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Non Goverment Organisation (NGO): Role NGOs Film in Malaysia for Literature
Get PDFThis writing aims to discuss the progression of several Malaysia’s film of non-governmental organizations (NGOs). It seeks to explore the history of NGOs film’s from the golden age of ‘Jalan Ampas’ to date as well as to examine the roles of these organizations played in the film industry. This paper also a part of a Master’s research entitled the role of Film’s Non-Governmental Organizations (NGOs) Leader: study of the several NGOs. Research methods used are library research and field studies. Library research has been made for secondary data while field studies run for interview, questionnaires for NGOs members and data from NGOs reports. The data was analysed using Statistical Package for the Social Science (SPSS), as for interview was conducted among the leaders of selective NGOs and also on the opinion leader who are a film activists. However, this study is limited to a few selected NGOs film only. Findings of this study found that the Association of Film Artists of Malaya (PERSAMA) is the pioneer for NGOs film’s and a basic struggle for workers move in the film based on volunteerism. At present, the observed association is actively championing the aspirations of five associations that are under the Combined Staff Association of Film Malaysia (GAFIM), Malaysian Association of Artists (SENIMAN), Malaysian Film Producers Association (PFM), Film Director Association of Malaysia (FDAM), and Screen Writers Guild of Malaysia (SWAM) and Film Employees Association of Malaysia (PROFIMA).The findings of this study found that many efforts have been made to enhance the film’s quality and place more films to international level
NILAI INTRINSIK KOMUNITI SETEMPAT: TINJAUAN KE ATAS PENDEKATAN SUAIGUNA SEMULA BANGUNAN BERSEJARAH DI PERAK
No full textAntara kaedah efektif dalam melestarikan bangunan bersejarah ialah menerusi pendekatan penyesuaigunaan semula bangunan. Perubahan fungsi bangunan juga dapat memanjangkan jangka hayat bangunan berkenaan selain melindunginya daripada ancaman kepupusan. Oleh itu, artikel ini bertujuan membincangkan nilai-nilai intrinsik yang berpotensi wujud dalam kalangan komuniti setempat menerusi pendekatan penyesuaigunaan semula bangunan bersejarah. Komuniti setempat yang terlibat dalam kajian ini adalah terdiri daripada penduduk tempatan di beberapa daerah di Perak. Kaedah kajian yang digunakan ialah kualitatif menerusi kajian kepustakaan dan temu bual bersama beberapa pakar bidang. Beberapa buku, artikel, dokumen rasmi kerajaan dan tesis dirujuk bagi mendapatkan maklumat. Temu bual dianalisis dengan mengalihkannya ke dalam bentuk transkrip dan dipecahkan kepada beberapa tema. Hasil kajian mendapati penyesuaigunaan semula bangunan-bangunan bersejarah telah membentuk nilai-nilai intrinsik seperti nilai sepunya, kebanggaan, semangat jiwa setempat, perasaan melambangkan, kesanggupan dan mengekalkan. Analisis kajian juga menemukan sokongan penuh komuniti setempat dalam usaha memulihara dan memelihara bangunan bersejarah menerusi pendekatan suaiguna semula dilihat mampu mengukuhkan usaha pihak kerajaan terutamanya pihak berkuasa tempatan untuk memulihara dan memelihara bangunan bersejarah sebagai identiti warisan di Perak.
Adaptive reuse is an effective method to use in preserving historic buildings. This is because changing the function may extend the lifespan of the building in addition to protecting it from the threat of extinction. This paper aims to discuss the intrinsic value that may be generated among the local community through the adaptive reuse of historic buildings. This study has involved local residents from several areas in Perak. It has used qualitative methods of literature review and interviews with several experts in the related field. Several books, articles, thesis and official government documents were referred to in order to get the data. Meanwhile, data from interviews were transcribed and divided into several themes. The study has found that adaptive reuse of historical buildings has formed the intrinsic values such as sense of belonging, pride, sense of place, symbolizing feelings, willingness and perpetuate. The analysis also has found that the local communities gave their full support to the government in the latter\u27s efforts of conserving and preserving historic buildings. The local communities regarded the buildings as heritage identity of Perak
RITUAL DALAM CERITA RAKYAT DI MUKIM BEBAR, PEKAN, PAHANG, MALAYSIA
No full textAbstrak
Cerita rakyat berkembang dari generasi ke generasi dan disampaikan melalui lisan sehingga cerita rakyat dikenali sebagai sastera rakyat naratif nusantara. Cerita rakyat dianggap sebagai media hiburan pada zaman dahulu yang sarat dengan nilai-nilai pengajaran. Namun begitu, jika cerita rakyat difahami dan diteliti ia mempunyai hubung kait antara kehidupan masyarakat dengan kebudayaan masyarakatnya seperti kepercayaan, sistem kekeluargaan dan ekonomi. Namun, kini cerita rakyat semakin kurang mendapat tempat di hati generasi kerana kewujudan teknologi moden. Lantaran itu, kajian ini bertujuan mengenalpasti dan membincangkan ritual yang terkandung dalam cerita rakyat di Mukim Bebar Pekan, Pahang. Seterusnya, kajian ini juga menggunakan landasan teori fungsionalisme bagi analisis perbincangan. Metodologi kajian adalah secara kualitatif melalui kajian kerja lapangan iaitu kaedah temu bual berstruktur yang melibatkan tukang-tukang cerita di Mukim Bebar Pekan, Pahang. Hasil kajian mendapati ritual yang terdapat dalam cerita rakyat di Mukim Bebar Pekan, Pahang mempunyai hubung kait yang rapat dengan kebudayaan masyarakat Melayu dan masih diaplikasikan dalam kehidupan sesetengah masyarakat di kampung tersebut hingga ke hari ini.
Abstract
Folklore grows from generation to generation and is conveyed orally until it is known as folk narrative literature of the archipelago. Folklore was known as an entertainment medium in ancient times laden with teaching values. Folklore has a relation between the life of the community and the culture of the community, projected through beliefs, family system and economy. However, folktales are now less appreciated as among the younger generation, mostly due to the modern technology advancement. This study aims at identifying and discussing the rituals contained in the folklore collected at Mukim Bebar Pekan, Pahang. This study also uses the theoretical foundation of functionalism in the discussions and analyses. The research methods employed are qualitative and a fieldwork involving a structured interview method of the storytellers in Mukim Bebar Pekan, Pahang. It can be concluded that there is a close relation between the community and its culture where some rituals are still being practiced in the lives of some people in the village, even up to now
HATIMU AISYAH KARYA ZURINAH HASSAN MENERUSI PERSPEKTIF ELAINE SHOWALTER MODEL BAHASA
No full textHatimu Aisyah karya Sasterawan Negara ke-13 iaitu - Zurinah Hassan, yang juga penerima Anugerah Hadiah Penulis Asia Tenggara (SEA Write Award) pada tahun 2004. Rentetan kejayaan beliau, telah menjadi tumpuan para pengkaji untuk meneliti aspek mengenai pengarangan wanita. Hatimu Aisyah merupakan novel pertama dihasilkan oleh Zurinah Hassan yang menekankan mengenai amalan adat resam zaman terdahulu sehingga ditelan arus pemodenan zaman. Novel Hatimu Aisyah mengetengahkan gambaran wanita yang mengutamakan adat dalam konteks perjalanan hidup bermasyarakat. Kajian terhadap karya Zurinah Hassan ini, bersandarkan kepada Model Bahasa Gagasan Elaine Showalter dari perspektif ginokritik untuk melihat watak-watak wanita. Antara Perbincangan dalam kajian ini adalah berfokuskan kepada simbolik bahasa dan bahasa sebagai ekspresi kesedaran wanita. Hasil dapatan keseluruhan kajian menunjukkan bahawa Zurinah Hassan menggunakan bahasa yang bersesuaian dengan gagasan bahasa daripada Elaine Showalter tetapi agak kurang menyerlah. Hal ini disebabkan keterbatasan penggunaan bahasa selaras dengan sosiobudaya masyarakat Melayu. Penemuan kajian ini dalam model bahasa wanita dapat dilihat menerusi simbolik bahasa dan bahasa sebagai ekspresi kesedaran wanita. Hasil manfaat dan kepentingan diperolehi masa hadapan dapat dilihat bahawa golongan wanita menzahirkan protes dan kritikan menerusi corak penulisan karya mereka meskipun masih dalam keadaan terkawal.
Hatimu Aisyah the 13th National literary works, namely-Zurinah Hassan, who is also the recipient of the Southeast Asian Writer award (SEA Write Award) in 2004. His success string has been the focus of researchers to examine the aspects of women\u27s writings. Hatimu Aisyah is the first novel to be produced by Zurinah Hassan that emphasizes on the historical practices of the past, having swallowed the current modernization of the day. The Hatimu Aisyah Novel highlights the portrayal of women who are customcentric in the context of the communities life. Studies on Zurinah Hassan\u27s work are based on the language Model of Elaine Showalter from the perspective of Ginokritik to see the female characters. Among the discussions in this study are focused on symbolic language and language as a expression of women\u27s awareness. The overall findings of the study showed that Zurinah Hassan used a language that fits the language idea of Elaine Showalter but was somewhat less striking. This is due to the limitations of usage in line with the Malay social. The findings of this study in female language models can be seen through the symbolic language and language in the expression of women\u27s awareness. The results of the benefits and interests gained future can be seen that women are in their protest and criticism through their work writing patterns despite being controlled
INTEGRATION OF NATURE AND SCIENCE IN THE MAKING OF JEBAK PUYUH IN KELANTAN
Get PDFThe Malay community is known for its genius in making their cultural tools which are neither only fine but also have a high degree of resilience and can last decades or even centuries. The renowned Jebak Puyuh handicraft from Kelantan is part of the heritage of the Malay community. This Quail trap has a high aesthetic value due to its beautiful woven design and motifs. However, due to modernization pressures, the production of Jebak Puyuh in Malaysia is on the verge of extinction. Thus, this writing aims to elaborate on the integration of natural and scientific elements in the manufacture of Jebak Puyuh by focusing on the manufacture of Jebak Puyuh in Tumpat, Kelantan. Interviews with the makers and owners of the Jebak Puyuh collection were conducted to collect data on the natural and scientific elements used in the production of Jebak Puyuh. Thematic analysis is used to analyse interview data. As a result, Jebak Puyuh's clearly demonstrates the Malay community's wisdom in combining natural and scientific elements, allowing this handicraft product to last for many years. The scientific elements found in the production of Puyuh Jebak can be seen in the making techniques, and materials. While the beauty of the ornaments and weave found in the body of Jebak Puyuh can be seen as elements of nature. According to this study, Jebak Puyuh is one of the Malay community's wisdom in manufacturing its cultural tools. As a result, this study concludes that the heritage of Jebak Puyuh should be defended as one of the symbols of Malay heritage identity. Furthermore, in accordance with the National Cultural Policy, this handicraft must be restored and preserved so that the Malay community's wisdom can be carried on to the next generation
PEMBERDAYAAN PRODUK WARISAN : INTERAKSIONISME ANTARA JENIS PADI DALAM PANTUN DAN MASYARAKAT MELAYU
No full textPantun merupakan sebuah karya sastera tradisional yang banyak memberi manfaat kepada masyarakat Melayu. Malah, UNESCO berpendapat bahawa pantun bukan sekadar alat komukasi sosial, tetapi kaya dengan nilai-nilai budaya dan agama yang menjadi garis panduan dalam pembentukan nilai moral masyarakat. Teguran dan pesanan yang disampaikan melalui pantun kebiasaannya menekankan tentang nasihat yang boleh membentuk keperibadian dan keakraban antara masyarakat . Kebijaksanaan dan falsafah pemikiran masyarakat Melayu dalam menghayati unsur-unsur alam dan mengenterpretasikan dalam susunan kata yang menarik melahirkan pantun tradisi. Menerusi makalah ini, dapat ditelusuri aspek interaksionisme antara jenis-jenis padi yang terdapat dalam kumpulan pantun dengan masyarakat melayu. Manakala teori yang digunakan dalam kajian ini ialah teori ‘Semiotics of Poetry’ yang dikemukakan oleh Michael Riffaterre (1978). Bagi tujuan menjalankan kajian interaksionisme di antara jenis padi dan masyarakat Melayu, analisis dilakukan melalui koleksi pantun yang terdapat dalam teks Pantun Melayu Bingkisan Permata. Rangkap pantun yang mempunyai leksikal padi dikumpulkan dan beberapa jenis padi dikenalpasti untuk dianalisis.
Pantun is a culturally significant literary artifact that is of great value to the community. Poetry, according to UNESCO, is not only an instrument of social communication but also a source of cultural and religious values that serve as guidelines for forming a society\u27s moral values. In general, the admonitions and messages conveyed by the verses emphasize the equilibrium and harmony of human relationships. Wisdom and philosophical thought of the Malay community in researching natural elements and mengenterpretasikan to produce a beautiful expression of traditional Malay poetry. This paper traces aspects of the interaction between the rice varieties in the poem and the Malay community. In addition, this study employs Michael Riffaterre\u27s Semiotics of Poetry theory (1978). Poetry collections from the Raya gifts jewel text are analyzed to examine the relationship between the type of rice and the community. Various kinds of paddy were identified and analyzed after collecting verses containing the lexical term \u27paddy
SIMBOL PADA REKABENTUK MASJID MUHAMMADI, KOTA BHARU, KELANTAN: SATU PENELITIAN AWAL
No full textAbstrak
Simbol memainkan peranan penting dalam melihat keindahan nilai estetika sesuatu rekabentuk bangunan masjid. Ini kerana keunikan rekabentuk sesebuah masjid warisan banyak dipengaruhi oleh rekabentuk simbol yang dipilih yang mempunyai falsafah tertentu. Pemilihan simbol yang tepat menjadikan rekabentuk masjid lebih menarik dan cantik. Kajian ini bertujuan merungkai pemilihan simbol bagi setiap rekabentuk pada bangunan Masjid Muhammadi, Kota Bharu Kelantan. Simbol yang diambilkira dalam kajian ini adalah termasuk ragam hias, motif (flora dan fauna), geometri dan kaligrafi. Kaedah penyelidikan yang digunakan untuk mendapatkan maklumat ialah melalui kaedah pemerhatian. Kaedah pemerhatian ini digunakan bagi melihat ragam hias dalam rekabentuk Masjid Muhammadi. Hasil kajian menunjukkan simbol yang digunakan dalam ragam hias masjid warisan ini lebih menekankan kepada motif yang berunsurkan alam flora, kaligrafi dan corak.
Abstract
Symbol has an important role in appreciating the aesthetic value of a heritage mosque. The uniqueness of a heritage mosque is influenced by the selected symbols which have their own philosophy. A right selection can make the design of the mosque more attractive and more beautiful. This study aims to unravel the selection of symbols in the design of Masjid Muhammadi, Kota Bharu Kelantan. These symbols include decoration, motifs (flora and fauna), geometry and calligraphy. The research method used to obtain information is qualitative through observation. It is observed that the symbols used in the decoration of this heritage mosque are more of a motif based on the nature of flora, calligraphy and patterns
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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