sources such as archives, newspapers and magazines, as well as secondary sources such as books and journals that can be accessed offline and online. After the data is collected, the data is verified by internal and external criticism. After knowing that the source is validated, it is then examined whether the source is reliable. Next is interpretation in order to interpret the various sources that have been tested for accuracy. The author describes the sources that have been verified based on his analysis, after which they are put together. The final stage is writing in the form of a thesis. This research is presented descriptively-analytically, and systematically by describing how the progress of sexuality films during the New Order 1970-1993.
The study in this mini thesis discusses the background of the birth of sexuality films during the New Order era which was marked by the appearance of the film Bernafas Dalam Lumpur in 1970 which became the best-selling film of the year, the success then became a surefire formula for national filmmakers to follow making films with elements of sexuality. In 1970, sex-themed films had their own characteristics with storylines about teenage romance, while in the 1980s sex films were more in the mystical or horror genre with various scenes of sex and violence or sadism. The proliferation of such films cannot be separated from the unclear regulations of the Film Censorship Board (BSF) in cutting films for circulation, in addition to the emergence of a wave of foreign film imports making Indonesian films second-class in their own country
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Full text linkWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
No full textWe have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
Author-wise bibliometric analysis based on entropy.
No full textAuthor-wise bibliometric analysis based on entropy.</p
Author Under Sail The Imagination of Jack London, 1893-1902
No full textIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Intro -- Title Page -- Copyright Page -- Dedication -- Contents -- Acknowledgments -- Introduction -- 1. Spirit Truth -- 2. From Absorption to Theatricality and Back Again -- 3. "I Will Build a New Present" -- 4. Sons as Authors -- 5. Fathers as Publishers -- 6. The Daughter as Author -- 7. Lovers as Authors -- 8. At Sea with the Family -- 9. Yellow News, Yellow Stories -- 10. The Return Home -- Notes -- Bibliography -- Index -- About Jay WilliamsIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
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