1,721,062 research outputs found
Influence of urbanization on the avian species-area relationship: insights from the breeding birds of Rome
Full text linkThe species-area relationship (SAR) is one of the most investigated patterns in ecology and conservation biology, yet there is no study testing how different levels of urbanization influence its shape. Here we tested the impact of urbanization on avian SARs along a rural-urban gradient using the breeding birds of Rome (Central Italy). We divided the city into 360 cells of 1 km2. Each cell was classified as rural, suburban or urban using the proportion of impervious surface calculated from remote sensing data. For each of these three landscape categories, we constructed a SAR as a species accumulation curve (Gleason function) using bird species distribution data. SAR intercepts (i.e. the number of species per unit area) decreased from rural to urban areas, which indicates that urbanization depressed the number of species, reflecting the loss of specialized species strictly associated with natural habitats. The slope was highest for the rural curve, indicating that natural landscapes have the highest turnover due to their higher habitat heterogeneity. A higher slope for the urban cells, compared to the suburban ones, can be explained by the presence of green spaces embedded in the built-up matrix which host different avian communities. Previous studies that compared whole cities with natural areas failed to find differences in the respective SARs. Our study, which constructed SARs for different levels of urbanization, indicated significant changes in the SARs along the rural-urban gradient. Further analyses in other cities and taxa will be useful to test how general are our findings
Cardinal directions for visual optic flow
No full textAs we move through our environment, the flow of deforming images on the retinae provides a rich source of information about the three-dimensional structure of the external world and how to navigate through it. Recent evidence from psychophysical [1-4], electrophysiological [5-9] and imaging [10,11] studies suggests that there are neurons in the primate visual system - in the medial superior temporal cortex - that are specialised to respond to this type of complex 'optic flow' motion. In principle, optic flow could be encoded by a small number of neural mechanisms tuned to 'cardinal directions', including radial and circular motion [12,13]. There is little support for this idea at present, however, from either physiological [6,7] or psychophysical [14] research. We have measured the sensitivity of human subjects for detection of motion and for discrimination of motion direction over a wide and densely sampled range of complex motions. Average sensitivity was higher for inward and outward radial movement and for both directions of rotation, consistent with the existence of detectors tuned to these four types of motion. Principle component analysis revealed two clear components, one for radial stimuli (outward and inward) and the other for circular stimuli (clockwise and counter-clockwise). The results imply that the mechanisms that analyse optic flow in humans tend to be tuned to the cardinal axes of radial and rotational motion
Influenza dei collegamenti sulla risposta di case d’emergenza con struttura a pannelli metallici sottoposte ad azioni orizzontali
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The Structure of MLn(hfbc)4 and a Key to High Circularly Polarized Luminescence
No full texthe heterobimetallic complex CsEu[(+))-hfbc](4) (hfbc = 3-heptafluorobutyryl camphorate), prepared by Kaizaki and co-workers, displays the highest ratio of polarization versus total luminescence (measured by the glum factor), i.e., similar to 85% of the emitted photons at 595 nm are left-circularly polarized. We present a detailed structural analysis in solution, based on paramagnetic nuclear magnetic resonance (NMR), and discuss the possible dynamic processes, where its analogues are involved. We demonstrate that the first coordination sphere is very close to the achiral regular square antiprism (SAPR) with D-4d symmetry, which rules out the intrinsic dissymmetry of the Eu environment for rationalizing the g(lum). In contrast, the dynamic coupling between the f-f transitions, responsible for the emission, to the ligand-centered pi-pi* transition at 310 nm displays almost ideal geometry to justify glum and discloses a key to high circularly polarized emission
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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