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    Grazing impact on soil chemical and biological properties under different plant cover types in a mountain area of Southern Italy.

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    Grazing can contribute to soil degradation by compaction due to roaming of livestock and loss of herbaceous cover, affecting also soil microbial community. Aim of this study was to assess grazing impact on soil microbial community and nutrient status under different plant cover types (i.e., fernery, chestnut wood, garigue). Grazed and ungrazed soils were analysed for water holding capacity, pH, organic carbon, N, S, K, Mg, Fe, Mn, Zn and Cu content, microbial biomass, fungal mycelium and potential respiration. Moreover, some ecophysiological indices, as microbial quotient, coefficient of endogenous mineralization (CEM), metabolic quotient (qCO2) and fungal fraction of microbial carbon were calculated. The results of present study showed that a moderate intensity grazing had low or no impact on chemical characteristics of soils and affects microbial community mainly in grazed areas with lower vegetation cover and lower content of nutrient and organic carbon, compared to areas with a thick layer of vegetation

    Impact of fire on fungal abundance and microbial efficiency in C assimilation and mineralization in a Mediterranean maquis soil

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    The present study investigates the impact of fire (low and high severity) on soil fungal abundance and microbial efficiency in C assimilation and mineralisation in a Mediterranean maquis area of Southern Italy over 2 years after fire. In burned and control soils total and active fungal mycelium, microbial biomass C, percentage of microbial biomass C present as fungal C, metabolic quotient (qCO2) and coefficient of endogenous mineralisation (CEM) were assayed together with several chemical properties of soil (i.e. pH and contents of organic C, total and mineral N, available K, Mg, Mn and water). Fire significantly decreased the fungal mycelium, whereas it stimulated microbial growth probably through the enhancement of bacterial growth because of the increase in organic C and nutrient contents in burned plots. This shift in microbial community composition might explain the observed reduction in soil microbial efficiency of C assimilation (high qCO2) and the increase in C mineralisation rate (CEM) in the first 84 days after fire. Therefore, fire might increase CO2 input to the atmosphere not only during combustion phase but also in the post-fire period

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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